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Text Identifier:"^fire_of_god_thou_sacred_flame$"

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Texts

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Fire of God, Thou Sacred Flame

Author: Albert F. Bayly (1901-1984) Meter: 7.7.7.7 Appears in 12 hymnals First Line: Fire of God, Thou sacred flame, Spirit who in splendor came Topics: Holy Spirit Used With Tune: SONG 13

Tunes

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SONG 13

Meter: 7.7.7.7 Appears in 132 hymnals Composer and/or Arranger: Orlando Gibbons Tune Key: D Major Incipit: 34562 23567 16653 Used With Text: Fire of God, Undying Flame
Audio

NUN KOMM DER HEIDEN HEILAND

Appears in 127 hymnals Composer and/or Arranger: Melchior Vulpius Tune Sources: Geystliche Gesank Buchleyn, 1524 Tune Key: g minor Incipit: 11732 12113 43453 Used With Text: Fire of God, undying Flame
Audio

NORTHAMPTON

Meter: 7.7.7.7 Appears in 14 hymnals Composer and/or Arranger: Charles John King, 1859-1934 Tune Key: G Major Incipit: 32432 67151 23455 Used With Text: Fire of God, Thou Sacred Flame

Instances

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Published text-tune combinations (hymns) from specific hymnals

Fire of God, Thou Sacred Flame

Author: Albert F. Bayly (1901-1984) Hymnal: Seventh-day Adventist Hymnal #263 (1985) Meter: 7.7.7.7 First Line: Fire of God, Thou sacred flame, Spirit who in splendor came Topics: Holy Spirit Tune Title: SONG 13

Fire of God, Thou Sacred Flame

Author: Albert Frederick Bayly, 1901-1984 Hymnal: Common Praise (1998) #652 (1998) Meter: 7.7.7.7 Topics: Pentecost; The Holy Spirit Scripture: Numbers 11:24-30 Languages: English Tune Title: NORTHAMPTON

Fire of God, thou sacred flame

Author: Albert Frederick Bayly Hymnal: The Hymnal #d101 (1973)

People

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Authors, composers, editors, etc.

Albert F. Bayly

1901 - 1984 Person Name: Albert F. Bayly, 1901-1984 Author of "Fire of God, O sacred flame" in The Book of Praise Albert F. Bayly was born on Sep­tem­ber 6, 1901, Bex­hill on Sea, Sus­sex, Eng­land. He received his ed­u­cat­ion at Lon­don Un­i­ver­si­ty (BA) and Mans­field Coll­ege, Ox­ford. Bayly was a Congregationalist (later United Reformed Church) minister from the late 1920s until his death in 1984. His life and ministry spanned the Depression of the 1930s, the Second World War, and the years of reconstruction which followed. Af­ter re­tir­ing in 1971, he moved to Spring­field, Chelms­ford, and was ac­tive in the local Unit­ed Re­formed Church. He wrote sev­er­al pageants on mis­sion themes, and li­bret­tos for can­ta­tas by W. L. Lloyd Web­ber. He died on Ju­ly 26, 1984 in Chiches­ter, Sus­sex, Eng­land. NN, Hymnary editor. Sources: www.hymntime.com/tch and Church Times, an Anglican newspaper, Tuesday 20 October 2015

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685 - 1750 Harmonizer of "NUN KOMM" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Melchior Vulpius

1570 - 1615 Person Name: Melchior Vulpius, c. 1560-1616 Harmonizer of "NUN KOMM DER HEIDEN HEILAND" in The New Century Hymnal Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational oppor­tunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumous­ly in Cantionale Sacrum (1646). Bert Polman
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