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Text Identifier:"^amoroso_nos_convidas_cristo$"

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Amoroso nos convida

Author: J. B. Cabrera Appears in 16 hymnals Used With Tune: RATHBUN

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RATHBUN

Appears in 815 hymnals Composer and/or Arranger: I. Conkey Tune Key: C Major Incipit: 51317 65155 63234 Used With Text: Amoroso nos convida
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[Amoroso nos convidas]

Appears in 339 hymnals Composer and/or Arranger: D. E. Jones Tune Key: B Flat Major Incipit: 15517 12171 32432 Used With Text: Amoroso nos convidas
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MOUNT VERNON

Appears in 85 hymnals Composer and/or Arranger: Lowell Mason Tune Key: C Major Incipit: 33534 66513 32343 Used With Text: Amoroso nos convida

Instances

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Amoroso nos convidas

Hymnal: Himnario Adventista #480 (1962) Languages: Spanish Tune Title: [Amoroso nos convidas]

La Comunión

Author: J. B. Cabrera Hymnal: Lluvias de Bendicion #248 (1947) First Line: Amoroso nos convida, Cristo, esta comunión Languages: Spanish Tune Title: [Amoroso nos convida, Cristo, esta comunión]

Amaroso Nos Convida Cristo

Hymnal: El Himnario Bautista de la Gracia #257 (2000) Meter: 8.7.8.7 First Line: Amoroso nos convida Topics: La Iglesia Cena del Señor Languages: Spanish

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Michael Haydn

1737 - 1806 Person Name: J. M. Haydn Composer of "[Amoroso nos convida]" in Himnario Cristiano para uso de las Iglesias Evangélicas Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera Author of "Amoroso nos convida" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

Joseph Haydn

1732 - 1809 Person Name: Johann Michael Haydn, 1737-1806 Composer of "DULCE CARMEN" in Himnario Metodista Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman
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