Person Results

Switch back to the old search page.Advanced Search

Showing 51 - 60 of 209Results Per Page: 10 20 50

Carl Bernhard Garve

1763 - 1841 Person Name: Carl Bernhard Garve Hymnal Number: 15 Author of "Ach sei mit Deiner Gnade" in Deutsches Gesangbuch Garve, Carl Bernhard, was born Jan. 24, 1763, at Jeinsen, near Hannover, where his father was a farmer. He was educated at the Moravian schools in Zeist, and Neuwied, at their Pädagogium at Niesky, and their Seminary at Barby. In 1784 he was appointed one of the tutors at Niesky, and in 1789 at Barby; but as his philosophical lectures were thought rather unsettling in their tendency, he was sent, in 1797, to arrange the documents of the archive at Zeist. After his ordination as diaconus of the Moravian church, he was appointed, in 1799, preacher at Amsterdam; in 1801 at Ebersdorf (where he was also inspector of the training school); in 1809 at Berlin; and in 1816 at Neusalza on the Oder. Feeling the burden of years and infirmities he resigned the active duties of the ministry in 1836, and retired to Herrnhut, where he died June 21, 1841. (Koch, vii. 334-342; (Allgemeine Deutsche Biographie, viii. 392-94, &c.) Garve ranks as the most important of recent Moravian hymnwriters, Albertini being perhaps his superior in poetical gifts, but certainly not in adaptability to church use. His better productions are almost entirely free from typically Moravian features; and in them Holy Scripture is used in a sound and healthful spirit. They are distinguished by force and at the same time elegance of style, and are full of deep love and devotion to the Saviour. Many of them have passed into the German Evangelical hymnbooks, no less than 36 being included in the Berlin Gesange-Buch 1829; and of those noted below No. i. is to be found in almost all recent German collections. They appeared mostly in the two following collections, both of which are to be found in the Town Library, Hamburg: (1) Christliche Gesänge, Görlitz, 1825, with 303 hymns, a few being recasts from other authors. (2) Brüdergesange, Gnadau, 1827, with 65 hymns intended principally for use in the Moravian Communion. Garve's hymns in English common use are:— i. Dein Wort, 0 Herr, ist milder Thau. Holy Scripture. Perhaps his finest hymn. 1825, as above, p. 51, in 7 st. of 8 l. Included, as No. 410, in the Berlin Geistliche Lieder S., ed. 1863, and in the German hymnbooks for Hannover, 1883, for the kingdom of Saxony, 1883, for the province of Saxony, 1882, &c." Translated as:— 1. Thy Word, 0 Lord, like gentle dews. A good translation of st. i.-iii, by Miss Winkworth, in the first Ser., 1855, of her Lyra Germanica, p. 36. In the Pennsylvania Lutheran Church Book, 1868, it is No. 314 in full, but rewritten to D.C.M. In 1864 it was included, altered, and with 11. 5-8 of each stanza omitted, as No. 681 in Hymns of the Spirit, Boston, U. S., and this has been repeated in Dr. Martineau's Hymns of Praise & Prayer, 1873, and Dr. Allon's Children's Worship, 1878. 2. Thy Word, 0 Lord, is gentle dew. A good translation of st. i.-iii., based on the Lyra Germanica, by Miss Winkworth, as No. 102 in her Chorale Book for England, 1863, and thence, in the Ohio Lutheran Hymnal, 1880. ii. Hallelujah, Christus lebt. Easter. 1825, as above, p. 105, in 8 st. of 6 1. Included in Knapp's Evangelical Lutheran Songbook, 1850, No. 565. Translated as:— Hallelujah! Jesus lives! A good translation (omitting st. iv., vi.) by Miss Borthwick, in the 4th Ser., 1862, of the Hymns from the Land of Luther, p. 30 (1884, p. 201). In Lyra Messianica, 1864, p. 295, and in G. S. Jellicoe's Collection, 1867, No. 103, it begins, "Alleluia ! Jesus lives." iii. O Vater der Gemeine. Trinity Sunday. 1825, as above, p. 18, in 3 st. of 7 l. Included as No. 107 in Knapp's Evangelischer Lieder-Schatz, 1837. Translated as: -- Father of all created. In full, as No. 159, in Dr. Pagenstecher's Collection, 1864, signed " F. C. C." Another translation is, "0 Father, we adore Thee," in the British Herald, Oct. 1866, p. 324, repeated as No. 416 in Reid's Praise Book, 1872. Hymns not in English common use:— « iv. Der Herr ist treu, Der Herr ist ewig treu. God's Faithfulness. 1825, p. 5, in 6 st., repeated in the Berlin Gesang-Buch, 1829, No. 60, beginning "Gott ist treu." Translated by N. L. Frothingham, 1870, p. 253. v. Geduld! Geduld! ob's stürmisch weht. Trust in God. 1825, p. 180, in 3 st., repeated in the Berlin Gesang-Buch 1829, No. 593, beginning "Geduld! wie sehr der Sturm auch weht." Translated by N. L. Frothingham, 1870, p. 265. vi. Sagt was hat die weite Welt. Holy Scripture. 1825, p 49, in 6 st. Translated as “Tell me, can the world display," in the British Herald, Nov. 1866, p. 360, repeated as No. 420 in Reid's Praise Book, 1872. vii. Wer bin ich, Herr, in deinem Licht. Self-Examination, 1825, p. 216, in 15 st. Translated by N. L. Frothingham, 1870, p. 258. viii. Zur Arbeit winkt mir mein Beruf. Before Work, 1825, p. 233, in 9 st. Translated by E. Massie, l861. A hymn sometimes ascribed to Garve is noted under "Gib deinen Frieden uns." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Lazarus Spengler

