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Hugh Blair

1718 - 1800 Hymnal Number: d174 Author of "How still and peaceful is [Lord] the grave" in The Millennial Harp Blair, Hugh, D.D., eldest son of John Blair, merchant. Edinburgh, was born at Edinburgh, April 7, 1718. In 1730 he entered the University of Edinburgh, where he graduated M.A. in 1739. In 1742 he was ordained parish minister of Collessie, in Fife, became, in 1743, second minister of the Canongate, Edinburgh, in 1754 minister of Lady Yester's, and in 1758 joint minister of the High Church (now styled St. Giles's Cathedral). In 1762, while still retaining his pastoral charge, he was appointed the first Professor of Rhetoric in the University of Edinburgh—a chair founded for him. He received the degree of D.D. from the University of St. Andrews, in 1757. He died in Edinburgh, Dec. 27, 1800. In 1744 Dr. Blair was appointed a member of the Committee of Assembly which compiled the Translations and Paraphrases of 1745, and in 1775 of that which revised and enlarged them. To him are ascribed by the Rev. W. Thomson and the Rev. Dr. Hew Scott, Nos. 4, 33, 34, 44, of the 1781 collection. He is also credited with the alterations made on Paraphrases 32 and 57, in 1745-51, and on Paraphrase 20, in 1781. The Rev. J. W. Macmeeken would ascribe these 4 Paraphrases to his second cousin, the Rev. Robert Blair, author of The Grave [eldest son of the Rev. David Blair, born in Edinburgh, 1699, ordained Parish minister of Athelstaneford, East Lothian, in 1731,appointed, in 1742,a number of the Committee which compiled the 1745 collection, died at Atholstaneford. Feb. 4, 1746]. Dr. C. Rogers, in his Lyra Britannica (pp. 66 & 664, ed. 1867) holds that, though Dr. Hugh Blair may have altered Paraphrases 44 and 57, neither he, nor Robert Blair, wrote any original hymns. While the weight of opinion and of probability is in favour of Dr. Hugh Blair, no very definite evidence is presented on either side, though the records of the Presbytery of Edinburgh in 1748 show Dr. Hugh Blair as selected to revise Nos. 18 (7 in 1781), 21 (46 in 1781), and probably others. [Rev. James Mears, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Charles Wesley

1707 - 1788 Person Name: Charles Wesley, 1707-1788 Hymnal Number: d26 Author of "Appointed by thee, we trust in thy name" in The Millennial Harp Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Johann Joseph Winckler

