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Johann Walter

1496 - 1570 Composer of "[Halt im Gedächtnis Jesus Christ]" in Antwort Finden in alten und neuen Liedern, in Worten zum Nachdenken und Beten Johann Walther (b. Kahla, Thuringia, Germany, 1496: d. Torgau, Germany, 1570) was one of the great early influences in Lutheran church music. At first he seemed destined to be primarily a court musician. A singer in the choir of the Elector of Saxony in the Torgau court in 1521, he became the court's music director in 1525. After the court orchestra was disbanded in 1530 and reconstituted by the town, Walther became cantor at the local school in 1534 and directed the music in several churches. He served the Elector of Saxony at the Dresden court from 1548 to 1554 and then retired in Torgau. Walther met Martin Luther in 1525 and lived with him for three weeks to help in the preparation of Luther's German Mass. In 1524 Walther published the first edition of a collection of German hymns, Geystliche gesangk Buchleyn. This collection and several later hymnals compiled by Walther went through many later editions and made a permanent impact on Lutheran hymnody. Bert Polman ================ Walther, Johann, was born in 1496 at a village near Cola (perhaps Kahla, or else Colleda, near Sachsenburg) in Thuringia. In 1524 we find him at Torgau, as bassist at the court of Friedrich the Wise, Elector of Saxony. The Elector Johann of Saxony made him "Sengermeister" (choirmaster) in 1526. When the Electoral orchestra (Kapelle) at Torgau was disbanded in 1530, it was reconstituted by the town, and in 1534 Walther was also appointed cantor (singing-master) to the school at Torgau. On the accession of the Elector Moritz of Saxony, in 1548, Walther went with him to Dresden as his Kapellmeister. He was pensioned by decree of Aug. 7, 1554, and soon after returned to Torgau, still retaining the title of "Sengermeister." He died at Torgau, perhaps on March 25, or at least before April 24, 1570. (Monatshefte für Musikgeschichte, 1871, p. 8, and 1878, p. 85; Archiv für Litteraturgeschichte, vol. xii., 1884, p. 185; Dr. Otto Taubert's Pflege der Musilz in Torgau, 1868, and his Gymnasial Singe-Chor zu Torgau, n.d., 1870, &c.) Walther was more distinguished as a musician than as a hymnwriter. In 1524 he spent three weeks in Luther's house at Wittenberg, helping to adapt the old church music to the Lutheran services, and harmonising the tunes in five parts for the Geystliche gesangk Bucklyn, published at Wittenberg in 1524. He was also present in the Stadtkirche at Wittenberg, when, on Oct. 29, 1525, the service for the Holy Communion, as rearranged by Luther and himself, was first used in German. His hymns appeared mostly in his Das christlich Kinderlied D. Martini Lutheri, Erhalt uns Herr, &c. Auffs new in sechs Stimmen gesetzt, und rait etlichen schönen Christlichen Texten, Lateinischen und Teutschen Gesengen gemehrt, &c, Wittenberg. Those of Walther's hymns which have passed into English are:— i. Herzlich Lieb hab ich dich, mein Gott. Trinity Sunday. First published in 1566 as above, and thence in Wackernage, iii. p. 204, in 4 stanzas of 8 lines. Translated as:— 0 God, my Rock! my heart on Thee. This is a good translation of stanza i., iii., iv., by A. T. Russell, as No. 133 in his Psalms & Hymns, 1851. ii. Herzlich thut mich erfreuen. Eternal Life. First published separately, in 33 stanzas, at Wittenberg, in 1552, entitled "A beautiful spiritual and Christian new miner's song, of the Last Day and Eternal Life" [Konigsberg Library]. Thence in Wackernagel, iii. p. 187, in 34 stanzas, stanza 33 being added from the Dresden reprint of 1557. It is set to the melody of a popular song on the Joys of Summer. It is a fresh and beautiful hymn, but is only partially available on account of its length. Translated as:— 1. Now fain my joyous heart would sing. This is a translation of stanza 1, 4, 5, 17, 33, 34, by Miss Winkworth, in her Lyra Germanica 2nd Ser., 1858, p. 223. Her translations of stanzas 1, 4, 5, were included in the English Presbyterian Psalms & Hymns, 1867, No. 325. 2. Soon will the heavenly Bridegroom come. This is by Dr. Kennedy, in his Hymn. Christanza, 1863, No. 1009, and follows the text of the Geistliche Lieder omitting stanza 16, 18, 13. It is repeated in the Laudes Domini, N. Y., 1884, &c. 3. The Bridegroom soon will call us. By Dr. M. Loy, from the Geistliche Lieder, but omitting stanzas 18, 13, as No. 24 in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A. ] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Cyriacus Günther