1479 - 1534 Hymnal Number: 62 Author of "Durch Adams Fall ist ganz verderbt" in Deutsches Gesangbuch Spengler, Lazarus, was the 9th of the 21 children of Georg Spengler and Agnes his wife, and was born March 13,1479, at Nürnberg, where his father was clerk of the Imperial court of Justice (Landgerichtschreiber). He entered the University of Leipzig in 1494; but on the death of his father on Dec. 27, 1496, he returned to Nürnberg, obtained a position in the town clerk's office, in 1507 became himself town clerk (Raths Syndikus), and in 1516 also Rathsherr. When Luther was passing through Nürnberg, in 1518, on his way to Augsburg, Spengler made his acquaintance. He warmly espoused the Reformation doctrines, published in 1519 his Schutzre in Luther's favour, and himself became one of the leaders in the Reformation work at Nürnberg. He was one of those condemned by name in the Bull of Excommunication launched by Pope Leo the Tenth, on June 15, 1520, against Luther and his friends. Dr. Eck sent the Bull to the Town Council of Nürnberg, and urged them to proceed against Spengler, but they ignored it, and then sent him as one of their representatives to the Diet of Worms, in April 1521. In 1525 Spengler went to Wittenberg to consult with Luther and Melanchthon as to turning the Benedictine Aegidienstift (Schottenkloster) into an Evangelical Gymnasium, and this was opened as such by Melanchthon on May 23, 1526. Spengler was also the prime mover to the Visitation of 1528, and upheld strict Lutheranism in the negotiations at the Diet of Augsburg in 1530. He died at Nürnberg, Sept. 7, 1534 (Koch, i, 308 ; Will's Nürnbergisches Gelehrten-Lexikon, iii., p. 731; Herzog's Real-Encyklopädie, xiv., 516). Spengler was a trusty friend and valued counsellor of Luther and the principal Reformers of Germany. He also interested himself in the improvement of the church services, and in 1532 was able to have an authorised Liturgy (Kirchenordnung) printed. He wrote a considerable quantity of verse, sacred and secular ; but only two hymns are ascribed to him. The one is an indifferent version of Ps. cxxvii., beginning "Vergebens ist all Müh und Kost." The other is:— Durch Adams Fall ist ganz verderbt. Fall and Redemption. First published in the Geystliche Gesangk Buchleyn, Wittenberg, 1524, and thence in Wackernagel, iii. p. 48, in 9 stanzas of 10 lines…During the Reformation period it attained a wide popularity as a didactic and confessional hymn of the Evangelical faith. It is one of the most characteristic hymns of the time, conceived in the spirit of deep and earnest piety, eminently Scriptural, and setting forth the Reformation teachings in concise and antithetical form, but is however too much like a system of theology in rhyme. The translations are:—- 1. "By Adam's fall was so forlorne." By Bishop Coverdale, 1539, reprinted in his Remains, 1846, p. 556. 2. "When Adam fell our total Frame." By J. C. Jacobi in his Psalmodia Germanica, pt. ii., 1725, p. 17. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Christian Heinrich Zeller

1779 - 1860 Hymnal Number: 93 Author of "Freuet euch, ihr Menschenkinder" in Deutsches Gesangbuch Zeller, Christian Heinrich, son of Christian David Zeller, Hofrath at Hohenentringen, near Tubingen, was born at Hohenentringen, March 29, 1779. He matriculated at the University of Tübingen in 1797, as a student of law. After completing his studies he chose, however, the profession of teaching. He became director of the Latin School at Zoffingen, Switzerland, in 1809, and finally removed in April, 1820; to Beuggen on the Rhine (Baden), near Basel, as director of the newly founded Institution there, meant for the education of poor children and for the training of teachers for poor children. He died at Beuggen, May 18, 1860 (Koch, vii. 188, &c). Zeller was best known as an educationist, and in con¬nection with the working of the Institution at Beuggen. His hymns, which are simple, Scriptural and earnest, were written primarily for use at Beuggen, and mostly appeared in the Monatsblatt (begun in 1828), and other publications of the Institution. They came into notice through their reception into Knapp's Evangelischer Lieder-Schatz, 1837. They were collected by Zeller's son, and published in 1871, as Lieder der Armenschullehrer-Anstalt Beuggen, 58 being original. Two of these hymns have passed into English, viz.:— i. Gott bei mir an jedem Orte. Omnipresence. On the joy of God's Presence with us. This appeared in the Monatsblatt in 1828, and was included in the 1871 as above, p. 88. In Knapp's Evangelischer Lieder-Schatz , 1837, No. 32 (1865, No. 32), in 6 stanzas of 6 lines; in the Berlin Geistliche Lieder, ed. 1863, No. 1554, &c. The translation in common use is:— My God with me in every place. This is a good translation, omitting st. v., by Mrs. Findlater in Hymns from the Land of Luther, 1st Ser., 1854, p. 30 (1884, p. 33); repeated, omitting st. iv., in Holy Song, 1869, No. 588. In Miss Warner's Hymns of the Church Militant, 1858, it begins, "My God is with me every place." Another translation is: "God in every place is near me." By R. Massie, in the British Herald, May, 1865, p. 70, and in Reid's Praise Book, 1872, No. 438. ii. Treuer Heiland, wir sind hier. Public Worship. This is in the 1871 as above, p. 64. Included in Knapp's Evangelischer Lieder-Schatz 1837, No. 857 (1865, No. 1256), in 5 stanzas of 7 lines; and repeated in the Württemberg Gesang-Buch, 1842, No. 235. For this hymn Conrad Kocher wrote the well-known melody which in Hymns Ancient & Modern is called Dix, and which first appeared, set to Zeller's hymn, in Kocher's Stimmen aus dem Meiche Gottes, Stuttgart, 1838, No. 201. Translates as:— Saviour, here to Thee we come. This is a free translation of stanzas i., ii., v., marked as by "F. C. C.” as No. 155 in Dr. Pagenstecher's Collection, 1864. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Heinrich Theobald Schenk

1656 - 1727 Hymnal Number: 495 Author of "Wer find die vor Gottes Throne" in Deutsches Gesangbuch Schenk, Heinrich Theobald, son of Simon Schenk, pastor at Heidelbach, on the Schwalm, near Alsfeld, Hesse, was born at Heidelbach, April 10, 1656. He entered the Padagogium at Giessen, in 1670, and then pursued his studies at the University (M.A. 1676). In 1676 he returned to the Padagogium, as one of the masters; and was, from 1677 to 1689, "præceptor classicus." On Dec. 27, 1689, he was ordained as Town preacher and "definitor," at the Stadtkirche in Giessen. He died at Giessen, April 11, and was buried there April 15, 1727…The registers at Giessen give the date of his funeral, but not of his death; but say, that at his death he was aged 71 years less 10 days, which would rather suggest April 21 as the date of his birth.) Only one hymn is known by him, but it is a hymn which is found in almost all recent German hymn-books; and, through translations, in many recent English collections. It is:— Wer sind die vor Gottes Throne. Eternal Life. This is found in the Neuvennehrtes Gesangbilchlein, Frankfurt-am-Main, 1719, No. 362, p. 341… It is a beautiful hymn on the Church Triumphant (i.-xiii.), and on the aspirations of the Church Militant to attain the same victorious glory. Translated as:— 1. Who are these like stars appearing. By Miss Cox, in her Sacred Hymns from the German, 1841, p. 89, being a very good translation of st. i.—vi., ix.-xi., xiv.-xvii., xx. This has come into extensive use in the cento adopted in Alford's Psalms & Hymns, 1844; and repeated in Hymns Ancient & Modern, 1861; being the trs. of st. i., iii.-v., ix. Other centos are found in Rorison's Hymns & Anthems, 1851, &c. Other forms may also be noted:— (1) "Lo! a multitude appearing." This, in T. Darling's Hymns for Ch. of England, 1874, is based on Miss Cox's st. i., iv., v., with two additional stanzas. (2) "Who are these in dazzling brightness. Bearing the victorious palm." 2. Who are these in light adoring. By A. T. Russell, as No. 145 in his Psalms & Hymns, 1851 ; being a tr. of st. i., iv., xi., xv. 3. Who are those before God's throne, What the crowned host I see. This is a good tr. of st. i.-vi., ix., x., xiv., xvii., xx., by Miss Winkworth in herLyra Germanica, 1st Ser., 1855, p. 207 Other translations are:— (1) "Who are those before God's throne, What the countless." By J. D. Burns, in the Family Treasury, 1859, pt. i., p. 307; and his Memoir & Remains, 1869, p. 267. (2) " Who are those round God's throne stand-ing." By Miss Manington, 1863, p. 90. (3) "What is this host that round the throne." By Miss Warner, 1869, p. 20. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Jacopone, da Todi

1230 - 1306 Person Name: Jacopone da Todi Hymnal Number: 117 Author of "Schaut die Mutter voller Schmerzen" in Deutsches Gesangbuch Jacobus de Benedictis, commonly known as Jacopone, was born at Todi in Umbria, early in the 13th century, his proper name being Jacopone di Benedetti. He was descended from a noble family, and for some time led a secular life. Some remarkable circumstances which attended the violent death of his wife, led him to withdraw himself from the world, and to enter the Order of St. Francis, in which he remained as a lay brother till his death, at an advanced age, in 1306. His zeal led him to attack the religious abuses of the day. This brought him into conflict with Pope Boniface VIII., the result being imprisonment for long periods. His poetical pieces were written, some in Italian, and some in Latin, the most famous of the latter being "Cur mundus militat sub vana gloria" (possibly by Walter Mapes), and the "Stabat Mater dolorosa." Archbishop Trench says of him:— “An earnest humourist, he carried the being a fool for Christ into every-day life. The things which with this intent he did, some morally striking enough, others mere extravagances and pieces of gross spiritual buffoonery—wisdom and folly, such as we often find, side by side, in the saints of the Roman Calendar—are largely reported by Wadding, the historian of the Franciscan Order, and by Lisco, in a separate monograph on the Stabat Mater, Berlin, 1843, p. 23. These often leave one in doubt whether he was indeed perfectly sound in his mind, or only a Christian Brutus, feigning folly, that he might impress his wisdom the more deeply, and utter it with more freedom." Sacred Latin Poetry, 3rd ed., 1874, p. 268. Sketches of the life and writings of Jacopone, drawn entirely from the original sources (Trench), have been published as follows:— (1) By Mohnike, Studien Stralsund, 1825, vol. i. pp. 335-406; (2) by Ozanam, Les Poétes Franciscains en Italie au Treizieme Siecle, Paris. In addition there are articles in the Biographie Universelle; Macmillan’s Magazine, Aug., 1873; and the Encyclopedia Britannica , 9th ed. --John Julian, Dictionary of Hymnology (1907) ============================ See also in: Wikipedia