1670 - 1722 Person Name: Johann Joseph Winkler Hymnal Number: d363 Author of "Shall I for fear of feeble man" in The Millennial Harp Winckler, John Joseph, a German Pietist, was born at Luckau, in Saxony, December 23, 1670. He was at first a pastor at Magdeburg, then a chaplain in the Protestant army, accompanying the troops to Holland and Italy, and at length returned to Magdeburg and became chief minister of the cathedral. He was no less eminent for his mental culture than for his piety. He was a preacher and writer who had the courage of his convictions, and this quality is notably manifest in the hymn by him found in this collection. He died August 11, 1722. Shall I, for fear of feeble man 225 Hymn Writers of the Church Nutter ================================================================== Winckler, Johann Joseph, son of Gottfried Winckler, town clerk of Lucka, Sachse-Altenburg, was born at Lucka, Dec. 23, 1670. He became a student of Theology at the University of Leipzig, during the time when A. H. Francke and J. C. Schade were holding their Bible readings, and his sympathies henceforth were with the Pietistic movement. In 1692 he was appointed preacher to the St. George's Hospital at Magdeburg, and afternoon preacher at St. Peter's Church there. He became chaplain to the Prince Christian Ludwig regiment in 1695, and went with it to Holland and Italy. After the Peace of Ryswijk (Oct. 30, 1697) he made a tour in Holland and England. Returning to Magdeburg, he was appointed, in 1698, diaconus of the Cathedral, and in 1703 also inspector of the so-called Holzkreis. Finally, in 1714, he became chief preacher at the Cathedral, and in 1716, also Consistorialrath. He died at Magdeburg, Aug. 11, 1722 (Wetzel, iii. 437; Grischow-Kirchner Nachricht to Freylinghausen, p. 53; Koch, iv. 383; Blätter fur Hymnologie, 1888, p. 170, &c). Winckler was a man who had the courage of his opinions, and his hymn No. iv. below is a picture of the stand he was willing to make when conscience bade him. Not that he was fond of controversy, but rather the reverse. Twice however he raised considerable feeling against himself in Magdeburg, first by the position he took up against theatre going, and afterwards by his well-meant attempts to bring about a closer union between the Lutheran and Reformed churches in Prussia. But the opposition he encountered he bore patiently, and in the spirit of his hymn No. i. below. His hymns, some 27 in all appeared mostly in the Appendix to the 2nd edition. 1703 of H. G. Neuss’s Heb-Opfer, in Porst’s Gesang-Buch, Berlin, 1708,and in Freylinghausens Neues geistreiches Gesang-Buch, 1714. They rank among the better productions of the earlier Pietistic writers, and are distinguished by firm faith, earnestness, and picturesqueness; but are somewhat lengthy and frequently in unusual metres. Those of Winckler's hymns which have passed into English are:— i. Meine Seele senket sich. Resignation. First published in the 1703 edition of Neuss's Heb-Opfer, p. 248, in 6 stanzas of 6 lines, entitled "Ps. 62 v. 1. My soul is still towards God." Repeated in Freylinghause, 1714, No. 511, and in the Unverfälschter Liedersegen, 1851, No. 714. It is a fine hymn on patient waiting upon God's will. Translated as:— Yea, my spirit fain would sink. In full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. i98. In her Chorale Book for England, 1863, No. 138, it is greatly altered, beginning "In Thy heart and hands, my God"; and this form is No. 419 in the Ohio Lutheran Hymnal, 1880. Another translation is: "Wearily my spirit sinketh," by Mrs. Sevan, 1858, p. 65. ii. 0 süsser Stand, o selig Leben . Christian Simplicity. In Porst's Gesang-Buch, 1708, p. 519 (1711, No. 642), in 8 stanzas of 8 lines, repeated inFreylinghausen, 1714, No. 322, and in the Unverfälschter Liedersegen, 1851, No. 331. The translations are:— 1. 0 sweet condition, happy Living. This, omitting st. iii., is No. 658 in pt. i. of the Moravian Hymn Book, 1754. 2. 0 blest condition, happy living. This is a translation of st. i., ii., vi., viii., based on the 1754 version, as No. 441 in theMoravian Hymn Book, 1789 (1886, No. 584). iii. Ringe recht, wenn Gottes Gnade. Christian Warfare. A thoughtful and powerful hymn, included as No. 359 in Unverfälschter Liedersegen , 1851, No. 336. Wetzel, iii. 437, says it was written as a hymn on the three favourite Scripture passages of Ursula Maria Zorn, of Berlin, and was first published at the end of her funeral sermon by Johann Lysius, pastor of St. George's Church, Berlin. Thus stanzas i.-v. are founded on St. Luke xiii. 24; vi.-xv. on Philipp. ii. 12; and xvi.-xxiii. on Gen. xix. 15-22. The translations in common use are: 1. Strive, when thou art call'd of God. This is a good translation of st. i., iii.-vii., xii., xiii., xv., xvi. by Miss Winkworth, in her Lyra Germanica, 1st Ser., 1855, p. 46. Repeated, abridged, in Kennedy, 1863; the Harrow School Hymn Book, 1866, and Rugby School Hymn Book, 1876. 2. Strive aright when God doth call thee. This is a translation of st. i., iii., iv., xii., xiii., xv., xvi. by Miss Winkworth, founded on her Lyra Germanica version, as No. 128 in her Chorale Book for England, 1863. Repeated in the Marlborough College Hymn Book, 1869. 3. Thou must wrestle, when God's mercy. This is a tr. of st. i., ii., x., xxii., signed E. T. L., as No. 230, in Dr. Pagenstecher's Collection, 1864. Another translation is: “Wrestle on! for God is pleading," by Miss Burlingham in the British Herald, Sept., 1865, p. 137. iv. Sollt ich aus Furcht vor Menschenkindern. Adherence to Christ. A hymn on Constancy, and against cowardice and time-serving. In Porst's Gesang-Buch, 1708, p. 1133 (1711, No. 701), in 17 stanzas of 4 lines. Repeated in Freylinghausen, 1714, No. 541 (entitled "For a Preacher"), in the Unverfälschter Liedersegen 1851, No. 658, &c. The translation in common use is:— Shall I for fear of feeble man. This is a vigorous translation in 10 stanzas (representing st. i.-iii., xii.-xv., xvii.; st. iv. being freely from vi., vii., and st. v. from viii., xi.), by J. Wesley in the Hymns & Sacred Poems, 1739 (Poetical Works, 1868-72, vol. i. p. 177). Included in full in the Moravian Hymn Book, 1754 (1849, No. 875 abridged). In the Wesleyan Hymn Book, 1780, stanzas i.—vii. were included as No. 270; stanzas viii.-x. being added in the edition of 1800 (1875, No. 279). The full form is in the Methodist New Congrational Hymn Book., 1863, and in Mercer's Church Psalter & Hymn Book 91857, and abridged in Mercer's Oxford edition, 1864; Spurgeon's Our Own Hymn Book,1866, and others. It is also found in the following forms:— (1) Awed by a mortal's frown, shall I (Wesley's st. ii.). In W. Carus Wilson's Gen. Psalter 1842. (2) Saviour of men, Thy searching eye (Wesley's at. vi.). In J. A. Latrobe's Psalms & Hymns, 1841, and various American collections. (3) Our Lives, our Blood, we here present (Wesley's st. ix. alt.). In M. Madan's Psalms & Hymns, 1760. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) =========================== See also in: Hymn Writers of the Church

