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Deep Within
Author: David Haas, b. 1957 Appears in 8 hymnals Scripture: Jeremiah 31:33 First Line: I will give you a new heart Refrain First Line: Deep within I will plant my law Topics: Commandments; Law Used With Tune: [I will give you a new heart]
Deep Within
Grant to Us, O Lord (La Alianza Nueva)
Author: Lucien Deiss, CSSp, 1921-2007; María Pilar de la Figuera Appears in 6 hymnals Scripture: Jeremiah 31:31-34 First Line: Behold, the days are coming (He aquí que vienen días) Refrain First Line: Grant to us, o Lord (Danos Señor) Topics: Lenten Season; Tiempo de Cuaresma; Rites of the Church Penance; Ritos de la Iglesia Penitencia; Alianza; Covenant; Law; Ley; People of God; Pueblo de Dios; Preocupación Social; Social Concern; Reconciliación; Reconciliation; Renewal; Renovación Used With Tune: [Grant to us, O Lord, a heart renewed]
Grant to Us, O Lord (La Alianza Nueva)
Here I Am, Lord
Author: Daniel L. Schutte, 1947- Appears in 64 hymnals Scripture: Jeremiah 31:33-34 First Line: I, the Lord of sea and sky Used With Tune: [I, the Lord of sea and sky]
Here I Am, Lord
[I will give you a new heart]
Appears in 8 hymnals Composer and/or Arranger: David Haas, b. 1957; Jeanne Cotter, b. 1964 Scripture: Jeremiah 31:33 Tune Key: G Major Incipit: 54323 43143 11765 Used With Text: Deep Within
[I will give you a new heart]
[Grant to us, O Lord, a heart renewed]
Appears in 8 hymnals Composer and/or Arranger: Lucien Deiss, CSSp, 1921-2007 Scripture: Jeremiah 31:31-34 Tune Key: G Major Incipit: 11776 67753 3123 Used With Text: Grant to Us, O Lord (La Alianza Nueva)
[Grant to us, O Lord, a heart renewed]
[I, the Lord of sea and sky]
Appears in 64 hymnals Composer and/or Arranger: Daniel L. Schutte, 1947-; Michael Pope, 20th c; John Weisrock, 20th c. Scripture: Jeremiah 31:33-34 Tune Key: G Major Incipit: 17154 55171 65123 Used With Text: Here I Am, Lord
[I, the Lord of sea and sky]
Come, We That Love
Author: Isaac Watts; Robert Lowry Hymnal: Voices Together #31 (2020) Scripture: Jeremiah 31 First Line: Come, we that love the Lord Refrain First Line: We're marching to Zion Lyrics: 1 Come, we that love the Lord,
and let our joys be known.
Join in a song with sweet accord,
join in a song with sweet accord,
and thus surround the throne,
and thus surround the throne.
Refrain:
We’re marching to Zion,
beautiful, beautiful Zion.
We’re marching upward to Zion,
the beautiful city of God.
2 The hill of Zion yields
a thousand sacred sweets,
before we reach the heav’nly fields,
before we reach the heav’nly fields,
or walk the golden streets,
or walk the golden streets. [Refrain]
3 Then let our songs abound,
and ev’ry tear be dry.
We’re marching thro’ Immanuel’s ground,
we’re marching thro’ Immanuel’s ground,
to fairer worlds on high,
to fairer worlds on high. [Refrain] Topics: Eternal Life; Faith Journey; Heaven; Liberation; Pilgrimage; Praise Tune Title: WE’RE MARCHING TO ZION
Come, We That Love
O for a Heart to Praise My God
Author: Charles Wesley Hymnal: Rejoice in the Lord #438 (1985) Meter: 8.6.8.6 Scripture: Jeremiah 31:33 Lyrics: 1 O for a heart to praise my God,
a heart from sin set free!–
a heart that always feels thy blood
so freely spilt for me!–
2 a heart resigned, submissive, meek,
my dear Redeemer's throne,
where only Christ is heard to speak,
where Jesus reigns alone;
3 a humble, lowly, contrite heart,
believing, true, and clean,
which neither life nor death can part
from him that dwells within;
4 a heart in ev'ry thought renewed,
and full of love divine,
perfect and right, and pure and good,
a copy, Lord, of thine!
5 My heart, thou know'st, can never rest
till thou create my peace,
till of my Eden repossess'd,
from self and sin I cease.
6 Thy nature, gracious Lord, impart;
come quickly from above;
write thy new name upon my heart,
thy new best name of love!
Languages: English Tune Title: JACKSON
O for a Heart to Praise My God
O for a Heart to Praise My God
Author: Charles Wesley, 1707-1788 Hymnal: Worship (3rd ed.) #591 (1986) Scripture: Jeremiah 31:33 Lyrics: 1 O for a heart to praise my God,
A heart from sin set free,
A heart that always feels your blood
So freely shed for me.
2 A heart, resigned, submissive, meek,
My great Redeemer’s throne,
Where only Christ is heard to speak,
Where Jesus reigns alone:
3 A humble, lowly, contrite heart,
Believing, true, and clean,
Which neither life nor death can part
From Him who dwells within:
4 A heart in ev'ry thought renewed,
A heart whose love endures;
So perfect, right, and pure, and good,
A copy, Lord, of yours.
5 Your nature, gracious Lord, impart;
Come quickly from above,
Write your new name upon my heart,
Your new, best name of love. Topics: Ordinary Time 8, Year C; Ordinary Time 22, Year B; Lenten Season; Sacred Heart; Confirmation; Penance; Humility; Jesus Christ; Joy; Love for God; Love for Others; Peace; Petition; Reconciliation; Repentance Languages: English Tune Title: O FOR A HEART
O for a Heart to Praise My God
Lucien Deiss
1921 - 2007 Person Name: Lucien Deiss, CSSp, 1921-2007 Scripture: Jeremiah 31:31-34 Author of "Grant to Us, O Lord (La Alianza Nueva)" in Oramos Cantando = We Pray In Song Born: 1921, Paris, France.
Died: October 9, 2007, Île-de-France, France.
Buried: Seminaire des Missions, Chevilly-Larue, Île-de-France, France.
A member of the Holy Spirit Fathers, Deiss attended the Gregorian University in Rome and taught theology at the Grand Scholasticat of Cheville in Paris, France. His works include:
Early Sources of the Liturgy, 1967
It’s the Lord’s Supper/, 1976
Spring Time of the Liturgy, 1979
Sources:
Brink & Polman, P. 313
--www.hymntime.com/tch/
=================
Fr. Deiss was pastor, liturgist, author, international lecturer, renowned Scripture scholar, and an expert on liturgical music. He was selected by Pope Paul VI to coordinate the Lectionary psalter following the Second Vatican Council. His Biblical Hymns and Psalms was the one of the first major collections of liturgical music in the vernacular, and gave us such songs as "All the Earth," "Keep in Mind," and "Grant to Us, O Lord." A tireless advocate of the reforms of Vatican II, Fr. Deiss continually encouraged those who worked in liturgical reform to remain fervent in prayer, and he dedicated much of his life to liturgical catechesis through workshops and writings.
--www.decanimusic.co.uk/
Lucien Deiss
David Haas
b. 1957 Person Name: David Haas, b. 1957 Scripture: Jeremiah 31:33 Author of "Deep Within" in Gather Comprehensive
David Haas
Charles Wesley
1707 - 1788 Scripture: Jeremiah 31:33 Author of "O for a Heart to Praise My God" in Rejoice in the Lord Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
