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Hasten, Lord, the Glorious Time
Author: Harriet Auber, 1773-1862 Appears in 299 hymnals Lyrics: 1 Hasten, Lord, the glorious time,
When beneath Messiah's sway,
Every nation, every clime,
Shall the gospel call obey.
2 Mightiest kings His power shall own;
Heathen tribes His name adore.
Satan and His host o'erthrown,
Bound in chains, shall hurt no more.
3 Then shall wars and tumults cease,
Then be banished grief and pain;
Righteousness and joy and peace,
Undisturbed, shall ever reign.
4 Bless we, then, our gracious Lord;
Ever praise His glorious name;
All His mighty acts record,
All His wondrous love proclaim.
Amen. Topics: Missions General; Soul Winning Used With Tune: ST. BEES
Hasten, Lord, the Glorious Time
ELTHAM (Mason)
Meter: 7.7.7.7 D Appears in 80 hymnals Composer and/or Arranger: Lowell Mason Tune Sources: Carmina Sacra Incipit: 51315 53513 12321 Used With Text: Hasten, Lord, the glorious time
ELTHAM (Mason)
WEBER (SEYMOUR)
Meter: 7.7.7.7 Appears in 622 hymnals Composer and/or Arranger: Carl Maria von Weber Tune Key: F Major Incipit: 32436 53233 33471 Used With Text: Hasten, Lord, the Glorious Time
WEBER (SEYMOUR)
Hasten, Lord, the Glorious Time
Author: Harriet Auber Hymnal: Young Men's Chorus #26 (1912) Languages: English Tune Title: [Hasten, Lord, the glorious time]
Hasten, Lord, the Glorious Time
Hasten, Lord, the Glorious Time
Author: Harriet Auber Hymnal: The Gospel Temperance Hymnal and Coronation Songs #39 (1886) Languages: English Tune Title: [Hasten, Lord, the glorious time]
Hasten, Lord, the Glorious Time
Hasten, Lord; the Glorious Time
Hymnal: Joyful Praise #197 (1902) First Line: Hasten, Lord, the glorious time Languages: English Tune Title: [Hasten, Lord, the glorious time]
Hasten, Lord; the Glorious Time
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Felix Mendelssohn Composer of "HERALD ANGELS" in Missionary Hymnal Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
J. B. Herbert
1852 - 1927 Composer of "[Hasten, Lord, the glorious time]" in Glory Songs
J. B. Herbert
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes, 1828-1876 Composer of "ST. BEES" in Worship and Service Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