1650 - 1704 Person Name: Cyriakus Günther Author of "Halt im Gedächtnis Jesus Christ" in Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz Günther, Cyriacus, was born Jan. 15, 1649, at Goldbach, near Gotha. After study¬ing at the Gymnasium of Gotha, and the University of Jena, he became First-form master at Eisfeld, Sachse-Meiningen; and then Third-form master in the Gymnasium at Gotha. He died at Gotha in the beginning of Oct. 1704 (Koch, iv. 263-9; Bode, p. 81). His son, who was clerk of St. George's Church at Glaucha, possessed a manuscript collection of some 30 hymns by his father; and from this he allowed Freylinghausen to select 10 for his Neues geistreiches Gesang-Buch, 1714. These are above the average in merit, and Scriptural and good in style. Two have passed into English:— i. Bringt her dem Herren Lob und Ehr. Praise and Thanksgiving. 1714, No. 556, in 7 stanzas of 7 lines, repeated as No. 993 in the Berlin Geistlicher Lieder-Schatz, ed. 1863. The only translation in common use is:— With joyful heart your praises bring, a good translation of stanzaas i., iv.-vi., by A. T. Russell, as No. 202 in his Psalms & Hymns, 1851. ii. Halt im Gedächtniss Jesum Christ. Love to Christ. Founded on 2 Tim. iii. 8. 1714, No. 765, in 6 stanzas of 7 lines, repeated as No. 297 in the Berlin Geistlicher Lieder-Schatz, ed. 1863. On thankful remembrance of Christ's Incarnation (i.); Death (ii.); Resurrection (iii.); Ascension (iv.); Promised Second Advent (v.); ending with a prayer for faith (vi.). The only translation in common use is:— 0 keep before thy thankful eyes. A good and full tr. by A. T. Russell, as No. 182 in his Psalms & Hymns, 1851. Other trs. are: (i) "Remember Jesus, God's dear Son," by Dr. H. Mills, 1845 (1856, p. 125). (2) "Bear Jesus Christ the Lord in mind," by Miss Cox, in Lyra Eucharistica, 1863, p. 215 (1804, p. 259), and in her Hymns from German, 1864, p. ill. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology

J. M. Biermann

Person Name: J. M. B. Composer of "[Halt im Gedächtnis Jesum Christ]" in Evangelisches Gesangbuch mit vierstimmigen Melodien

