Search Results

Text Identifier:"^afflicted_saint_to_christ_draw_near$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextAudio

Afflicted Saint, to Christ Draw Near

Author: John Fawcett Meter: 8.8.8.8 Appears in 152 hymnals Lyrics: 1. Afflicted saint, to Christ draw near— Thy Savior’s gracious promise hear, His faithful Word declares to thee, That as thy days thy strength shall be. 2. Let not thy heart despond and say How shall I stand the trying day? He has engaged by firm decree, That as thy days thy strength shall be. 3. Thy faith is weak, thy foes are strong, And if the conflict should be long, The Lord will make the tempter flee, For as thy days thy strength shall be. 4. Should persecution rage and flame, Still trust in thy Redeemer’s name; In fiery trials thou shalt see, That as thy days thy strength shall be. 5. When called to bear thy weighty cross, Or sore affliction, pain, or loss, Or deep distress or poverty, Still as thy days thy strength shall be. Used With Tune: UXBRIDGE Text Sources: Hymns Adapted to the Circumstances of Public Worship and Private Devotion (Leeds, England: G. Wright & Son, 1782), number 13

Tunes

tune icon
Tune authorities
Page scansAudio

EFFINGHAM

Appears in 40 hymnals Tune Sources: English Incipit: 15433 21543 32717 Used With Text: Afflicted soul, to Christ draw near
Page scansAudio

REST

Appears in 427 hymnals Composer and/or Arranger: Wm. B. Bradbury Incipit: 55515 53244 42767 Used With Text: Afflicted soul, to Christ draw near

AFFLICTED SAINT

Meter: 8.8.8.8 with refrain Appears in 1 hymnal Composer and/or Arranger: Constance Dever, b. 1960 Tune Key: D Major Incipit: 11553 21331 65532 Used With Text: Afflicted Saint, to Christ Draw Near

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Afflicted Saint, to Christ Draw Near

Author: John Fawcett, 1740-1817; Constance Dever, b. 1960 Hymnal: Christian Worship #867 (2021) Meter: 8.8.8.8 with refrain Refrain First Line: So, sing with joy, afflicted one Topics: Church Militant Scripture: Deuteronomy 33:25 Languages: English Tune Title: AFFLICTED SAINT
TextAudio

Afflicted Saint, to Christ Draw Near

Author: John Fawcett Hymnal: The Cyber Hymnal #243 Meter: 8.8.8.8 Lyrics: 1. Afflicted saint, to Christ draw near— Thy Savior’s gracious promise hear, His faithful Word declares to thee, That as thy days thy strength shall be. 2. Let not thy heart despond and say How shall I stand the trying day? He has engaged by firm decree, That as thy days thy strength shall be. 3. Thy faith is weak, thy foes are strong, And if the conflict should be long, The Lord will make the tempter flee, For as thy days thy strength shall be. 4. Should persecution rage and flame, Still trust in thy Redeemer’s name; In fiery trials thou shalt see, That as thy days thy strength shall be. 5. When called to bear thy weighty cross, Or sore affliction, pain, or loss, Or deep distress or poverty, Still as thy days thy strength shall be. Languages: English Tune Title: UXBRIDGE
TextPage scan

Afflicted saint, to Christ draw near

Author: Anon. Hymnal: The Seventh-Day Adventist Hymn and Tune Book #695 (1886) Lyrics: 1 Afflicted saint, to Christ draw near, Thy Saviour's gracious promise hear; His faithful word declares to thee, That as thy day thy strength shall be. 2 Let not thy heart despond, and say, "How shall I stand the trying day?" He has engaged by firm decree, That as thy day thy strength shall be. 3 Thy faith is weak, thy foes are strong, And if the conflict should be long, Thy Lord will make the tempter flee, For as thy day thy strength shall be. 4 Should persecution rage and flame, Still trust in thy Redeemer's name; In fiery trials thou shalt see That as thy day thy strength shall be. Topics: The Christian Comfort and Encouragement Tune Title: MELITA

People

person icon
Authors, composers, editors, etc.

