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Redemption, the Wonder of Angels
Meter: 8.8.6.8.8.6 Appears in 3 hymnals First Line: Behold, what splendor, Hear the shout Text Sources: Knapp's Psalmody
Redemption, the Wonder of Angels
Behold What Splendor, Hear That Shout
Hymnal: The Cyber Hymnal #9577 Meter: 8.8.6.8.8.6 First Line: Behold what splendor, hear that shout, Lyrics: 1 Behold what splendor, hear that shout,
Heaven opens, angels issue out,
And throng the nether sky;
What joyful tidings do they bring,
Rapt at the approach of Israel’s king!
They speak their monarch nigh.
2 Why doth the King approach our land?
Comes He with terror in His hand,
The merits of our crimes?
Shepherds be glad, He comes with peace,
Not wrath but universal grace,
To bless earth’s distant climes.
3 See Heaven’s great heir, a virgin’s son,
Behold a manger for His throne,
Though spotless He must die;
Your is the guilt, but His the pain,
His is the sorrow, yours the gain,
Then let His praise be high. Languages: English Tune Title: FRANCES
Behold What Splendor, Hear That Shout
Behold, what splendor, Hear the shout
Hymnal: Psalms, Hymns and Spiritual Songs #181 (1808)
Behold, what splendor, Hear the shout
Redemption, the Wonder of Angels
Hymnal: Psalms, Hymns and Spiritual Songs #CCLIX (1792) Meter: Irregular First Line: Behold, that splendour! Hear the shout! Lyrics: 1 Behold that splendour! hear the shout!
Heav'n opens! Angels issue out,
And throng the nether sky.
What solemn tidings do they bring?
Rapt at th' approach of Isr'el’s King,
They speak the Monarch nigh.
2 Why does the King approach our land?
Comes he with terror in his hand,
The merit of our crimes?
Shepherds be glad: he comes with peace,
Not wrath but universal grace,
To bless e'en distant climes.
3 See Heav'n’s great heir, a woman’s son!
Behold a manger is his throne!
Nay, see him born to die:
Your is the guilt, but his the pain:
His are the sorrows, yours the gain:
Then let his praise be high.
4 Come, mighty King! the grace enhance,
(A stable was thy palace once)
Dwell in these hearts of ours:
Teach us to praise the Father's love,
Till blest, transported, fir'd above,
We sing with nobler pow'rs. Topics: The Wonders of Redemption, celebrated in Songs of Praise Scripture: Isaiah 63:9 Languages: English
Redemption, the Wonder of Angels
James McGranahan
1840 - 1907 Composer of "FRANCES" in The Cyber Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