Caspar Neumann

1648 - 1715 Hymnal Number: 390 Author of "O Gott! von dem wir alles haben" in Deutsches Gesangbuch Neumann, Caspar, son of Martin Neumann, city tax-collector at Breslau, was born at Breslau, Sept. 14,1648. He entered the Unversity of Jena in Sept. 1667, graduated M.A. in August 1670, and was for some time one of the University lecturers. On Nov. 30, 1673, he was ordained at the request of Duke Ernst of Gotha as travelling chaplain to his son, Prince Christian, whom he accompanied through Western Germany, Switzerland, Northern Italy, and Southern France; returning to Gotha in 1675. In 1676 he became court preacher at Altenburg, but in Dec. 1678 was appointed diaconus of the St. Mary Magdalene Church at Breslau, and pastor there in 1689. Finally, in Feb. 1697 he became pastor of St. Elizabeth's at Breslau, inspector of the churches and schools of the district, and first professor of theology in the two Gymnasia at Breslau. He died at Breslau, Jan. 27, 1715 (S. J. Ehrhardt's Presbyterologie Schlesiens i. 211; Allgemeine Deutsche Biographie xxiii. 532, &c). Neumann was a celebrated preacher, and edited a well-known prayer-book, entitled Kern alter Gebete (Breslau, 1680; complete ed. Breslau, 1697) which passed through many editions. He wrote over thirty hymns, simple, heartfelt and useful, which became very popular in Silesia, and almost all of which passed into Burg's Gesang-Buch, Breslau, 1746, and later editions. They mostly appeared, with his initials, in the 9th ed., N.D., but about 1700, of the Breslau Vollständige Kirchen-und Haus-Music. Those which have been translated are:— i. Adam hat im Paradies. Christmas. 1700, as above, p. 71, in 8 stanzas. In the Unverfälschter Liedersegen, 1851, No. 23. Translated as "Adam did, in Paradise." By Miss Manington, 1864, p. 21. ii. Grosser Gott, von alten Zeiten. Sunday Morning. 1700, p. 886, in 6 stanzas of 6 1ines as "for Sundays and Festivals." Thence in many Silesian hymnbooks, and in the Unverfälschter Liedersegen, 1851, No. 481. The translations in common use are:-— 1. God of Ages never ending, Ruling. A good translation, omitting stanza iii., by H. J. Buckoll in his Hymns from the German, 1842, p. 5. His translations of stanzas i., ii., vi. were repeated in the Dalston Hospital Hymn Book, 1848; the Rugby School Hymn Book, 1850 and 1876, and others. 2. Great God of Ages! by whose power. A translation of stanzas i., ii., vi. as No. 10 in J. F. Thrupp's Psalms & Hymns, 1853. 3. God of Ages never ending! All creation. A good translation of stanzas i., ii., vi., based on Buckoll, con¬tributed by A. T. Russell to P. Maurice's Choral Hymn Book, 1861, No. 466. 4. God of Ages, great and mighty. A translation of stanzas i., ii., v., vi. by C. H. L. Schnette, as No. 291 in the Ohio Lutheran Hymnal 1880. iii. Herr! auf Erden muss ich leiden. Ascension. 1700 as above, p. 1098, in 6 stanzas of 8 lines, and in the Unverfälschter Liedersegen, 1851, No. 159. The translation in common use is:— (1) Lord, on earth I dwell sad-hearted. A good translation, omitting stanzas iv., v., by Miss Winkworth, as No. 66 in her Chorale Book for England, 1863; repeated in the Ohio Lutheran Hymnal, 1880. Another translation is (2) "Lord, on earth I dwell in pain." By Miss Winkworth, 1855, p. 106. iv. Mein Gott, nun ist es wieder Morgen. Morning. 1700, as above, p. 871, in 6 stanzas, and in the Berlin Geistliche Lieder ed. 1863, No. 1119. Translated as "My God, again the morning breaketh." By Miss Manington, 1863, p. 118. v. Nun bricht die finstre Nacht herein. Sunday Evening. 1700 as above, p. 982, in 11 stanzas. In the Berlin Geistliche Liedered. 1863, No. 1177. Translated as "Soon night the world in gloom will steep." By Miss Manington, 1863, p. 152. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Simon Dach

1605 - 1659 Hymnal Number: 492 Author of "O wie selig seid ihr doch, ihr Frommen" in Deutsches Gesangbuch Dach, Simon, son of Simon Dach, interpreter to the Court of Justice at Memel, Prussia, was born at Memel, July 29,1605. He attended the Cathedral school at Königsberg, the Town school at Wittenberg, and the Gymnasium at Magdeburg. In 1626 he returned to Königsberg, where, after studying philosophy and theology at the University, he for some time acted as a private tutor. In 1633 he was appointed assistant in the Cathedral school, and in 1636 Conrector. He then, in 1639, became Professor of Poetry in the University, was five times Dean of the Philosophical Faculty, and in 1656-57 Rector of the University. He died at Königsberg, April 15, 1659 (Koch , iii. 182-191; Allg. Deutsche Biog. , iv. 685-688, &c). Dach was much of an invalid, and nearly broke down under the hard labour and poor pay of his early tutorial work at Königsberg, but found a true friend and generous patron in R. Roberthin (q.v.). In his later years the effects of the Thirty Years' War made themselves visible in Königsberg by depression of trade, famine, &c. In 1648 he lost Roberthin by death, and in 1649 many of his fellow professors fell victims to the pestilence, while during the last year of his life he suffered from a lingering consumption. These facts explain the sombreness of much of his verse. In 1636 he joined in forming the Poetical Union of Konigsberg [see Alberti], and was its poetic soul. He was the most important poet of the Königsberg School, and one of the first lyric poets of his time happy in expression, pure in style, and true hearted. But of the mass of his poems (some 1360 in all, many of which were "occasional" pieces for the Electoral House of Brandenburg, and for private friends) very few retain popularity; the best known being his Aennchen von Tharaw. Dach's hymns, some 165 in all, appeared in broadsheet form, in H. Alberti's Arien, 1638-1650, and in the Königsberg Hymnbooks, 1639-1690. They deservedly place him amongst the best hymn writers of his time, and win him the distinction of being one of the most lovable, most profound and most elegant of the more contemplative hymn writers. Their personal and subjective character, and the fact that so many are hymns of preparation for death, have prevented all but a few from finding a place in modern hymnals. Five of Dach's hymns have passed into English, all of which are included in the complete edition of his Werke by Hermann Oesterley, published at Tübingen, 1876. They are:— i. Ich steh in Angst und Pein. [Second Advent.] The Königsberg University Library possesses a broadsheet, printed at Elbing, 1642, as a Christliches Trauer-Lied to Christoph Behm, on the death, on Nov. 22, 1633, of his son Christoph, a student of theology. It was included in pt. iv., Königsberg, 1641, of H. Alberti's Arien, No. 5, in 10 stanza of 6 1., entitled " Supremi Judicis urnam non metuit fisus sanguine, Christe, tuo." Repeated in Oesterley, p. 91, as No. 1421 in the Leipzig Vorrath, 1673, and, omitting stanza viii., in the Wittenberg G. B., 1742-1866, No. 893. The only translation in C. U. is :— A dread hath come on me, a good translation, omitting stanza viii., as No. 28 in Miss Winkworth's Chorale Book for England, 1863. ii. Kein Christ soil ihm die Rechnung machen. [Cross and Consolation."] 1st published in pt. ii., Königsberg, 1640, of H. Alberti's Arien, No. 1, in 7 stanzas of 6 lines, entitled "Non caret adversis, qui pius esse velit." Included in Oesterley , p. 108, and as No. 631 in the Unv. L. S., 1851. The form translated into English is of stanza ii., iii., vii., beginning, "Wer dort mit Christo hofft zu erben," which is No. 812 in Bunsen's Versuch, 1833. The only translation in common use is:— Wouldst thou inherit life with Christ on high? A good tr. from Bunsen, by Miss Winkworth, in her Lyra Ger., 1st Ser., 1855, p. 129, and thence unaltered as No. 170 in the New Zealand Hymnal , 1872. In Sacred Lyrics from the German, Philadelphia, 1859, p. 61, it begins "Couldst thou inherit." iii. 0 wie selig seid ihr dooh, ihr Frommen . [Eternal Life.] The original broadsheet, printed at Danzig, 1635, with music by J. Stobaus, as the Musikalisches Ehrengedächtniss of Hiob Lepner, Burgomaster of the Königsberg Altstadt, who died May 9, 1635, is in the Königsberg University Library. Included in B. Derschau's G. B., Königsberg, 1639, p. 73, in 6 stanza of 4 1., repeated in Oesterley, p. 95 ; the Leipzig Vorrath, 1673, No. 1460; in Burg's G. B., Breslau, 1746, No. 1086; and many others. It is a fine hymn, founded on Rev. xiv., 13-14. Lauxmann, in Koch, viii. 673, relates that J. A. Hochstetter, Prelate of Bebenhausen, near Tubingen (d. 1720), in July, 1719, summoned his household to accompany him in visiting the family burial place in the Church, and there pointed out his resting place, spoke to them of eternal life, and ended by requesting them to ;ing this hymn, and also "Christus der ist meiu Leben" (q.v.). The only tr. in C. U. is :— 0 how blest are ye beyond our telling, a good and full translation, as No. 197 in Miss Winkworth's C. B. for England, 1863. Other translations are, (l) "O, how blest are ye whose toils are ended," by H. W. Longfellow (1846 or earlier). P. Works, Routledge, 1879, p. 648. (2) "Oh! how blessed are ye, saints forgiven," by Miss Borthwick in H. L. L., 1854, p. 32 (1884, p. 35). This is from the double form in the Berlin G. B.t 1711, No. 655, which has six stanzas to be sung alternately with Dach's stanzas by the choir as the answer of the Blessed Ones; with two concluding stanza to be sung by choir and congregation together. These eight additional st. are by Jacob Baumgarten (b. 1668, d. 1722), and begin: "Ja, höchst selig sind wir, lieben Brüder; (3) "O how blessed, faithful souls are ye," by Miss Winkworth, 1855, p. 252; (4) "How bless’d the saints; who, dying here," by Dr. G. Walker, 1860, p. 114. It may be noted that the hymn beginning, “O how blest the throng who now adoring," by A. T. Russell, in 4 stanza as No. 266 in his Ps. & Hys., 1851, while not a translation, is yet based on this hymn by Dach. In addition the following hymns by Dach have been translated into English :— iv. Nimm dich, o meine Seel' in Acht [ Treasures in Heaven.'] 1st published as No. 5 in pt. vii. Königsberg, 1648, of H. Alberti's Arien, in 10 stanza of 4 1., entitled, " As the noble Rottger von Tieffenbrock, a native of Livonia, departed this world at Königsberg in Prussia the 3lst May, 1648," with the motto— "Das ewige Gut Macht rechten Muth." Included by Oesterley, p. 208, and as No. 1762 in Knapp's Ev. L. S., 1837 (1865 No. 1668). The translations are, (1) "My soul, let this your thoughts employ," by Miss Cox, 1841, p. 133; (2) " Think, O my soul, that whilst thou art," by Lady E. Fortescue, 1843 (1847, p. 62); (3) “Beware, O man, lest endless life," by Dr. H. Mills, 1845. v. Schöner Himmelssaal. [Heaven.] A beautiful hymn of homesickness for the heavenly country. Oesterley, p. 222, gives it as "On the death of Ursula Vogt, wife of Pastor Jacob Bollius, Oct. 30, 1655. Its composition was requested on June 3, 1649." The original broadsheet, with music by H. Alberti, as her Christliches Sterbelied, is in the Königsberg University Library. It did not appear in the Königsberg G. B., 1657, but in the ed. of 1675 [Berlin] it is No. 496 (ed. 1690, No. 500), in 9 st. of 6 1. In the Unv. L. S., 1851, No. 637. It is translated as "O ye Halls of Heaven," by Miss Winkworth, 1869, p. 185. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ===================== Dach, Simon, p. 277, ii., line 14. Longfellow's translation is in his Poets and Poetry of Europe, 1815, p. 240. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Matthäus Apelles von Löwenstern

1594 - 1648 Person Name: Mattäus Apelles von Loewenstern Hymnal Number: 197 Author of "Christe, du beistand deiner Kreuzgemeine" in Deutsches Gesangbuch Löwenstern, Matthäus Apelles von, was born April 20, 1594, at Neustadt, in the principality of Oppeln, Silesia, where his father was a saddler. He early distinguished himself by his musical abilities, was appointed in 1625, by Duke Heinrich Wenzel of Münsterberg, as his music director and treasurer at Bernstadt: in 1626, director of the princely school at Bernstadt; and in 1631 Rath and Secretary and also Director of finance. Thereafter he entered the service of the Emperors Ferdinand II. (d. 1637), and Ferdinand III. as Rath, and was ennobled by the latter. Fi¬nally he became Staatsrath at Oels to Duke Carl Friedrich of Münsterberg, and died at Breslau, April 11, 1648 (Koch, iii. 57-60 ; Allgemeine Deutsche Biog. xix. 318, &c). Lowenstern's hymns, thirty in all, are of very varied worth, many being written in imitation of antique verse forms, and on the mottoes of the princes under whom he had served. In the original editions they were accompanied with melodies by himself. When or where they were first published (cir. 1644) is not clear. They were bound up with the Breslau Kirchen und Haus-Music, 1644, and there bear the title: Symbola oder Gedenck-Sprüche IIIirer FFFürstl. GGGn. Hn. Carl Friedrikis Hertzogs zu Münsterberg .... dann auch anderer Erlauchter Fiirstlicher Personen. Zusanibt noch etlichen absondtrs beygesetzten Geistlichen Oden. Gestellet durch M. A. v. L. Three of these hymns have been translated:— i. Christe, du Beistand deiner Kreuzgemeine. [In time of War.] 164-4, No. xvii., in 4 stanzas of 4 lines, entitled "Sapphic Ode. For spiritual and temporal peace." Included in many later collections, and as No. 215 in the Unverfälschter Liedersegen, 1851. It was a favourite hymn of Niebuhr, and also of Bunsen, who included it in his Versuch , 1833, and concluded with it the preface to his Bibelwerk. The translations in common use are:— 1. Lord of our life, and God of our Salvation. Contributed by Philip Pusey to A. R. Reinagle's Psalm and Hymn Tunes, Oxford, 1840, p. 132, in 5 stanzas. It is rather founded on the German than a translation, stanzas i., ii. on stanzas i.; iii.-v. on ii.-iv. The tune to which it was set was marked by Bunsen as an "old Latin melody," and so the Pusey hymn has sometimes been erroneously called a tr. from a Latin hymn of the 8th century. From Reinagle it passed into the Salisbury Hymn Book, 1857, and has been repeated in Hymns Ancient & Modern, Sarum Hymnal, Hymnary, Church Hymns; and in America in the Evangelical Hymnal, N. Y., 1880, Laudes Domini, 1884, and others. 2. Blest aid of Thine afflicted congregation. In full, by A. T. Russell, as No. 99 in the Dalston Hospital Hymn Book, 1848. 3. Christ, Thou the champion of the band who own. A good and full translation by Miss Winkworth in her Lyra Germanica, 1st Ser., 855, p. 105; repeated in Schaff's Christ in Song, 1869, and the Ohio Lutheran Hymnal, 1880. In the 2nd ed. of her Lyra Germanica, 1856, it begins, "Christ, Thou the champion of that war-worn host." 4. 0 Christ, the leader of that war-worn host. A good and full tr., based on Miss Winkworth, by W. Mercer in his Church Psalm & Hymn Book, 1857, No. 279 (Oxford ed., No. 391), and repeated in the American Sabbath Hymn Book, 1858. From the version of 1858 Mr. Windle seems to have altered the form in his Collection, No. 268. ii. Nun preiset alle. [Missions.] 1644, No. xii., in 5 st. of 6 1., entitled " Alcaic Ode." A fine hymn of Praise. In the Unverfälschter Liedersegen 1851, No. 717. The translation in common use is:-— Now let us loudly. In full, by Miss Winkworth in her Chorale Book for England , 1863, No. 177, set to Lowenstern's original melody. iii. Wenn ich in Angst und Noth. [Cross and Consolation .] 1644, No. viii., in 7 stanzas of 7 lines, entitled "The 121st Psalm." It is a fine version as a hymn of consolation in times of trouble. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 984. The translations in common use are:— 1. When in distress and woe I lift. A good translation, omitting stanza v., by H. J. Buckoll, in his Hymns from German, 1842, p. 19, repeated in the Dalston Hospital Hymn Book 1848. 2. When anguish'd and perplexed. A good translation, omitting stanzas v., vi., by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 70. In her Chorale Book for England, 1863, No. 142, altered and set to the original melody by Lowenstern. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Aemilie Juliane, Gräfin von Schwarzburg Rudolstadt

1637 - 1706 Person Name: Emilie Juliane von Schwarzburg-Rudolstadt Hymnal Number: 266 Author of "Mein Jesus lebt in mir!" in Deutsches Gesangbuch Emilie Juliane was daughter of Count Albert Friedrich of Barby and Mühlingen (on the Elbe, near its junction with the Saale). During the Thirty Years' war her father and family had to seek refuge in the Heidecksburg, the castle of his uncle, Count Ludwig Günther of Schwarzburg Rudolstadt, and Emilie was born at the Heidecksburg, Aug. 16, 1637. After the death of her father (1641) and mother (1642), she was adopted by her mother's sister (who was her godmother, and had become the wife of Count Ludwig Günther), and was educated at Rudolstadt with her cousins, under the care of Dr. Ahasuerus Fritsch, and other tutors. She became the wife of her cousin, Albert Anton, July 7, 1665, and died at Rudolstadt, Dec. 3, 1706 (Koch, iv. 56-63; Allg. Deutsche Biog, i. 127; Pasig's Introduction; Bode, pp. 63-64, &c). She was the most productive of German female hymn-writers, some 600 being attributed to her. Her early education in music and in poetry, and the influence of the kindred spirits of her cousin Ludamilia Elizabeth and of Dr. Ahasuerus Fritsch, no doubt fostered and developed her gifts. Her hymns, which are full of deep and child-like love to the Lamb of God, the Bridegroom of the Soul, partake too largely of the character of revelations of her inner life, and of reflections in verse, “improving" the events of her daily life, to be suited for Church use. A considerable number did, however, pass into the hymn-books, and the first here noted is a hymn of the first rank. Of those published in her lifetime the most appeared in her devotional works. (1) Geistliche Lieder und Gebete vor und nach Erlangung gottl Ehesegens, Rudolstadt, 1683. (2) Kühlwasser in grosser Hitze des Creutzes, Rudolstadt, 1685. (3) Tägliches Morgen- Mittags- und Abend-Opffer, Rudolstadt, 1685 (2nd ed., enlarged, 1699). Others appeared in the editions of the Rudolstadt Gesang-Buch, 1682-1704. After her death they appeared, collected, under the title of Der Freundin des Lammes Geistlicher Brautschmuck, pt. i., 1714, and enlarged 1742; pt. ii. 1742; pt. iii. 1770; a number of hymns by other authors, which the editors had found transcribed in the Countess's handwriting, being included by mistake. A selection of 108 of her Geistliche Lieder, ed. with an introduction, biographical and critical, by Dr. Pasig, appeared at Halle, 1855. Three have passed into English, viz.:— i. Wer weiss wie nahe mir mein Ende. For the Dying. This beautiful hymn was in last century the subject of an unpleasant controversy. It 1st appeared in the Appendix of 1688 to the Rudolstadt Gesang-Buch, 1682; and, like all the other hymns in that collection, it was given without an author's name. It at once passed into other collections, generally as anonymous, but sometimes under the name of the Countess. In the Schwartzburgische Denhmahl einer Christ-Gräflichen Lammes-Freundin, 1707, she was expressly named as author. On this G. M. Pfefferkorn (q.v.) claimed it as his own. The resulting controversy is given in detail in Wetzel, i. 4-26, ii. 294-307; iii. 156-191, and his A. Hymns i. 9-10, ii. 115-117; in Fischer, ii. 365-369; in Pasig's Introduction, xxiii.-xxxi.; and in Koch, viii. 637-639. The translations in common use are:— 1. Who knows how near my life's expended, omitting stanzas ix., x., in Dr. H. Mill's Horae Germanica, 1845 (1856, p. 245). His translations of stanzas i., vi.-viii. are included as No. 982 in the American Lutheran General Synod's Hymn Book, 1850-52, and as No. 430 in the Ohio Lutheran Hymnal, 1880. 2. Who knows how near my end may be! Time speeds away, a good and full translation by Miss Winkworth, in the 2nd Series of her Lyra Germanica, 1858, p. 204, and then as No. 187 in her Chorale Book for England, 1863. In the Pennsylvania Lutheran Church Book, 1868, stanzas i., vi., xi., xii., were included as No. 546. Other translations are: (1) "Who knows how soon my end may be," by Dr. G. Walker, I860, p. 97; (2) "Who knows how near my end may be? Time," &c, by E. Massie, 1867, p. 155. In addition the following have been translation, but are not in English common use:— ii. "Herr! mein Gott! lehre mich!" Evening, in No. iii., 1685, p. 30. iii. "Jesu Güte hat kein Ende." Morning, in No. ii., 1685, p. 228. Both translations are by H. J. Buckoll, 1842, p. 104. [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907) ===================== Emilie Juliane , p. 330, i. The title of her 1683 book begins Geistliches Weiber-Aqua-Vit [ VVolfenbüttel Library]. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Ludwig Helmbold

