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Text Identifier:"^come_sinner_to_the_gospel_feast_o_come$"

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Come, sinner, to the gospel feast

Appears in 38 hymnals Used With Tune: HOWARD

Tunes

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SILOAM

Appears in 236 hymnals Composer and/or Arranger: Isaac B. Woodbury Incipit: 34536 53132 23532 Used With Text: Come, sinner, to the Gospel feast
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INVITATION

Appears in 125 hymnals Composer and/or Arranger: Spohr Incipit: 55431 76665 35435 Used With Text: Come, Sinner, to the Gospel Feast
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[Come, sinner, to the gospel feast]

Appears in 1 hymnal Incipit: 31555 51316 66116 Used With Text: Don't Stay Away

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Come, Sinner, to the Gospel Feast

Author: Anon. Hymnal: Hymns of Grace and Truth #252 (1903) Topics: The Gospel Saints Inviting Languages: English Tune Title: INVITATION
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Come, sinner, to the gospel feast; Oh, come without delay

Author: Huntingdon Hymnal: The Voice of Praise #835 (1873) Meter: 8.6.8.6 Lyrics: 1 Come, sinner, to the gospel feast; Oh, come without delay; For there is room in Jesus' breast For all who will obey. 2 There's room in God's eternal love To save thy precious soul; Room in the Spirit's grace above To heal and make thee whole. 3 There's room within the church, redeemed With blood of Christ divine; Room in the white-robed throng, convened For that dear soul of thine. 4 There's room in heaven among the choir, And harps and crowns of gold, And glorious palms of victory there, And joys that ne'er were told. 5 There's room around thy Father's board For thee, and thousands more: Oh, come and welcome to the Lord; Yea, come this very hour. Topics: Provisions of the Gospel Invitations and Promises; The Gospel Feast
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Don't Stay Away

Hymnal: Salvation Army Music #366 (1880) First Line: Come, sinner, to the gospel feast Refrain First Line: Brothers, don't stay away Languages: English Tune Title: [Come, sinner, to the gospel feast]

People

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Authors, composers, editors, etc.

I. B. Woodbury

1819 - 1858 Person Name: Isaac B. Woodbury Composer of "SILOAM" in The Songs of Zion Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

Anonymous

Person Name: Anon. Author of "Come, Sinner, to the Gospel Feast" in Hymns of Grace and Truth In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Selina Hastings, Countess of Huntingdon

1707 - 1791 Author of "Yet There is Room" Born: August 24, 1707, Astwell House, Nottinghamshire, England. Died: June 17, 1791, London, England. Buried: St. Helen’s Church, Ashby-de-la-Zouch, Leicester, England. Selena Huntingdon, née Shirley, Countess of, daughter of Washington, Earl Ferrers, was born Aug. 24, 1707; married to Theophilus Hastings, 9th Earl of Huntindon, June, 1728; and d. in London, June 17, 1701. At an early age she received serious religious impressions, which continued with her, and ruled her conduct through life. She was a member of the first Methodist Society, in Fetter Lane, London, and the first Methodist Conference was held at her house in June, 1744. Her sympathies, however, were with the Calvinism of G. Whitefield, and when the breach took place between Whitefield and Wesley she joined the former. Her money was freely expended in chapel building, in the founding of Trevecca College, South Wales (now Cheshunt), and in the support of her preachers. A short time before her death the Connection which is known by her name was founded; and at her death it numbered more than sixty chapels. For use in these chapels she compiled A Select Collection of Hymns. Her own part in hymn-writing is most uncertain. The hymns, "Come, Thou Fount of every blessing," and "O when my righteous Judge shall come", have been specially claimed for her, but upon insufficient testimony. No mention of these hymns as being by her is made in her Life and Times, 1839. Miller says, "although the Countess was not much known as a hymn-writer, yet it is proved beyond doubt that she was the author of a few hymns of great excellence" (Singers & Songs, 1869, p. 183): but he neither names the hymns, nor submits the evidence. It is most uncertain that she ever wrote a hymn; and it is quite clear that upon reliable evidence not one has yet been ascertained to be of her composing. Her history and that of her Connexion are elaborately set forth in The Life and Times of Selina, Countess of Huntingdon, London, Painter, 1839. --Dictionary of Hymnology, John Julian, 1907.
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