John Fawcett

1740 - 1817 Author of "Afflicted Saint, to Christ Draw Near" in The Cyber Hymnal An orphan at the age of twelve, John Fawcett (b. Lidget Green, Yorkshire, England, 1740; d. Hebden Bridge, Yorkshire, 1817) became apprenticed to a tailor and was largely self-educated. He was converted by the preaching of George Whitefield at the age of sixteen and began preaching soon thereafter. In 1765 Fawcett was called to a small, poor, Baptist country church in Wainsgate, Yorkshire. Seven years later he received a call from the large and influential Carter's Lane Church in London, England. Fawcett accepted the call and preached his farewell sermon. The day of departure came, and his family's belongings were loaded on carts, but the distraught congregation begged him to stay. In Singers and Songs of the Church (1869), Josiah Miller tells the story associated with this text: This favorite hymn is said to have been written in 1772, to commemorate the determination of its author to remain with his attached people at Wainsgate. The farewell sermon was preached, the wagons were loaded, when love and tears prevailed, and Dr. Fawcett sacrificed the attraction of a London pulpit to the affection of his poor but devoted flock. Fawcett continued to serve in Wainsgate and in the nearby village of Hebden Bridge for the remainder of his active ministry. Bert Polman =============== Fawcett, John, D.D., was born Jan. 6, 1739 or 1740, at Lidget Green, near Bradford, Yorks. Converted at the age of sixteen under the ministry of G. Whitefield, he at first joined the Methodists, but three years later united with the Baptist Church at Bradford. Having begun to preach he was, in 1765, ordained Baptist minister at Wainsgate, near Hebden Bridge, Yorks. In 1772 he was invited to London, to succeed the celebrated Dr. J. Gill, as pastor of Carter's Lane; the invitation had been formally accepted, the farewell sermon at Wainsgate had been preached and the wagons loaded with his goods for removal, when the love and tears of his attached people prevailed and he decided to remain. In 1777 a new chapel was built for him at Hebden Bridge, and about the same time he opened a school at Brearley Hall, his place of residence. In 1793 he was invited to become President of the Baptist Academy at Bristol, but declined. In 1811 he received from America the degree of D.D., and died in 1817, at the age of 78. Dr. Fawcett was the author of a number of prose works on Practical Religion, several of which attained a large circulation. His poetical publications are:— (1) Poetic Essays, 1767; (2) The Christian's Humble Plea, a Poem, in answer to Dr. Priestley against the Divinity of our Lord Jesus Christ, 1772; (3) Three hymns, in the Gospel Magazine, 1777; (4) The Death of Eumenio, a Divine Poem, 1779; (5) Another poem, suggested by the decease of a friend, The Reign of Death, 1780; and (6) Hymns adapted to the circumstances of Public Worship and Private Devotion, Leeds, G. Wright & Son. 1782. They are 166 in number, and were mostly composed to be sung after sermons by the author. Whilst not attaining a high degree of excellence as poetry, they are "eminently spiritual and practical," and a number of them are found in all the Baptist and Congregational hymn-books that have appeared during the last 100 years. The best known of these are, “Infinite excellence is Thine;" "How precious is the Book divine;" "Thus far my God hath led me on;" "Religion is the chief concern;" "Blest be the tie that binds;" “I my Ebenezer raise;" and "Praise to Thee, Thou great Creator." These hymns, together with others by Fawcett, are annotated under their respective first lines. [Rev. W. R. Stevenson, M.A.] In addition the following hymns, also by Fawcett, but of less importance, are in common use: 1. Behold the sin-atoning Lamb. Passiontide. No. 60 of his Hymns, 1782, in 7 stanzas of 4 lines. In several hymnals in Great Britain and America. 2. I my Ebenezer raise. Birthday. No. 102 of his Hymns, in 10 stanzas of 4 lines. Usually given in an abbreviated form. 3. Infinite excellence is Thine. Jesus the Desire of Nations. No. 42 of his Hymns, in 12 stanzas of 4 lines. In several hymn-books in Great Britain and America in an abridged form. 4. Jesus, the heavenly Lover, gave. Redemption in Christ. No. 10 of his Hymns, &c., 1782, in 7 stanzas of 4 lines, and headed, "The marriage between Christ and the Soul." In Snepp's Songs of Grace & Glory, 1872, it reads, “Jesus, the heavenly Bridegroom, gave," and stanza v. is omitted. 5. Lord, hast Thou made me know Thy ways? Perseverance. No. 122 of his Hymns, &c., 1782, in 8 stanza of 4 lines. In the Baptist Hymnal, 1879, No. 451, stanzas iv.-vii. are omitted. 6. 0 God, my Helper, ever near. New Year. No. 108 of his Hymns, &c., 1782, in 6 stanzas of 4 lines. The New Congregational Hymn Book, 1859-69 omits st. vi. 7. 0, my soul, what means this sadness? Sorrow turned to Joy. No. 111 of his Hymns, &c., 1782, in 5 stanzas of 6 lines, and based upon the words, "Why art Thou cast down, O my soul?" &c. It is in common use in America, and usually with the omission of stanza ii. as in Dr. Hatfield's Church Hymn Book, 1872. 8. Sinners, the voice of God regard. Invitation to Repentance. No. 63 of his Hymns, &c., 1782, in 7 stanzas of 4 lines on Isaiah lv. 7, "Let the wicked forsake his way," &c. It is in common use in America, but usually in an abbreviated form. 9. Thy presence, gracious God, afford. Before Sermon. No 165 in his Hymns, &c., in 4 stanzas of 4 lines, and a chorus of two lines. In Dr. Hatfield's Church Hymnbook, 1872, No. 126, the chorus is omitted. Fawcett has another hymn on the same subject (No. 79) and beginning, "Thy blessing, gracious God, afford," but this is not in common use. 10. Thy way, 0 God, is in the sea. Imperfect Knowledge of God. No. 66 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on 1 Corinthians xiii. 9, "We know in part," &c. It is in several American collections, usually abbreviated, and sometimes as, "Thy way, O Lord, is in the sea." In this form it is in The Sabbath Hymn Book, 1858, &c. 11. With humble heart and tongue. Prayer for Guidance in Youth. No. 86 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on Psalms cxix. 9. "Wherewith shall a young man cleanse his way." It is No. 954 in the Baptist Psalms and Hymns, 1858-80. About 20 of Fawcett's hymns are thus still in common use. Two hymns which have been ascribed to him from time to time, but concerning which there are some doubts, are fully annotated under their respective first lines. These are," Humble souls that seek salvation," and "Lord, dismiss us with Thy blessing." -- John Julian, Dictionary of Hymnology (1907)

