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Author: Civilla D. Martin; Vincente Mendoza Appears in 19 hymnals Refrain First Line: ¡Feliz, cantando alegre Topics: La Experiencia con Cristo Confianza y Seguridad; Trust and Security; Fideldad Divina; Divine Faithfulness; Paz Interior; Inner Peace; Prueba y Consolación; Trial and Consolation Used With Tune: SPARROW

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Tune authorities

[Cómo podré estar triste]

Appears in 117 hymnals Composer and/or Arranger: Charles H. Gabriel (1856-1932) Tune Key: B Flat Major Incipit: 56531 23456 11554 Used With Text: ¿Cómo podré estar triste?

Instances

Published text-tune combinations (hymns) from specific hymnals

¿Cómo Podré Estar Triste?

Author: Vicente Mendoza Hymnal: El Nuevo Himnario Popular (Edicion Revisada y Corregida) #116 (1955) First Line: ¿Cómo podré estar triste Refrain First Line: ¡Feliz cantando alegre Languages: Spanish Tune Title: [¿Cómo podré estar triste]

¿Cómo Podré Estar Triste?

Author: Sra. C. D. Martin; Vicente Mendoza, 1875-1955 Hymnal: Himnario Metodista #122 (1973) First Line: ¿Cómo podré estar triste Refrain First Line: Feliz, cantando alegre Languages: Spanish Tune Title: [¿Cómo podré estar triste]

¿Cómo podré estar triste?

Author: Civilla D. Martin (1866-1948); Vicente Mendoza (1875-1955) Hymnal: Himnario Adventista del Séptimo Día #424 (2010) First Line: ¿Cómo podré estar triste Refrain First Line: ¡Feliz contando, alegre Topics: La Vida Christian Confianza y seguridad; The Christian Life Trust and safety Scripture: Matthew 6:26 Languages: Spanish Tune Title: [Cómo podré estar triste]

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People

Authors, composers, editors, etc.

Civilla D. Martin

1866 - 1948 Person Name: Sra. C. D. Martin Author of "¿Cómo Podré Estar Triste?" in Himnario Metodista Martin, Civilla Durfee (Jordan Falls, Nova Scotia, August 21, 1866--March 9, 1948, Atlanta, Georgia). Daughter of James N. and Irene (Harding) Holden. She married Rev. John F. Geddes, Congregational minister of Coventryvilee, N.Y. at Jordan Falls Methodist Church, Shelbourne Co., Nova Scotia, on May 19, 1891. There is thus far no information about their marriage and its end. After several years of teaching school, she married Walter Stillman Martin, a Baptist minister, and traveled with him in evangelistic work. However, because of frail health, she was compelled to remain home much of the time. In 1916, they became members of the Christian Church (Disciples of Christ). They had one son, A.G. Martin. In her writing, she used only her initials, "C.D." rather than her full name of that of her composer-husband. She is reputed to have written several hundred hymns and religious songs. Her first one, "God Will Take Care of You," written in 1904 became world-famous. Her husband wrote the music for this and many of her other hymns. "His Eye is on the Sparrow" written in 1906 and set to music by Charles H. Gabriel, has also received wide acclaim. In addition to the above, "Like As A Father," "A Welcome for Me," and "The Blood Will Never Lose Its Power" are among her better-known hymns. Her husband and collaborator, W.S. Martin (1862-1935) preceded her in death. For the last 29 years of her life, she made her home in Atlanta, Georgia, where she was a member of the First Christian Church. Her funeral was held on March 10, 1948 at Spring Hill and the interment was in the West View Cemetery in Atlanta. --Carlton C. Buck, DNAH Archives and email from Rev. Lester M. Settle (Glenholme, Nova Scotia) to Mary Louise VanDyke 18 September 2008, DNAH Archives.

Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza, 1875-1955 Translator of "¿Cómo Podré Estar Triste?" in Himnario Metodista Vicente Mendoza Born: December 24, 1875, Guadalajara, Mexico. Died: 1955, Mexico City, Mexico. Mendoza studied initially under Don Aurelio Ortega. At age of 11 he went to work in a Protestant print shop in Mexico City and helped produce El Evangelista Mexicano (The Mexican Evangelist) for the Methodist Church of the South; he rose to become its director for 17 years. Looking to improve himself, Mendoza entered a night school for workers, but later feeling the call to preach the Gospel, he entered the Presbyterian Seminary in Mexico City. When the seminary closed temporarily, Mendoza entered the Methodist Institute of Puebla, where he finished the course in theology. In 1898 he became a member of the Annual Conference of the Mexican Methodist Church. From 1915 to 1917, he belonged to the Southern Methodist Conference of California. Mendoza worked on several periodicals, including El Mundo Cristiano (The Christian World), El Abogado Cristiano (The Christian Advocate), and El Evangelista Cristiano (The Christian Evangelist). © The Cyber Hymnal™ (hymntime.com/tch)

Chas. H. Gabriel

1856 - 1932 Person Name: Charles H. Gabriel, 1856-1932 Composer of "[¿Cómo podré estar triste]" in Himnario Metodista Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman