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Text Identifier:"^firmes_y_adelante_huestes_de_la_fe$"

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Texts

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Firmes y adelante

Author: S. Baring-Gould; Juan Bautista Cabrera Ivars Meter: 6.5.6.5 D with refrain Appears in 37 hymnals

Tunes

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ONWARD, CHRISTIAN SOLDIERS

Appears in 1,046 hymnals Composer and/or Arranger: A. S. Sullivan Tune Key: F Major or modal Incipit: 55555 65221 23135 Used With Text: Firmes y adelante
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CHRISTIAN SOLDIERS

Appears in 15 hymnals Composer and/or Arranger: H. R. Fuller Tune Key: F Major or modal Incipit: 56713 215 Used With Text: Firmes y adelante

Instances

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Firmes y adelante

Author: Sabine Baring-Gould ; Juan Bautista Cabrera Hymnal: Libro de Liturgia y Cántico #543 (1998) First Line: Firmes y adelante, huestes de la fe Refrain First Line: Firmes y adelante, huestes de la fe Lyrics: 1 Firmes y adelante, huestes de la fe, sin temor alguno, que Jesús nos ve. Jefe soberano, Cristo al frente va, y la regia enseña tremolando está. Estribillo: Firmes y adelante, huestes de la fe, sin temor alguno, que Jesús nos ve. 2 Al sagrado nombre de nuestro adalid, tiembla el enemigo huye de la lid. Nuestra es la victoria, dad a Dios loor, y óigalo el infierno lleno de terror. [Estribillo] 3 Tronos y coronas pueden perecer, de Jesús la Iglesia siempre habrá de ser. Nada en contra suya prevalecerá porque la promesa nunca faltará. [Estribillo] 4 Muévese potente la Iglesia de Dios, de los ya gloriosos vamos hoy en pos: somos sólo un cuerpo y uno es el Señor, una la esperanza y uno nuestro amor. [Estribillo] Topics: Confianza, Guia Languages: Spanish Tune Title: [Firmes y adelante, huestes de la fe]
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Firmes Y Adelante

Author: Sabine Baring-Gould; Juan B. Cabrera Hymnal: The Cyber Hymnal #13694 First Line: Firmes y adelante, huestes de la fe Refrain First Line: Firmes y adelante, huestes de la fe Lyrics: 1 Firmes y adelante, huestes de la fe, Sin temor alguno, que Jesús nos ve. Jefe soberano, Cristo al frente va. Y la regia enseña tremolando está. Coro: Firmes y adelante, huestes de la fe, Sin temor alguno, que Jesús nos ve. 2 Muévese potente la iglesia de Dios, De los ya gloriosos vamos hoy en pos: Somos sólo un cuerpo, y uno es el Señor, Una la esperanza, y uno nuestro amor. [Coro] 3 Tronos y coronas pueden perecer; De Jesús la iglesia siempre habrá de ser; Nada en contra suya prevalecerá, Porque la promesa nunca faltará. [Coro] 4 Pueblos, vuestras voces a la nuestra unid, Y el cantar de triunfo todos repetid: Prez, honor y gloria dad a Cristo el Rey: Y por las edades cante así su grey. [Coro] Languages: Spanish Tune Title: [Firmes y adelante, huestes de la fe]
Text

Firmes y adelante

Author: Sabine Baring-Gould; Juan B. Cabrera Hymnal: Celebremos Su Gloria #539 (1992) First Line: Firmes y adelante, huestes de la fe Lyrics: 1 Firmes y adelante, huestes de la fe, sin temor alguno, que Jesús nos ve. Jefe soberano, Cristo al frente va. y la regia enseña tremolando está. Coro: Firmes y adelante, huestes de la fe, sin temor alguno, que Jesús nos ve. 2 Al sagrado nombre de nuestro Adalid, tiembla el enemigo y huye de la lid. Nuestra es la victoria, dad a Dios loor; y óigalo el averno lleno de pavor. [Coro] 3 Muévase potente la Iglesia de Dios; de los ya gloriosos marchemos en pos; Somos sólo un cuerpo, y uno es el Señor, una la esperanza, y uno nuestro amor. [Coro] 4 Tronos y coronas pueden perecer; de Jesús la Iglesia constante ha de ser; Nada en contra suya prevalecerá, porque la promesa nunca faltará. [Coro] Topics: Fe; Faith; Iglesia Triunfante; Church Triumphant; Procesionales; Processionals; Victoria; Victory Scripture: Ephesians 6:10-18 Languages: Spanish Tune Title: ST. GERTRUDE

People

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Authors, composers, editors, etc.

Arthur Sullivan

1842 - 1900 Person Name: Arturo S. Sullivan Composer of "[¡Firmes y adelante, huestes de la fe]" in Himnario Adventista Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera Translator of "Firmes y adelante" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

S. Baring-Gould

1834 - 1924 Person Name: S. B. Gould Author of "Firmes y adelante" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Baring-Gould, Sabine, M.A., eldest son of Mr. Edward Baring-Gould, of Lew Trenchard, Devon, b. at Exeter, Jan. 28, 1834, and educated at Clare College, Cambridge, B.A. 1857, M.A. 1860. Taking Holy Orders in 1864, he held the curacy of Horbury, near Wakefield, until 1867, when he was preferred to the incumbency of Dalton, Yorks. In 1871 he became rector of East Mersea, Essex, and in 1881 rector of Lew Trenchard, Devon. His works are numerous, the most important of which are, Lives of the Saints, 15 vols., 1872-77; Curious Myths of the Middle Ages, 2 series, 1866-68; The Origin and Development of Religious Belief, 2 vols., 1869-1870; and various volumes of sermons. His hymns, original and translated, appeared in the Church Times; Hymns Ancient & Modern, 1868 and 1875; The People's Hymnal, 1867, and other collections, the most popular being "Onward, Christian soldiers," "Daily, daily sing the praises," the translation "Through the night of doubt and sorrow," and the exquisite Easter hymn, "On the Resurrection Morning." His latest effort in hymnology is the publication of original Church Songs, 1884, of which two series have been already issued. In the Sacristy for Nov. 1871, he also contributed nine carols to an article on "The Noels and Carols of French Flanders.” These have been partially transferred to Chope's and Staniforth's Carol Books, and also to his Church Songs. --John Julian, Dictionary of Hymnology (1907) ================== Baring-Gould, S., p. 114, i. Other hymns in common use are:— 1. Forward! said the Prophet. Processional. Appeared in the New Mitre Hymnal, 1874. 2. My Lord, in glory reigning. Christ in Glory. In Mrs. Brock's Children's Hymn Book, 1881. 3. Now severed is Jordan. Processional. Appeared in the S. Mary, Aberdeen, Hymnal, 1866, the People's Hymnal, 1867, &c. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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