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Text Identifier:"^by_babels_streams_we_sat_and_wept_for_me$"

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By Babel's Streams We Sat and Wept

Meter: 8.8.8.8 Appears in 9 hymnals Lyrics: 1 By Babel's streams we sat and wept, For memory still to Zion clung; The winds alone our harp-strings swept, That on the drooping willows hung. 2 There our rude captors, flushed with pride, A song required to mock our wrongs; Our spoilers called for mirth and cried, Come, song us one of Zion's songs. 3 Not songs but sighs to us belong When Zion's walls in ruin lie; How shall we sing Jehovah's song While in an alien land we die? 4 O Zion fair, God's holy hill, Wherein our God delights to dwell, Let my right hand forget her skill If I forget to love thee well. 5 If I do not remember thee, Then let my tongue from utterance cease, If any earthly joy to me Be dear as Zion's joy and peace. 6 Remember, Lord, the dreadful day Of Zion's cruel overthrow; How happy he who shall repay The bitter hatred of her foe. Topics: Imprecatory Psalms; Israel in Captivity; Jerusalem; Love for the Church; Music; Vows Scripture: Psalm 137 Used With Tune: OLIVE'S BROW

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OLIVE'S BROW

Meter: 8.8.8.8 Appears in 292 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: A Flat Major Incipit: 55566 55511 12322 Used With Text: Memories of Zion
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SELWYN

Appears in 22 hymnals Composer and/or Arranger: Mendelssohn Incipit: 51232 43321 1117 Used With Text: By Babel's streams we sat and wept
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EUCHARIST

Appears in 185 hymnals Composer and/or Arranger: Isaac Baker Woodbury Incipit: 33355 65453 32342 Used With Text: By Babel's streams we sat and wept

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By Babel's Streams We Sat and Wept

Hymnal: Psalter Hymnal (Red) #301 (1934) Meter: 8.8.8.8 Lyrics: 1 By Babel's streams we sat and wept, For memory still to Zion clung; The winds alone our harp-strings swept, That on the drooping willows hung. 2 There our rude captors, flushed with pride, A song required to mock our wrongs; Our spoilers called for mirth and cried, Come, song us one of Zion's songs. 3 Not songs but sighs to us belong When Zion's walls in ruin lie; How shall we sing Jehovah's song While in an alien land we die? 4 O Zion fair, God's holy hill, Wherein our God delights to dwell, Let my right hand forget her skill If I forget to love thee well. 5 If I do not remember thee, Then let my tongue from utterance cease, If any earthly joy to me Be dear as Zion's joy and peace. 6 Remember, Lord, the dreadful day Of Zion's cruel overthrow; How happy he who shall repay The bitter hatred of her foe. Topics: Imprecatory Psalms; Israel in Captivity; Jerusalem; Love for the Church; Music; Vows Scripture: Psalm 137 Languages: English Tune Title: OLIVE'S BROW
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By Babel's Streams We Sat and Wept

Author: Anonymous Hymnal: The Cyber Hymnal #703 Meter: 8.8.8.8 Lyrics: 1. By Babel’s streams we sat and wept, For memory still to Zion clung; The winds alone our harp-strings swept, That on the drooping willows hung. 2. There our rude captors, flushed with pride, A song required to mock our wrongs; Our spoilers called for mirth and cried, Come, sing us one of Zion’s songs. 3. Not songs but sighs to us belong When Zion’s walls in ruin lie; How shall we sing Jehovah’s song While in an alien land we die? 4. O Zion fair, God’s holy hill, Wherein our God delights to dwell, Let my right hand forget her skill If I forget to love thee well. 5. If I do not remember thee, Then let my tongue from utterance cease, If any earthly joy to me Be dear as Zion’s joy and peace. 6. Remember, Lord, the dreadful day Of Zion’s cruel overthrow; How happy he who shall repay The bitter hatred of her foe. Scripture: Psalm 137 Languages: English Tune Title: OLIVE'S BROW

By Babel's Streams We Sat and Wept

Hymnal: Psalms of Grace #137a (2022) Meter: 8.8.8.8 Scripture: Psalm 137 Languages: English Tune Title: OLIVE'S BROW

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Authors, composers, editors, etc.

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Composer of "SELWYN" in The Psalter Hymnal Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

William B. Bradbury

1816 - 1868 Composer of "OLIVE'S BROW" in The Psalter William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Anonymous

Paraphraser of "By Babel's Streams We Sat and Wept" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.