Search Results

Text Identifier:"^dia_de_gran_gozo_es_hoy$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

Día de gran gozo es hoy

Author: Mary A. Nicholson; Frieda M. Hoh Meter: 7.7.7.6 Appears in 2 hymnals

Tunes

tune icon
Tune authorities

IN EXCELSIS GLORIA

Meter: 7.7.7.6 Appears in 15 hymnals Composer and/or Arranger: Frederick A. G. Ouseley, 1825-1899 Tune Key: D Major Incipit: 31516 15345 65123 Used With Text: Día de gran gozo es hoy

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Día de gran gozo es hoy

Author: Mary A. Nicholson; Frieda M. Hoh, 1896-1962 Hymnal: Himnario Luterano #499 (2021) Topics: Pascua Scripture: Matthew 28:1-6 Languages: Spanish Tune Title: IN EXCELSIS GLORIA

Día de gran gozo es hoy

Author: Mary A. Nicholson; Frieda M. Hoh, 1896-1962 Hymnal: Culto Cristiano #365 (1964) Meter: 7.7.7.6 Topics: Himnos y Cantos Para Los Niños; Pascua de Resurrección; Hymns and Songs for Children; Easter Languages: Spanish Tune Title: IN EXCELSIS GLORIA

People

person icon
Authors, composers, editors, etc.

F. A. Gore Ouseley

1825 - 1889 Person Name: Frederick A. G. Ouseley, 1825-1899 Composer of "IN EXCELSIS GLORIA" in Culto Cristiano Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/

Frieda M. Hoh

1896 - 1962 Person Name: Frieda M. Hoh, 1896-1962 Translator of "Día de gran gozo es hoy" in Culto Cristiano A longtime missionary in Puerto Rico, she translated Lutheran hymns into Spanish. Christopher Hoh, great nephew

Mary A. Nicholson

Author of "Día de gran gozo es hoy" in Culto Cristiano
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.