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Ya vino a mi corazon

Author: Rufus H. McDaniel; Vicente Mendoza Appears in 16 hymnals First Line: Cuán glorioso es el cambio

MCDANIEL

Appears in 184 hymnals Composer and/or Arranger: Charles H. Gabriel Tune Key: A Flat Major Incipit: 34567 11233 43211 Used With Text: Cuán glorioso es el cambio

Instances

Published text-tune combinations (hymns) from specific hymnals

Author: Rufus H. McDaniel. 1850-1940; Vicente Mendoza, 1875-1955 Hymnal: Himnario Metodista #111 (1973) First Line: Cuan glorioso es el cambio operado en mi sér Refrain First Line: El vino a mi corazón Languages: Spanish Tune Title: [Cuan glorioso es el cambio operado en mi sér]

¡Cuán Glorioso Es El Cambio!

Author: V. Mendoza Hymnal: Melodias Evangelicas para el Uso de las Iglesias Evangelicas de Habla Española en Todo el Mundo #215 (1935) First Line: ¡Cuán glorioso es el cambio Refrain First Line: El reina supremo en mi ser Languages: Spanish Tune Title: [¡Cuán glorioso es el cambio]

Cuan Glorioso Es El Cambio

Author: R. H. McDaniel, Siglo 20; Vicente Mendoza--Siglo 19 Hymnal: Melodias Evangélicas #218 (1965) First Line: ¡Cuán glorioso es el cambio operado en mi ser Refrain First Line: ¡El vino a mi corazón! Languages: Spanish Tune Title: [¡Cuán glorioso es el cambio operado en mi ser]

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People

Authors, composers, editors, etc.

Rufus H. McDaniel

1850 - 1940 Person Name: Rufus H. McDaniel. 1850-1940 Author of "Cuan Glorioso es el Cambio" in Himnario Metodista Rufus H. McDaniel was ordained in the Christian church in 1873. He found much joy in church music. He began writing hymns in the 1880's. He wrote, "I feel in my soul that God has something for me to do in brightening the experience of struggling souls. My chief desire is to be a blessing, if possible, to my fellow-men through these hymns and thereby glorify God in the name of his dear son 'whose I am and whom I serve.'" Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza, 1875-1955 Translator of "Cuan Glorioso es el Cambio" in Himnario Metodista Vicente Mendoza Born: December 24, 1875, Guadalajara, Mexico. Died: 1955, Mexico City, Mexico. Mendoza studied initially under Don Aurelio Ortega. At age of 11 he went to work in a Protestant print shop in Mexico City and helped produce El Evangelista Mexicano (The Mexican Evangelist) for the Methodist Church of the South; he rose to become its director for 17 years. Looking to improve himself, Mendoza entered a night school for workers, but later feeling the call to preach the Gospel, he entered the Presbyterian Seminary in Mexico City. When the seminary closed temporarily, Mendoza entered the Methodist Institute of Puebla, where he finished the course in theology. In 1898 he became a member of the Annual Conference of the Mexican Methodist Church. From 1915 to 1917, he belonged to the Southern Methodist Conference of California. Mendoza worked on several periodicals, including El Mundo Cristiano (The Christian World), El Abogado Cristiano (The Christian Advocate), and El Evangelista Cristiano (The Christian Evangelist). © The Cyber Hymnal™ (hymntime.com/tch)

Chas. H. Gabriel

1856 - 1932 Person Name: Charles H. Gabriel, 1856-1932 Composer of "[Cuan glorioso es el cambio operado en mi sér]" in Himnario Metodista Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman