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Text Identifier:"^all_labor_gained_new_dignity$"

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All labor gained new dignity

Author: John Oxenham Appears in 9 hymnals Used With Tune: AMBERG

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ALMSGIVING

Appears in 297 hymnals Composer and/or Arranger: John B. Dykes Incipit: 33215 12351 35432 Used With Text: All labor gained new dignity

AMBERG

Appears in 3 hymnals Tune Sources: Church of Scotland Hymn Tune Book, 1862 Incipit: 34565 12711 76217 Used With Text: All labor gained new dignity
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LABOR

Meter: 8.8.8.4 Appears in 2 hymnals Composer and/or Arranger: Alfred M. Smith Tune Key: d minor Incipit: 13455 64535 67716 Used With Text: All labor gained new dignity

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All Labor Gained New Dignity

Author: John Oxenham, 1852-1941 Hymnal: Worship and Service Hymnal #448 (1957) Lyrics: 1 All labor gained new dignity Since He who all creation made Toiled with His hands for daily bread Right manfully. 2 No work is commonplace, if all Be done as unto Him alone; Life's simplest toil to Him is known, Who knoweth all. 3 Each smallest common thing He makes Serves Him with its minutest part; Man only, with his wand'ring heart, His way forsakes. 4 His service is life's highest joy, It yields fair fruit a hundredfold, Be this our prayer--"Not fame, nor gold, But Thine employ!" Amen. Topics: Christ Humanity of; Labor Day; Working Man; The Christian Way of Life Stewardship and Service Languages: English Tune Title: ALMSGIVING
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All labor gained new dignity

Author: John Oxenham Hymnal: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #510 (1940) Meter: 8.8.8.4 Topics: Christ Example of; Everyday Duties; Labor; Social Religion Labor; Trinity X The Holy Communion Sequence Tune Title: LABOR

All labor gained new dignity

Author: John Oxenham Hymnal: The Advent Christian Hymnal #d11 (1967)

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John Oxenham

1852 - 1941 Person Name: John Oxenham, 1852-1941 Author of "All Labor Gained New Dignity" in Worship and Service Hymnal John Oxenham is a pseudonym for William Arthur Dunkerley, and is used as the name authority by the Library of Congress.

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-1876 Composer of "ALMSGIVING" in Worship and Service Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Alfred M. Smith

1879 - 1971 Composer of "LABOR" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Alfred Morton Smith (1879-1971) was born in Jenkintown, Pennsylvania, and studied at the University of Pennsylvania (B.S. 1901) and Philadelphia Divinity School (B.D. 1905; S.T.B. 1911). An Episcopalian, Smith was ordained a deacon (1905) and a priest (1906). After a short time in Philadelphia and Long Beach, California, he served at St. Matthias Church, Los Angeles, for ten years. He was a chaplain in the U.S. Army during World War I, returning to Philadelphia in 1919, where he spent the remainder of his career. He retired in 1955. In 1963, Smith moved to Drium Moir, Chestnut Hill, Pennsylvania, and in 1968 to Brigantine, New Jersey, where he remained until his death. --The Presbyterian Hymnal Companion, 1993