Search Results

Text Identifier:"^god_eternal_lord_of_all$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

God eternal, Lord of all

Appears in 53 hymnals Used With Tune: MESSIAH

Tunes

tune icon
Tune authorities
Page scansAudio

HOLLINGSIDE

Appears in 295 hymnals Composer and/or Arranger: Rev. J. B. Dykes (1823-1876) Incipit: 35655 43176 53123 Used With Text: God eternal, Lord of all!
Page scansAudio

INNOCENTS

Appears in 457 hymnals Composer and/or Arranger: W. H. Monk Incipit: 34517 65123 54323 Used With Text: God eternal, Lord of all
Page scansAudio

CULBACH

Appears in 70 hymnals Composer and/or Arranger: William Henry Havergal (1793-1870) Incipit: 13554 53117 7665 Used With Text: God eternal, Lord of all

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

God Eternal, Lord of All

Author: J. E. Millard Hymnal: Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings #25 (1883) Topics: Adoration, Praise, Thanksgiving Tune Title: [God eternal, Lord of all]
TextAudio

God Eternal, Lord of All

Author: Anonymous; James E. Millard Hymnal: The Cyber Hymnal #1725 Meter: 7.7.7.7 Lyrics: 1. God eternal, Lord of all, Lowly at Thy feet we fall; All the earth doth worship Thee; We amidst the throng would be. 2. All the holy angels cry, Hail, thrice holy, God most high! Lord of all the heavenly powers, Be the same loud anthem ours. 3. Glorified apostles raise Night and day continual praise; Hast Thou not a mission, too, For Thy children here to do? 4. With Thy prophets’ goodly line We in mystic bond combine; For Thou hast to babes revealed Things that to the wise were sealed. 5. Martyrs, in a noble host, Of Thy cross are heard to boast; Since so bright the crown they wear, Early we Thy cross would bear. 6. All Thy Church in Heav’n and earth Jesus, hail Thy spotless birth, Own the God who all has made, And the Spirit’s soothing aid. 7. Offspring of a virgin’s womb, Slain, and victor o’er the tomb, Seated on the judgment throne, Number us among Thine own. Languages: English Tune Title: ROSEBANK
TextPage scan

God eternal, Lord of all

Hymnal: The Hymnal #82 (1895) Lyrics: 1 God eternal, Lord of all, Lowly at Thy feet we fall; All the earth doth worship Thee; We amidst the throng would be. 2 All the holy angels cry "Hail, thrice Holy, God Most High!" Lord of all the heavenly powers, Be the same loud anthem ours. 3 Glorified apostles raise Night and day continual praise; Hast Thou not a mission too For Thy children here to do? 4 With Thy prophets' goodly line We in mystic bond combine; For Thou hast to babes revealed Things that to the wise are sealed. 5 Martyrs, in a noble host Of Thy cross are heard to boast; Since so bright the crown they wear, Early we Thy cross would bear. 6 All Thy Church in heaven and earth, Jesus, hail Thy heavenly birth, Own the God who all has made, And the Spirit's soothing aid. 7 Offspring of a Virgin's womb, Slain, and Victor o'er the tomb; Seated on the judgment-throne, Number us among Thine own. Amen.

People

person icon
Authors, composers, editors, etc.

W. H. Havergal

1793 - 1870 Person Name: William Henry Havergal (1793-1870) Arranger of "CULBACH" in Carmina Sanctorum Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Ferdinand Hérold

1791 - 1833 Person Name: L. J. F. Herold Composer of "[God eternal, Lord of all!]" in Hosanna for the Sunday School Full name: Louis Joseph Ferdinand Hérold

John Bacchus Dykes

1823 - 1876 Person Name: Rev. J. B. Dykes (1823-1876) Composer of "HOLLINGSIDE" in Hymns of the Ages As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.