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Search Results

Text Identifier:"^give_thanks_to_the_lord_who_is_good$"

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Texts

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Text authorities

Psalm 118: This Is the Day

Appears in 4 hymnals First Line: Give thanks to the LORD, who is good Refrain First Line: This is the day the Lord has made Topics: Service Music Psalms and Canticles; Christian Year Easter; Mercy of God; Protection of God; Rejoicing; Service Music Psalms and Canticles Used With Tune: [Give thanks to the LORD, who is good]

Tunes

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Tune authorities

[This is the day the Lord has made]

Appears in 5 hymnals Composer and/or Arranger: Richard Proulx; Richard Proulx; Joseph Gelineau Tune Key: B Flat Major Incipit: 56121 656 Used With Text: Psalm 118: This Is the Day

[Give thanks to the LORD, who is good]

Appears in 1 hymnal Composer and/or Arranger: Leon C. Roberts; Kelly Dobbs Mickus Tune Key: G Major or modal Incipit: 11153 17171 11153 Used With Text: Psalm 118: This Is the Day

[Give thanks to the Lord who is good]

Appears in 1 hymnal Composer and/or Arranger: Michel Guimont Tune Key: A Major Incipit: 34552 21717 5 Used With Text: Psalm 118: The Stone Rejected

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Psalm 118: The Stone Rejected

Hymnal: RitualSong #161 (1996) First Line: Give thanks to the Lord who is good Refrain First Line: The stone rejected by the builders Topics: Easter 4 Year B; Providence Scripture: Psalm 118 Languages: English Tune Title: [Give thanks to the Lord who is good]
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Psalm 118: This Is the Day

Hymnal: One Lord, One Faith, One Baptism #689 (2018) First Line: Give thanks to the LORD, who is good Refrain First Line: This is the day the Lord has made Topics: Service Music Psalms and Canticles; Christian Year Easter; Mercy of God; Protection of God; Rejoicing; Service Music Psalms and Canticles Languages: English Tune Title: [Give thanks to the LORD, who is good]
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Psalm 118: This Is the Day

Hymnal: RitualSong #160 (1996) First Line: Give thanks to the Lord who is good Refrain First Line: This is the day the Lord has made Topics: Easter; Easter Season; Interfaith; Journey; Love of God for Us; Majesty and Power; Morning; Praise; Sunday; Thanksgiving Scripture: Psalm 118:1-2 Languages: English Tune Title: [This is the day the Lord has made]

People

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Authors, composers, editors, etc.

Michel Guimont

b. 1950 Composer of "[Give thanks to the Lord who is good]" in RitualSong

Richard Proulx

1937 - 2010 Composer (Antiphon) of "[This is the day the Lord has made] " in Gather Comprehensive Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Joseph Gelineau

1920 - 2008 Composer (Gelineau tone) of "[This is the day the Lord has made] " in Gather Comprehensive Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com
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