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Text Identifier:"^o_for_a_thousand_tongues_to_sing_my$"
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Ruben Saillens

1855 - 1942 Person Name: Ruben Saillens, d. 1942 Translator (French) of "Oh, for a Thousand Tongues to Sing" in Global Songs for Worship

Thomas E. Herbranson

1933 - 2009 Person Name: Thomas E. Hebranson Author (D) of "[O for a thousand tongues to sing]" in The United Methodist Hymnal Music Supplement

Karl Gläser

1747 - 1797 Person Name: Carl G. Gläser Composer of "AZMON" in A Teaching Hymnal Born: May 4, 1784, Weißenfels, Germany. Died: April 16, 1829, Barmen, Germany. Gläser received his musical training first from his father, then at St. Thomas’ School in Leipzig. When he moved to Barmen, he taught voice, piano, and violin. He was well known for writing and conducting choral music. --www.hymntime.com/tch/

Charles H. Webb

b. 1933 Person Name: Charles H. Webb Harmonizer of "AZMON" in The United Methodist Hymnal Music Supplement

Richard Farrant

1525 - 1580 Person Name: R. Farrant Composer of "FARRANT" in Laudes Domini Like many composers of his day, the early years of Richard Farrant’s (c.1525- November 30, 1580) life are not well documented. The first acknowledgment of him is in a list of the Gentleman of the Chapel Royal in 1552. It is assumed from that list that his birth was around 1525. Although, that cannot be accurately determined. During his life he was able to establish himself as a successful composer, develop the English drama considerably, founded the first Blackfriar Theatre, and be the first to write verse-anthems. He married Anne Bower, daughter of Richard Bower who was Master of the Chapel Royal choristers at the time. With Anne he conceived ten children, one of whom was also named, Richard. As a member of the Gentleman of the Chapel Royal, Farrant was active in ceremonies surrounding the royal family. He began his work with the Chapel Royal around 1550 under the reign of Edward VI. Fortunately, for Farrant, this is a time that saw huge developments in Latin Church Music. Composers like William Byrd and Christopher Tye were busy expanding and elaborating on the Church Music of the day. In Farrant's twelve years with the Chapel Royal, he was able to participate in funerals for Edward VI and Mary I, and coronations for Mary I and Elizabeth I. After his work there, he took up a post as organist at St. George’s Chapel at Windsor. For Farrant, the post at at Windsor became a permanent one that he retained for the rest of his life. Along with this, he also acquired the position of Master of the Chapel Royal choristers in November of 1569. Having the choirs of both of these institutions at his disposal gave him an outlet to showcase all of his compositions and plays. In fact, every winter he was able to produce a play for the Queen herself. These positions also allowed him to move back to London in 1576 and begin a public theater of sorts where he rehearsed some of his choir music openly. It was soon after, in 1580, that he passed away, having left his house to his wife. Unlike many composers of his day that stuck to only music composition, Farrant also wrote many plays. One of his most important contributions to drama in England is of course the creation of the first Blackfriars Theatre. This eventually became one of the most important places in London for drama to develop during the Renaissance. Farrant is also one of the earliest and most well known composers that began to mix the two mediums of music and drama. It was this uncommon mixture that allowed him to begin to develop the composition style of 'verse.' This becomes prominent in a lot of his pieces including the anthems "When as we sat in Babylon" and "Call to remembrance" and "Hide not thou thy face." --en.wikipedia.org/wiki/

George Smart

1776 - 1867 Person Name: G. Smart, 1776-1867 Composer of "WILTSHIRE" in Church Hymns

Phil A. Tabor

1932 - 2005 Arranger of "NATIVITY" in The Sacred Harp "Philip Albert Tabor . . . was an engineer and taxi driver who lived in Alabama, Michigan, Tennessee, and New York. He died in Lookout Mountain, Tennessee. He was an avid collector of music books. Around 1960 he prepared a facsimile reprint of The New Harp of Columbia for East Tennessee singers. He submitted versions of two tunes to the 1991 edition of The Sacred Harp that vary considerably from the originals: Jarman's NATIVITY [aka LYNGHAM] has the original fuging section removed, and the treble and alto of Swan's RAINBOW have been altered or exchanged in several places." David Warren Steel with Richard H. Hulan, The Makers of the Sacred Harp, Urbana, Chicago, and Springfield: University of Illinois Press (2010), p. 158.

S. M. Bixby

1833 - 1912 Composer of "[Oh, for a thousand tongues to sing]" in Evangel Songs Samuel M. Bixby was born on May 27, 1833 in Ha­ver­hill, New Hamp­shire. His com­pa­ny, S. M. Bixby & Company, man­u­factured shoe black­ings and shoe dress­ings, but mu­sic was his pas­sion. He was al­so a Sun­day school su­per­in­ten­dent and choir lead­er. He died on March 11, 1912 in Ford­ham, New York. His works in­clude: Church and Home Hym­nal, cir­ca 1893 Evangel Songs, cir­ca 1894 Gloria Deo: A Col­lec­tion of Hymns and Tunes for Pub­lic Wor­ship in All De­part­ments of the Church (New York: Funk & Wag­nalls Com­pa­ny, 1901) NN, Hymnary. Source: http://www.hymntime.com/tch/bio/b/i/x/bixby_sm.htm

Stephen Jesse Oslin

1856 - 1928 Person Name: S. J. O. Arranger of "[O for a thousand tongues to sing]" in Pearls of Truth in Song

Antonio Nina

Translator (Aymara) of "O For a Thousand Tongues to Sing (Mil voces para celebrar)" in Santo, Santo, Santo

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