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Text Identifier:"^behold_bless_ye_the_lord_all_ye$"

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WETHERBY

Meter: 8.6.8.6 Appears in 27 hymnals Composer and/or Arranger: Samuel Sebastian Wesley, 1810-1876 Tune Key: E Flat Major Incipit: 35321 56655 17765 Used With Text: Behold, bless ye the Lord, all ye
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EVANGEL

Meter: 8.6.8.6 D Appears in 266 hymnals Composer and/or Arranger: Gottfried Wilhelm Fink, 1783-1846; Arthur Seymour Sullivan, 1842-1900 Tune Sources: Old carol melody Tune Key: C Major Incipit: 51176 56556 21715 Used With Text: Behold, bless ye the Lord, all ye

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Psalm 134: Behold, bless ye the Lord, all ye

Hymnal: Scottish Psalter and Paraphrases #P164 (1800) Meter: 8.6.8.6 First Line: Behold, bless ye the Lord, all ye Lyrics: 1Behold, bless ye the Lord, all ye that his attendants are, Ev’n you that in God’s temple be, and praise him nightly there. 2Your hands within God’s holy place lift up, and praise his name. 3From Sion’ hill the Lord thee bless, that heav’n and earth did frame. Scripture: Psalm 134 Languages: English
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Behold, bless ye the Lord, all ye

Hymnal: The Irish Presbyterian Hymnbook #P134a (2004) Meter: 8.6.8.6 Lyrics: 1 Behold, bless ye the Lord, all ye that his attendants are, who in Jehovah’s temple be, and praise him nightly there. 2 Your hands within the holy place lift up, and bless his name. 3 From Zion hill the Lord thee bless, who heaven and earth did frame. Scripture: Psalm 134 Languages: English Tune Title: WETHERBY
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Behold, bless ye the Lord, all ye

Hymnal: The Irish Presbyterian Hymnbook #P134b (2004) Meter: 8.6.8.6 D Lyrics: 1 Behold, bless ye the Lord, all ye that his attendants are, who in Jehovah’s temple be, and praise him nightly there. 2 Your hands within the holy place lift up, and bless his name. 3 From Zion hill the Lord thee bless, who heaven and earth did frame. Scripture: Psalm 134 Languages: English Tune Title: EVANGEL

People

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Authors, composers, editors, etc.

Gottfried W. Fink

1783 - 1846 Person Name: Gottfried Wilhelm Fink, 1783-1846 Composer (attributed to) of "EVANGEL" in The Irish Presbyterian Hymnbook Rv Gottfried Wilhelm Fink PhD Germany 1783-1846. Born at Sulza, Thuringa, Germany, he was a German composer, music theorist, poet, and a protestant clergyman. From 1804-1808 he studied at the University of Leipzig, where he joined the Corps Lusatia, where he made his first attempts at composition and poetry. In 1811 he was appointed Vicar in Leipzig for some years, where he also founded an educational institution, leading it until 1829. Around 1800 he worked for the “Allgemeine musikalische Zeitschrift” (General musical mazazine). In 1827 he became the magazine's editor-in-chief for 15 years. From 1838 he was a lecturer at the University of Leipzig. In 1841 he became a Privatdozent of musicology at the university. That year he became a member of the Prussian Academy of Arts in Berlin, and a year later was appointed university Music Director. He was highly esteemed throughout his life as a music theorist and composer, receiving numberous honors and awards, both at home and abroad. The Faculty of Philosophy at Leipzig University awarded him an honorary doctorate. He wrote mostly Songs and ballads and collected songs as well. He authored important words on music theory and history, but was best known as editor of the “Musikalischer Hausschatz der Deutschen”, a collection of about 1000 songs and chants, as well as the “Deutsche Liedertafel” (German song board), a collection of polyphonic songs sung by men. He died at Leipzig, Saxony. John Perry

Arthur Sullivan

1842 - 1900 Person Name: Arthur Seymour Sullivan, 1842-1900 Arranger of "EVANGEL" in The Irish Presbyterian Hymnbook Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley, 1810-1876 Composer of "WETHERBY" in The Irish Presbyterian Hymnbook Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman
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