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Text Identifier:"^caridad_cuan_pura_y_santa$"

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La Caridad

Author: P. M. Appears in 7 hymnals First Line: Caridad ¡cuán pura y santa! Used With Tune: CARIDAD

Tunes

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DORRNANCE

Appears in 324 hymnals Composer and/or Arranger: Isaac B. Woodbury Tune Key: E Flat Major Incipit: 33312 23356 53132 Used With Text: Caridad, Cuán Pura y Santa
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CARIDAD

Appears in 929 hymnals Composer and/or Arranger: Henry Smart Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: La Caridad
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ST. OSWALD

Appears in 223 hymnals Composer and/or Arranger: J. B. Dykes Tune Key: E Flat Major Incipit: 53617 65311 23565 Used With Text: Caridad ¡cuán pura y santa!

Instances

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Caridad, Cuán Pura y Santa

Author: Christopher Wordsworth; P. M. Hymnal: El Himnario #167 (1964) First Line: Caridad, ¡cuán pura y santa! Topics: El Santo Espiritu Sus Dones Languages: Spanish Tune Title: DORRNANCE
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¡Caridad, cuán pura y santa!

Hymnal: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo #224 (1931) Languages: Spanish Tune Title: BENDITA CARIDAD
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Caridad ¡cuán pura y santa!

Author: T. M. Westrup Hymnal: Himnario provisional con los cánticos #39 (1907) Languages: Spanish Tune Title: ST. OSWALD

People

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Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Composer of "CARIDAD" in Himnario de la Iglesia Metodista Episcopal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. OSWALD" in Himnario provisional con los cánticos As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

I. B. Woodbury

1819 - 1858 Person Name: Isaac B. Woodbury Composer of "DORRNANCE" in El Himnario Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives
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