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Text Identifier:"^gott_vater_sohn_und_heiliger_geist_du_go$"

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Gott Vater, Sohn und heil'ger Geist

Appears in 21 hymnals Used With Tune: [Gott Vater, Sohn und heil'ger Geist]

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[Gott Vater, Sohn und heil'ger Geist]

Appears in 419 hymnals Composer and/or Arranger: W. B. Bradbury Incipit: 55515 53244 42767 Used With Text: Gott Vater, Sohn und heil'ger Geist

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Gott Vater, Sohn und heiliger Geist, du Gott von grosser Guete

Author: Justus Gesenius Hymnal: Kirchengesangbuch fuer Evangelisch-Lutherische Gemeinden ungeanderter Augsburgischer Konfession #ad125 (1917) Languages: French; German

Gott Vater, Sohn und heiliger Geist, du Gott von grosser Guete

Author: Justus Gesenius Hymnal: Kirchengesangbuch fuer Evangelisch-Lutherische Gemeinden ungeaenderter Augsburgischer Konfession #d125 (1862) Languages: German

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William B. Bradbury

1816 - 1868 Person Name: W. B. Bradbury Composer of "[Gott Vater, Sohn und heil'ger Geist]" in Gesangbuch mit Noten William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Justus Gesenius

1601 - 1673 Author of "Gott Vater, Sohn und heiliger Geist, du Gott von großer Güte" Gesenius, Justus, D.D., son of Joachim Gesenius, pastor at Esbeck, near Lauenstein, Hannover; was born at Esbeck, July 6, 1601. He studied at the Universities of Helmstedt and Jena, graduating M.A at Jena in 1628. In 1629 he became pastor of St. Magnus's Church, Brunswick; in 1636 court chaplain and preacher at the Cathedral in Hildesheim; and in 1642 chief court preacher, consistorialrath, and general superintendent at Hannover. He died at Hannover, Sept. 18, 1673 (Koch, iii 230-237; Allgemeine Deutsche Biographie, ix. 87-88; Bode, p. 76, &c). Gesenius was an accomplished and influential theologian, a famous preacher, and distinguished himself by his efforts to further the catechetical instruction of the children of his district. Along with D. Denicke (q.v.) he edited the Hannoverian hymnbooks of 1646-1660. Both he and Denicke aimed at reducing the older German hymns to correctness of style according to the poetical canons of Martin Opitz; not so much interfering with the theology or making the authors speak a terminology foreign to them. Consequently their recasts, while setting a bad example, and while often destroying much of the force and freshness of the originals, were not by any means so objectionable as the recasts of the Rationalistic period, and moreover were soon widely accepted. As no authors' names are given in the Hannoverian hymnbooks, it is difficult to assign the authorship of the new hymns and recasts therein contained. The following is generally, and apparently with reason, ascribed to Gesenius: Wenn meine Sünd' mich kränken. Passiontide. His finest hymn as regards depth, warmth, and finish. First published in the Hannover Gesang-Buch 1646, No. 49, in 8 stanzas of 7 lines. It has been called a recast of the hymn "Hilf Gott, dass mir gelinge," but bears not the slightest resemblance to it. Included in Crüger's Praxis, 1656, and many later collections, as the Berlin Geistliche Lieder S., ed. 1863, No. 277. By a not unjust retribution it was soon recast, and appeared in the Lüneburg Gesang-Buch, 1661, as "Wenn mich die Sunden kränken." Translated as:— 1. When guilt and shame are raising. In full, by J. C. Jacobi, in pt. ii., 1725, of his Psalter Germanica, p. 4 (1732, p. 34). In the Moravian HymnBook of 1789, No. 106, it is altered to “O Lord, when condemnation"; and in the edition 1886, it begins with st. v., "Lord, let Thy bitter passion." A cento of stanzas ii., iii., v., from the Moravian Hymn Book, 1801, was adopted by Montgomery in his Christian Psalmist, 1825, beginning, "O wonder far exceeding," and this is in the New Zealand Hymnal. 1872. 2. 0 Lord, when my sins grieve me. A good translation of stanzas i., ii., iv., v., by A. T. Russell, as No. 81 in his Psalms & Hymns, 1851. 3. When sorrow and remorse. In full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 74. A cento consisting of lines 1-4 of stanzas i., iv.—vi., and of stanza vii., rewritten to S.M., is in the Pennsylvanian Lutheran Church Book, 1868. 4. 0 Lord, when condemnation. A full and good translation, included as No. 84 in the 1857 ed. of Mercer's The Church Psalter and Hymnbook. Probably by Mr. Mercer, but mainly taken from the Moravian Hymnbook, 1789, and from Miss Winkworth. Repeated, abridged, in his Oxford ed., 1864, No. 149, and in the Toronto HymnBook, 1862. 5. When o'er my sins I sorrow. A good translation, based on her 1855 version, and omitting stanzas ii.—iv., by Miss Winkworth, as No. 48 in her Chorale Book for England, 1863. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)
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