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Text Identifier:"^all_hail_the_peerless_night$"

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The babe of Bethlehem

Author: E. P. Dyer Appears in 3 hymnals First Line: All hail the peerless night

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[All hail the peerless night]

Appears in 2 hymnals Composer and/or Arranger: T. Bissell Incipit: 55351 16667 16551 Used With Text: The Babe of Bethlehem

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The Babe Of Bethlehem

Author: Ebenezer Porter Dyer Hymnal: The Cyber Hymnal #14190 First Line: All hail the peerless night Lyrics: 1 All hail the peerless night, Lit by unwonted light, When Bethl’hem’s star o’er Bethl’hem’s manger hung! While, on Judea’s plains, The wakeful shepherd swains Saw angel forms, and heard The song they sung. 2 Glory to God on high— The God who rules the sky— Goodwill to men, and Holy peace on earth; I seem to hear them sing; They make the heavens ring With songs of joy at our Redeemer’s birth. 3 Born of a Jewish maid, In Bethl’hem’s manger laid, His head lies pillowed On a virgin’s breast. And did He stoop so low? Did He the throne forego, To raise us sinners to The heav’nly rest? 4 Yes, Christ was born to bleed, Such was our dreadful need, That thro’ His death our Sins might be forgiv’n; Yet reigns He now on high, And soon shall every eye Behold His advent in The clouds of Heav’n. Languages: English Tune Title: [All hail the peerless night]
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The Babe of Bethlehem

Author: E. P. Dyer Hymnal: Sparkling Diamonds #38 (1884) First Line: All hail the peerless night Languages: English Tune Title: [All hail the peerless night]

The babe of Bethlehem

Author: E. P. Dyer Hymnal: Sabbath Songs for Children's Worship #d3 (1869) First Line: All hail the peerless night

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E. Porter Dyer

Person Name: Ebenezer Porter Dyer Author of "The Babe Of Bethlehem" in The Cyber Hymnal

T. Bissell

1809 - 1877 Composer of "[All hail the peerless night]" in The Cyber Hymnal T. Bissell, born in England; know as a music-teacher, organist,a nd composer, Boston, Mass., published one or two collections of church music. A dictionary of musical information: containing also a vocabulary of musical terms, and a list of modern musical works published in the United States from 1640 to 1875 by John Weeks Moore (Boston: Oliver Ditson, c. 1876)
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