Johann Samuel Diterich

1721 - 1797 Person Name: J. Dietrich Author of "Halt im gedächtniß Jesum Christ" in Das Gemeinschaftliche Gesangbuch Diterich, Johann Samuel, eldest son of A. M. Diterich, pastor of St. Mary's Church, Berlin, was born at Berlin, Dec. 15, 1721. After studying at the Universities of Frankfurt a. Oder, and Halle, he was for some time a private tutor in Berlin. He was, in 1748, appointed diaconus of St. Mary's Church in Berlin, and regimental chaplain, becoming, in 1751, archidiaconus, and, in 1754, pastor of St. Mary's. In 1763 he was appointed private Chaplain to the Queen, and in 1770 a member of the Supreme Consistory. He died at Berlin, Jan. 14, 1797 (Koch, vi. 228-231; Allg. Deutsche Biog., v. 258-259). His hymns appeared in the following works:— (1) Lieder für den offentlichen Gottesdienst Berlin, 1765, with 23G hymns, edited by himself and his col¬leagues in Stanzas Mary's Church. Designed as a supplement to Porst's Gesang-Buch of 1713. (2) Gesangbuch zum (foltesdienstlichen Gebrauch in den Königlich-Preus-sischen Landen, Berlin, 1780, with 447 hymns principally edited by himself. (3) Gesangbuch für die häusliche Andacht. Berlin, 1787, with 421 hymns, principally of recent date. None of these books give names of authors. Diterich seems to have contributed about 100 hymns either original or entirely recast, besides rewriting portions of many others. He distinguished himself as a leader in the unhappy process of “modernising" and "improving" the older German hymns, by which they were reduced to 18th cent. "correctness," and had all the life polished out of them. His 1765 collection formed the model of many wretched hymn-books, and his influence is even seen in such recent collections as the Hamburg Gesang-Buch 1842, the Nassau Gesang-Buch, 1844, and the Gesang-Buch für die evang. Landeskirche im Grossherzogtum Sachsen, Weimar, 1883. A number of the recasts from the older hymns which appear under Diterich's name are noted in this Dictionary under the names of their original authors. The following may be regarded as practically original:— i. Schon ist der Tag von Gott bestimmt. [Second Advent.] 1765, as above, No. 129, in 8 stanzas of 7 lines. Included as No. 390 in the Nassau Gesang-Buch, 1844. The only translation in common use is:— The trumpet sounds! the day is come! A full and good translation in Dr. H. Mills's Horae Germanica, 1845 (ed. 1856, p. 332). Dr. Hatfield included stanzas i., iv., vi., vii., altered, in his Church Hymn Book, 1872. The following, although not in English common use, are available for hymnological purposes :— ii. Auf Erden Wahrheit auszubreiten. Christ's Ministry. 1787, as above, No. 79, in 10 stanzas. Translated by Dr. H. Mills, 1845 (ed. 1856, p. 283), as "That men to truth might not be strangers." iii. Auf! Jesu Jünger! freuet euch! Ascension. 1765, as above, No. 79, in 12 stanzas, and is based on E. Alber's hymn "Nun freut euch Gottes Kinder all" (q. v.). Two forms have been translated (1) “Auf, Christen, auf und freuet euch," in the Berlin Gesang-Buch, 1780, No. 114; tr. as "Rejoice, ye saints, your fears be gone," by Dr. H. Mills, 1845 (ed. 1856, p. 324); and (2) "Ihr Jünger Jesu, freuet euch," in the Trier Gesang-Buch. (R. C), 1846, p. 94. Tr. as "Rejoice, ye saints, in glad accord," by Dr. R. F. Littledale, in Lyra Messianica, 1864, p. 371. iv. Herr, meiner Seele grossen Werth. Greatness of the Soul. 1765, as above, No. 195, in 9 stanzas. Translated by Dr. H. Mills, 1845 (ed. 1856, p. 30), as “Lord, on the soul's enduring worth." v. Mein Heiland lebt. Er hat die Macht. Resurrection of the Dead. 1765, as above, No. 123, in 8 stanzas. Translated by Miss Manington, 1863,p. 75, "My Saviour lives, and He the might." vi. O Jesu, wahrer Frömmigkeit. Jesus our Example. Seems to have been suggested by J. J. Rambach's "Du wesentliches Ebenbild " in his Haus Gesang-Buch, 1735, No. 84. First published 1789, as above, No. 59, in 8 stanzas. Translated by Dr. H. Mills, 1845 (ed. 1856, p. 285), as "Jesus, of what we should approve." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Johann Samuel Dietrich

1721 - 1797 Person Name: J. Dietrich Author of "Halt im Gedächtniß Jesum Christ" in Neuestes Gemeinschaftliches Gesangbuch also Johann Samuel Dieterich

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