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Hail, all hail the joyful morn!
Author: Miss Harriet Auber, 1773-1862 Appears in 32 hymnals Used With Tune: HERALD ANGELS
Hail, all hail the joyful morn!
HERALD ANGELS
Appears in 653 hymnals Composer and/or Arranger: Felix Mendelssohn-Bartholdy (1809-1847) Incipit: 51171 33255 54323 Used With Text: Hail, all hail the joyful morn!
HERALD ANGELS
GLEBE FIELD
Meter: 7.7.7.7 Appears in 41 hymnals Composer and/or Arranger: John Bacchus Dykes Tune Key: F Major Incipit: 11123 44353 45622 Used With Text: Hail, All Hail The Joyful Morn!
GLEBE FIELD
Hail, All Hail The Joyful Morn!
Author: Harriet Auber Hymnal: The Cyber Hymnal #10209 Meter: 7.7.7.7 Lyrics: 1 Hail, all hail the joyful morn!
Tell it forth from earth to Heaven,
That "to us a Child is born,"
That "to us a Son is given."
2 Angels bending from the sky,
Chanted at the wondrous birth,
"Glory be to God on high
Peace, good-will to man on earth."
3 Him prophetic strains proclaim
King of kings, the Incarnate Word;
Great and wonderful His name,
Prince of Peace, the Mighty God.
4 Join we then our feeble lays,
To the chorus of the sky;
And, in songs of grateful praise,
Glory give to God on high. Languages: English Tune Title: GLEBE FIELD
Hail, All Hail The Joyful Morn!
Hail, All Hail the Joyful Morn!
Author: H. Auber Hymnal: Standard Songs #23 (1905) Topics: Birth of Jesus—Christmas Languages: English Tune Title: GLEBE
Hail, All Hail the Joyful Morn!
Hail, All Hail the Joyful Morn
Author: H. Auber Hymnal: Gloria Deo #701 (1901) First Line: Hail, all hail the joyful morn! Topics: Christmas Languages: English Tune Title: GLEBE
Hail, All Hail the Joyful Morn
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Felix Mendelssohn-Bartholdy (1809-1847) Composer of "HERALD ANGELS" in Songs of Praise Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Composer of "GLEBE" in Gloria Deo As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Anonymous
Author of "Hail, all hail the joyful morn" in Hymns for Christian Devotion In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
