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Text Identifier:"^childhoods_years_are_passing_oer_us$"

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Childhood's years are passing o'er us

Author: William Dickson Meter: 8.7.8.7 Appears in 28 hymnals Topics: Hymns for the Young The Journey of Life Scripture: John 10:27-28 Used With Tune: MARINERS

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[Childhood's years are passing o'er us]

Appears in 2 hymnals Incipit: 51765 12314 33217 Used With Text: Childhood's years are passing o'er us
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CHILDHOOD'S YEARS

Appears in 1 hymnal Composer and/or Arranger: A. L. Peace, Mus. D. Incipit: 17123 23432 23111 Used With Text: Childhood's years are passing o'er us
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WESTON

Appears in 49 hymnals Composer and/or Arranger: J. E. Roe ( -1871) Incipit: 33432 32135 54632 Used With Text: Childhood's years are passing o'er us

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Childhood's years are passing o'er us

Hymnal: A Selection of Spiritual Songs #162 (1881) Languages: English Tune Title: [Childhood's years are passing o'er us]
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Childhood's Years Are Passing O'er Us

Author: William Dickson Hymnal: The Cyber Hymnal #9695 Meter: 8.7.8.7 First Line: Childhood’s years are passing o’er us Lyrics: 1 Childhood’s years are passing o’er us: Soon our school days will be done; Cares and sorrows lie before us, Hidden dangers, snares unknown. 2 Oh! may He, who, meek and lowly, Trod Himself this vale of woe, Make us His, and keep us holy— Guard and guide us while we go. 3 Hark! it is the Savior calling: Little children, follow Me! Jesus! keep our feet from falling; Teach us all to follow Thee. S4 oon we part—it may be never, Never here to meet again; Oh to meet in Heaven for ever! Oh, the crown of life to gain. Languages: English Tune Title: ADORATION

Childhood's years are passing o'er us

Hymnal: The Children's Hymnal #14 (1881) Languages: English Tune Title: [Childhood's years are passing o'er us]

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A. L. Peace

1844 - 1912 Person Name: A. L. Peace, Mus. D. Composer of "CHILDHOOD'S YEARS" in The Scottish Hymnal Albert Lister Peace DMus United Kingdom 1844-1912. Born at Huddersfield, Yorkshire, England, son of a warehouseman and woolstapler, he was extremely gifted as a musician, largely self-taught, playing the organ at Holmfirth Parish Church near Huddersfield at age nine. He married Margaret Martin Steel Gilchrist, and they had three children: Lister, Archibald, and Margaret. In 1865 he was appointed organist of Trinity Congregational Church in Glasgow, Scotland. He obtained his doctorate degree from the University of Oxford in 1875. He became organist at Glasgow Cathedral in 1879. In 1897 he succeeded William Best as organist at St George’s Hall, Liverpool. In later years he was in much demand to play the organ in recitals. He did so at Canterbury Cathedral (1886), Victoria Hall, Hanley, Stoke-on-Trent (1888), and Newcastle Cathedral (1891). He composed orchestrations, sonatas, cantatas, and concert and church service anthems. He was an arranger, author, and editor. He died at Blundelsands, Liverpool, England. John Perry

Arthur Sullivan

1842 - 1900 Composer of "[Childhood's years are passing o'er us]" in The Spirit of Praise Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

W. Howard Doane

1832 - 1915 Person Name: William Howard Doane Composer of "ADORATION" in The Cyber Hymnal An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)
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