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Text Identifier:"^before_the_lord_we_bow$"

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Before You, Lord, We Bow

Author: Francis S. Key, 1779-1843 Meter: 6.6.6.6.4.4.4.4 Appears in 73 hymnals Lyrics: 1 Before you, Lord, we bow, Our God who reigns above And rules the world below, Boundless in pow'r and love. Our thanks we bring In joy and praise, Our hearts we raise To you, our king! 2 The nation you have blest May well your love declare, From foes and fears at rest, Protected by your care. For this bright day, For this fair land-- Gifts of your hand-- Our thanks we pay. 3 May ev'ry mountain height, Each vale and forest green, Shine in your Word's pure light, And its rich fruits be seen! May ev'ry tongue Be tuned to praise And join to raise A grateful song. 4 Earth, hear your Maker's voice; Your great Redeemer own; Believe, obey, rejoice, And worship him alone. Cast down your pride, Your sin deplore, And bow before The Crucified. 5 And when in pow'r he comes, Oh, may our native land From all its rending tombs Send forth a glorious band, A countless throng, With joy to sing To heav'n's high king Salvation's song! Topics: Society; The Nation Used With Tune: DARWALL'S 148th

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DARWALL'S 148TH

Meter: 6.6.6.6.8.8 Appears in 491 hymnals Composer and/or Arranger: John Darwall, 1731-89; William H. Monk, 1823-89 Tune Key: C Major Incipit: 13153 17654 32231 Used With Text: Before You, Lord, We Bow
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REY

Appears in 55 hymnals Composer and/or Arranger: Samuel Wesley Incipit: 56712 17543 2 Used With Text: Before the Lord We Bow
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[Before the Lord we bow]

Appears in 240 hymnals Composer and/or Arranger: F. Schneider Incipit: 51234 65135 54543 Used With Text: Before the Lord we Bow

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Before You, Lord, We Bow

Author: Francis S. Key, 1779-1843 Hymnal: Lutheran Book of Worship #401 (1978) Meter: 6.6.6.6.8.8 Lyrics: 1 Before you, Lord, we bow, Our God who reigns above And rules the world below, Boundless in pow'r and love. Our thanks we bring in joy and praise, Our hearts we raise to you, our king! 2 The nation you have blest May well your love declare, From foes and fears at rest, Protected by your care. For this bright day, for this fair land - Gifts of your hand - our thanks we pay. 3 May ev'ry mountain height, Each vale and forest green, Shine in your Word's pure light, And its rich fruits be seen! May ev'ry tongue be tuned to praise And join to raise a grateful song. 4 Earth, hear your Maker's voice; Your great Redeemer own; Believe, obey, rejoice, And worship him alone. Cast down your pride, your sin deplore, And bow before the Crucified. 5 And when in pow'r he comes, Oh, may our native land From all its rending tombs Send forth a glorious band, A countless throng, with joy to sing To heav'n's high king salvation's song! Topics: Witness; Nation; Society; Witness Languages: English Tune Title: DARWALL'S 148TH
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Before You, Lord, We Bow

Author: Francis S. Key, 1779-1843 Hymnal: Lutheran Worship #500 (1982) Meter: 6.6.6.6.4.4.4.4 Lyrics: 1 Before you, Lord, we bow, Our God who reigns above And rules the world below, Boundless in pow'r and love. Our thanks we bring In joy and praise, Our hearts we raise To you, our king! 2 The nation you have blest May well your love declare, From foes and fears at rest, Protected by your care. For this bright day, For this fair land-- Gifts of your hand-- Our thanks we pay. 3 May ev'ry mountain height, Each vale and forest green, Shine in your Word's pure light, And its rich fruits be seen! May ev'ry tongue Be tuned to praise And join to raise A grateful song. 4 Earth, hear your Maker's voice; Your great Redeemer own; Believe, obey, rejoice, And worship him alone. Cast down your pride, Your sin deplore, And bow before The Crucified. 5 And when in pow'r he comes, Oh, may our native land From all its rending tombs Send forth a glorious band, A countless throng, With joy to sing To heav'n's high king Salvation's song! Topics: Society; The Nation Languages: English Tune Title: DARWALL'S 148th
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Before You, Lord, We Bow

Author: Francis Scott Key, 1779-1843 Hymnal: Christian Worship #775 (2021) Meter: 6.6.6.6.8.8 Lyrics: 1 Before you, Lord, we bow, our God who reigns above and rules the world below in boundless pow'r and love. Our thanks we bring in joy and praise our hearts we raise to you, our King! 2 The nation you have blessed may well your love declare, from foes and fears at rest, protected by your care. For this bright day, for this fair land— gifts of your hand— our thanks we pay. 3 May ev'ry mountain height, each vale and forest green, shine in your Word's pure light and its rich fruits be seen! May ev'ry tongue be tuned to praise and join to raise a grateful song. 4 Earth, hear your maker's voice; your great Redeemer own; believe, obey, rejoice, and worship him alone. Cast down your pride, your sin deplore, and bow before the Crucified. 5 And when in pow'r he comes, oh, may our native land from all its rending tombs send forth a glorious band, a countless throng, with joy to sing to heav'n's high King, salvation's song! Topics: Nation Scripture: Psalm 33:8-22 Languages: English Tune Title: DARWALL'S 148TH

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Authors, composers, editors, etc.

Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Composer of "ST. MAURA" in The School Hymnary Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

William Henry Monk

1823 - 1889 Person Name: William H. Monk, 1823-89 Arranger of "DARWALL'S 148TH" in Lutheran Service Book William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

John Bacchus Dykes

1823 - 1876 Composer of "ST. GODRIC" in The Hymnal and Order of Service As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman