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Text Identifier:"^bendice_oh_alma_a_tu_creador$"

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Bendice, Oh Alma A Tu Creador

Author: Vicente Mendoza Appears in 4 hymnals Refrain First Line: Oh cantad, oh cantad Lyrics: 1 Bendice, oh alma a tu Creador Con férvida canción; Despierta, y canta su loor Tu ardiente corazón. Coro: Oh cantad, oh cantad Al Señor con fervor; Bendice, oh alma, a nuestro Rey y Salvador. 2 No olvides nunca su bondad Mostrando ingratitud, Pues él perdona tu maldad, Te salva y da salud. [Coro] 3 De bien tu boca llena está Y nueva juventud. A tu alma siempre le dará, Calmando tu inquietud. [Coro] 4 En ira es lento nuestro Rey, Mas pronto es en su amor, No quiere siempre contender Ni dura su furor. [Coro] Used With Tune: [Bendice, oh alma a tu Creador]

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[Bendice, oh alma a tu Creador]

Appears in 30 hymnals Composer and/or Arranger: James McGranahan, 1840-1907 Tune Key: G Major or modal Incipit: 32176 56535 17124 Used With Text: Bendice, Oh Alma A Tu Creador

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Bendice, Oh Alma A Tu Creador

Author: Vicente Mendoza Hymnal: The Cyber Hymnal #13620 Refrain First Line: Oh cantad, oh cantad Lyrics: 1 Bendice, oh alma a tu Creador Con férvida canción; Despierta, y canta su loor Tu ardiente corazón. Coro: Oh cantad, oh cantad Al Señor con fervor; Bendice, oh alma, a nuestro Rey y Salvador. 2 No olvides nunca su bondad Mostrando ingratitud, Pues él perdona tu maldad, Te salva y da salud. [Coro] 3 De bien tu boca llena está Y nueva juventud. A tu alma siempre le dará, Calmando tu inquietud. [Coro] 4 En ira es lento nuestro Rey, Mas pronto es en su amor, No quiere siempre contender Ni dura su furor. [Coro] Languages: Spanish Tune Title: [Bendice, oh alma a tu Creador]

Bendice, Oh Alma a Tu Creador

Author: Vicente Mendoza Hymnal: Himnario Bautista #11 (1978) Refrain First Line: Oh cantad, oh cantad al Señor con fervor Scripture: Psalm 103 Languages: Spanish Tune Title: O THOU MY SOUL, BLESS GOD THE LORD

Bendice, Oh Alma a Tu Creador

Author: Vicente Mendoza Hymnal: Himnario de Alabanza Evangélica #11 (1978) Refrain First Line: Oh cantad, oh cantad al Señor con fervor Scripture: Psalm 103 Languages: Spanish Tune Title: O THOU MY SOUL, BLESS GOD THE LORD

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Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza Adapter of "Bendice, Oh Alma a Tu Creador" in Himnario Bautista Vicente Mendoza Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly, Men­do­za en­tered the Meth­od­ist In­sti­tute of Pueb­la, where he fin­ished the course in the­ol­o­gy. In 1898 he be­came a mem­ber of the An­nu­al Con­fer­ence of the Mex­i­can Meth­od­ist Church. From 1915 to 1917, he be­longed to the South­ern Meth­od­ist Con­fer­ence of Cal­i­for­nia. Men­do­za worked on sev­er­al per­i­od­i­cals, in­clud­ing El Mun­do Crist­i­a­no (The Chris­tian World), El Abo­ga­do Crist­i­a­no (The Chris­tian Ad­vo­cate), and El Evan­gel­is­ta Crist­i­a­no (The Chris­tian Evan­gel­ist). © The Cyber Hymnal™ (hymntime.com/tch)

James McGranahan

1840 - 1907 Composer of "O THOU MY SOUL, BLESS GOD THE LORD" in Himnario Bautista James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry
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