1532 - 1598 Hymnal Number: 339 Author of "Von Gott will ich nicht lassen" in Deutsches Gesangbuch Helmbold, Ludwig, son of Stephan Helmbold, woollen manufacturer at Muhlhausen, in Thuringia, was born at Mühlhausen, Jan. 13, 1532, and educated at Leipzig and Erfurt (B.A. in 1550). After two years' headmastership of the St. Mary's School at Mühlhausen, he returned to Erfurt, and remained in the University (M.A. 1554) as lecturer till his appointment in 1561 as conrector of the St. Augustine Gymnasium at Erfurt. When the University was reconstituted in 1565, after the dreadful pestilence in 1563-64, he was appointed dean of the Philosophical Faculty, and in 1566 had the honour of being crowned as a poet by the Emperor Maximilian II., but on account of his determined Protestantism he had to resign in 1570. Returning to Mühlhausen, he was appointed, in 1571, diaconus of the St. Mary's Church, and 1586, pastor of St. Blasius's Church and Superintendent of Mühlhausen. He died at Mühlhausen, April 8, 1598. (Koch, ii. 234-248; Allgemeine Deutsche Biographie xi. 701-702; Bode, pp. 87-88, &c.) Helmbold wrote many Latin hymns and odes, and numerous German hymns for school use, including a complete metrical version of the Augsburg Confession. His Hymns for church use are mostly clear and concise paraphrases of Scripture histories and doctrines, simple and earnest in style. Lists of the works in which his hymns appeared (to the number of some 400) are given by Koch and Bode. His hymns translated into English are:— i. Herr Gott, erhalt uns für und für. Children. On the value of catechetical instruction as conveyed in Luther's Catechism for Children. First published in Helmbold's Dreyssig geistliche Lieder auff die Fest durchs Jahr. Mühlhausen, 1594 (preface to tenor, March 21, 1585), and thence in Wackernagel, iv. p. 677, and Mützell, No. 314, in 4 stanzas of 4 lines in Porst's Gesang-Buch, ed. 1855, No. 977. The only translation in common use is:— O God, may we e'er pure retain, in full, by Dr. M. Loy, in the Ohio Lutheran Hymnal 1880. ii. Nun lasst uns Gott dem Herren. Grace after Meat. Included in his Geistliche Lieder, 1575, in 8 stanzas of 4 lines, and thence in Wackernagel, iv. p. 647, and the Unverfälschter Liedersegen, 1851, No. 500. The translations are: (1) To God the Lord be rendered," as No. 326 in pt. i. of the Moravian Hymn Book, 1754. (2) "Now let us praise with fervour," in the Supplement to German Psalmody, ed. 1765, p. 75. (3) "To God the Lord be praises," as No. 778 in the Moravian Hymn Book 1789 (1849, No. 1153). iii. Von Gott will ich nicht lassen. Trust in God. Lauxmann in Koch, viii. 365-370, thus relates the origin of this the best known hymn by Helmbold:— In 1563, while Helmbold was conrector of the Gymnasium at Erfurt, a pestilence broke out, during which about 4000 of the inhabitants died. As all who could fled from the place, Dr. Pancratius Helbich, Rector of the University (with whom Helmbold bad formed a special friendship, and whose wife was godmother of his eldest daughter), was about to do so, leaving behind him Helmbold and his family. Gloomy forebodings filled the hearts of the parting mothers. To console them and nerve them for parting Helmbold composed this hymn on Psalm lxxiii. v. 23. The hymn seems to have been first printed as a broadsheet in 1563-64, and dedicated to Regine, wife of Dr. Helbich, and then in the Hundert Christenliche Haussgesang, Nürnberg, 1569, in 9 stanzas of 8 lines Wackernagel, iv. pp. 630-33, gives both these forms and a third in 7 stanzas from a MS.[manuscript] at Dresden. Included in most subsequent hymnbooks, e.g. as No. 640 in the Unverfälschter Liedersegen, 1851. The translations in common use are:— 1. From God the Lord my Saviour, by J. C. Jacobi, in his Psalmodia Germanica, 1722, p. 139, omitting st. vii. (1732, p. 134), repeated slightly altered (and with st. vi., lines 1-4 from vii., lines 1-4 of the German) as No. 320 in pt. i. of the Moravian Hymn Book, 1754. Stanzas i.-iii., v., rewritten and beginning "From God, my Lord and Saviour," were included in the American Lutheran General Synod's Collection, 1850-52, No. 341. 2. Ne'er be my God forsaken. A good translation of stanzas i., ii., iv., by A. T. Russell in his Psalms & Hymns, 1851, No. 229. 3. From God shall nought divide me. A good translation, omitting st. ii., vii. by Miss Winkworth in her Chorale Book for England, 1863, No. 140. Partly rewritten in her Christian Singers, 1869, p. 154. Other translations are: (l)"God to my soul benighted," by Dr. H. Mills, 1845 (1856, p. 179). (2) "From God I will not sever," by Dr. N. L. Frothingham, 1870, p. 202. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)