Search Results

Text Identifier:"^by_cool_siloams_shady_rill$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

The Christian Child

Author: Reginald Heber Meter: 8.6.8.6 Appears in 608 hymnals First Line: By cool Siloam's shady rill

Tunes

tune icon
Tune authorities
Page scansAudio

BELMONT

Meter: 8.6.8.6 Appears in 566 hymnals Tune Sources: William Gardiner's Sacred Melodies, 1812, arr. Tune Key: G Major Incipit: 53217 76155 54332 Used With Text: By cool Siloam's shady rill
Page scansAudio

SABBATA

Meter: 8.6.8.6 Appears in 35 hymnals Composer and/or Arranger: Henri F. Henry Tune Key: A Major Incipit: 55511 25161 32173 Used With Text: By cool Siloam's shady rill
Page scansAudio

SILOAM

Appears in 239 hymnals Composer and/or Arranger: Isaac B. Woodbury Incipit: 34536 53132 23532 Used With Text: By Cool Siloam's Shady Rill

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

By Cool Siloam's Shady Rill

Author: Rev. Reginald Heber, D. D. Hymnal: The New Hosanna #81 (1902) Topics: General Uses Languages: English Tune Title: [By cool Siloam's shady rill]
TextPage scan

By cool Siloam's shady rill

Author: Bishop R. Heber Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #565 (1894) Meter: 8.6.8.6 Lyrics: 1 By cool Siloam's shady rill How fair the lily grows! How sweet the breath, beneath the hill, Of Sharon's dewy rose! 2 Lo! such the child, whose early feet The paths of peace have trod, Whose secret heart, with influence sweet, Is upward drawn to God. 3 By cool Siloam's shady rill The lily must decay; The rose that blooms beneath the hill Must shortly fade away. 4 And soon, too soon, the wintry hour Of man's maturer age Will shake the soul with sorrow's power, And stormy passion's rage. 5 Dependent on Thy bounteous breath, We seek Thy grace alone In childhood, manhood, age, and death, To keep us still Thine own. Amen. Topics: For Children Languages: English Tune Title: [By cool Siloam's shady rill]
Page scan

By Cool Siloam's Shady Rill

Author: Bishop Reginald Heber Hymnal: Praise and Service #16 (1921) Languages: English Tune Title: [By cool Siloam's shady rill]

People

person icon
Authors, composers, editors, etc.

Joseph Barnby

1838 - 1896 Person Name: Sir Joseph Barnby (1838-1896) Composer of "HOLY TRINITY" in The Institute Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Composer of "MESSENGERS" in Heart and Voice Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

Samuel Webbe

1740 - 1816 Person Name: S. Webbe Composer of "BELMONT" in The Children's Hymn Book Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.