L. O. Emerson

1820 - 1915 Composer of "THERON" in Hymn and Tune Book for Use in Old School or Primitive Baptist Churches Luther Orlando Emerson was born at Parsonsfield, Maine, August 3, 1820. He descended from distinguished English ancestry. His parents were quite musical, and while the family circle were together, they had a choir and orchestra of their own. The father played the violoncello, the mother was an excellent singer, the flute and violin added their sweet tones, till the quiet homestead rang with melody. Mr. Emerson's education was obtained at the district school, Parsonsfield Seminary and Effingham Academy. He was full of energy, quick and versatile, an apt scholar, and with a view to entering the profession of medicine he entered Dracut Academy, Mass. But his great love for music swerved him from that course, and now, having far better opportunities for cultivating and enjoying this taste and ability, he soon determined upon music as the profession of his choice. He accordingly commenced a course of musical instruction under the late I. B. Woodbury, then a popular teacher of music. After several years of study on the voice, piano, organ and in harmony, Mr. Emerson went to Salem, Mass., began teaching, and took charge of his first choir at a salary of one hundred dollars per year. Here he commenced the composition of music for his own choir, whiich was so popular with its members and the congregation, that Mr. Emerson was encouraged to seek a larger hearing by publishing a collection of church music. Among the tunes was that of Sessions, named after his pastor, which was destined to have a perennial popularity, and is often used in worship in the place of Old Hundred, for the Doxology. At the great Peace Jubilee it was received with applause when sung by a chorus of ten thousand voices, accompanied by an orchestra of two hundred instruments and a great pipe organ. The effect was sublime beyond expression. In 1847 occurred the marriage of Mr. Emerson to Miss Mary Gore, daughter of a prominent Boston merchant. She was a lady of much musical taste and ability. In 1853 he decided to make an effort to put his music before the public, and accordingly went to Boston in search of a publisher. Like most young and unknown authors, he met with but little encouragement, but finally found a publisher in the person of Mr. B. B. Muzzy. Thus was the Romberg Collection published. The book was not pushed — hence it found no market. After a residence of eight years in Salem, Mr. Emerson removed to Boston, accepting the position of organist and musical director at the Bulfinch Street Church, then under the pastoral care of Rev. Wm. R. Alger, which he filled for four years. He eagerly improved the rare means of culture which were once more enjoyed, meanwhile teaching and composing music. In 1857 he formed the connection with Oliver Ditson Company, of Boston, of author and publisher, which has continued to the present time with but one interruption (a single volume brought out by another firm), the Golden Wreath, which at once became popular, and sold forty thousand during the first year, this being the initial volume in the long series since brought out by these publishers. In 1858 came the Golden Harp, which was also a success. These successes gave him not only encouragement, but reputation. Mr. Emerson now entered upon a career of usefulness and popularity for which he had been preparing during the years of self-denying struggle and discipline. He was called to take charge of the music in the Second Congregational Church, Greenfield, Mass., and also of the musical department of Power's Institute, at Bernardston. Amid nature's most beautiful surroundings, he had a quiet retreat for the pursuit of his true vocation, the composition of church music. The first fruit of his genius here was the Sabbath Harmony, in 1860. This book was also a success. In 1863 followed the Harp of Judah, which had the remarkable sale of nearly fifty thousand copies in the first three months. This book probably gave Mr. Emerson his preeminence as a composer of church music, containing as it did his anthem, Guide Me, O Thou Great Jehovah, and many of his finest compositions. Having declined the solicitations of Dr. Lowell Mason to become his associate in music, Mr. Emerson started forth on his own plans, and attained the highest rank among those who loved the pure and beautiful in song. Mr. W. S. B. Mathews, a musical critic, pronounces him the best melodist of all the psalmodic writers. In 1866 the equally successful Jubilate appeared, followed by the Choral Tribute, the Standard and the Leader. In the last two Dr. I. R. Pahner was associated with him. Later on came the Salutation, Voice of Worship, Herald of Praise, etc. The diligence with which Mr. Emerson plied his pen can be estimated when one recalls the fact that he has made seventy-two collections of music, embracing music for churches, singing schools, public schools, choral societies and conventions, instruction books for voice, organ, etc. He has also composed and published scores of songs, quartets and instrumental pieces. The great amount of work this represents can only be appreciated by those who have undertaken similar labors. Some years ago the degree of Doctor of Music was conferred upon Professor Emerson by the Faculty of Findlay College, Findlay, Ohio. For many years past. Dr. Emerson has devoted his energies to the grand purpose of elevating the general character of music in our churches, and thus largely advancing the interests of true worship. He places great stress upon the mission of church music. He regards sacred music as the best expression of devotional feeling that exists. He looks upon sacred song as prayer, and believes that it inspires and intensifies prayer. With this view he has taken an active and prominent part in musical festivals and conventions, of which he has conducted over three hundred throughout the United States and Canada. As a conductor, he stands in the front rank. As a teacher. Dr. Emerson has an exceedingly happy faculty of imparting in a concise manner to his classes. His very pleasing address enables him to command the undivided attention of his pupils. As a singer, he has always held high rank, and has sung much in public. His voice is a baritone of great compass, and quite powerful. As a lecturer upon music, Dr. Emerson has attracted much attention. His most popular lecture is entitled The World of Music, in which he traces its origin and progress, and gives some excellent traits of the lives of the great composers. In this lecture he also shows the design of music, and how it has been prized in every age of the world, among all nations — its power in the Church and State, and the need of its influence in the family — in joy and sorrow — for this life and the life to come. -Biography of Gospel Song and Hymn Writers

Connie Dever

b. 1960 Person Name: Constance Dever, b. 1960 author (refrain) of "Afflicted Saint, to Christ Draw Near" in Christian Worship
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.