J. M. Hagan

1858 - 1933 Hymnal Number: d474 Author of "'Tis the last call of mercy that lingers for thee" in The Millennial Harp DEACON JAMES MONROE HAGAN: Professor J. M. Hagan, as he was affectionately known, was born in Monroe County, Kentucky, on February 25, 1858, and was the son of James Fendel and Sarah Strode Hagan. He was reared under the most difficult circumstances but was able to work his way through the meager common schools, college and university. He followed the profession of teaching all of his life. His principal teaching was in High Schools in Warren, Munroe [sic], Metcalf [sic], Hart, and Daviess Counties, in Kentucky. He was head or joint head in Munroe [sic] Normal for many years located at Flippin, Kentucky; with Professor T. C. Gillianwaters. Altogether he taught for forty years. Mr. Hagan married Miss Ella B. Evans of Tompkinsville, Kentucky, in 1892. One daughter, who died early in life, and one son, blessed this union. After the death of his first wife he married Miss Rubye Vance of Paducah, Kentucky, in 1907. Three sons, all of whom are now in the armed forces, blessed this second union. He was an outstanding musician, receiving his musical training in Tompkinsville, Bowling Green Normal, Moody Bible Institute, and the Cincinnati College of Music. His first musical composition was written at the age of sixteen and over 800 of his hymns were published. He also edited two public school song books and was very active in putting music into the public schools. He taught countless numbers to sing and was associated with such authors as Bliss, Stebbins, Rodeheaver, Coleman, Showalter, Vaughn Brothers and others. For about five years he traveled with an outstanding male quartet. He was converted at the age of fourteen and united with a Baptist Church. After holding membership in the Bowling Green and Owensboro First Churches for years he spent his last days in the Seven Hills Church where he served as Deacon, Sunday School Teacher, and Choir Director. He died in Owensboro, Kentucky, on January 25. 1933, and is buried here. This good man was Munroe [sic] County's greatest gift to the world. from "A HISTORY OF THE DAVIESS-McLEAN BAPTIST ASSOCIATION IN KENTUCKY, 1844-1943" by Wendell H. Rone.

George Horne

1730 - 1792 Hymnal Number: d362 Author of "See the leaves around us [you] falling" in The Millennial Harp Home, George, D.D., born at Otham, near Maidstone, Kent, Nov. 1, 1730, and educated at Maidstone, and University College, Oxford (B.A. 1749). He subsequently became a Fellow, and in 1768 Master of Magdalen College. He was also Vice-Chancellor of his University, 1776; Dean of Canterbury, 1781, and Bishop of Norwich, 1791. He died Jan. 17, 1792. Bp. Home is widely known through his Commentary on the Book of Psalms. His hymns were included in his Memoirs by the Rev. W. Jones, 1795: again, in his Essays and Thoughts on Various Subjects with Hymns and Poems, 1808: and again, in his Works, 1809. Of his Hymns the best known is:— See the leaves around us falling [Autumn], which appeared in his Memoirs, 1795, pp. 223-4, in 10 stanzas of 4 lines, and entitled "The Leaf. 'We all do fade as a leaf.' Isa. lxiv. 6." It is also found in his Essays, 1808, and Works, 1809. Collyer included it in an abbreviated form in his Collection, 1812, from whence it passed into modern Nonconformist hymnals. It was brought into use in the Church of England by Cotterill through his Selection, 8th ed., 1819. Bishop Home's translation of the Latin Grace, “Te Deum patrem colimus" (q.v.):— "Thee, Mighty Father, we adore," has been strangely overlooked by hymnal compilers. -- John Julian, Dictionary of Hymnology

Robert C. Chapman

1803 - 1902 Hymnal Number: d547 Author of "With Jesus in our [the] midst" in The Millennial Harp Robert Cleaver Chapman (1 April 1803 – 6 December 1902), known as the "apostle of Love", was a pastor, teacher and evangelist. Chapman was born in Helsingor, Denmark, in a wealthy Anglican merchant family from Whitby, Yorkshire. Robert was educated by his mother whilst the family was in Denmark and later at a boarding school in Yorkshire, after the return of the family to England. At the age of 15 Robert moved to London to work as an apprentice clerk in the legal profession. Robert completed his 5 year apprenticeship and became an attorney in 1823. In the same year he became a Christian after listening to the gospel preached by James Harrington Evans in a nonconformist chapel in London. He prospered in his career and also spiritually and spent most of his spare time visiting and helping the poor of London. His dedication to the poor made a great impression on his cousin's husband, a Mr. Pugsley, from Barnstaple, Devon. So much so that Puglsey, another lawyer, also became a Christian and began working with the poor in Barnstaple. In 1831 Robert visited Barnstaple on a holiday and helped out in preaching and other Christian work in the vicinity. On returning to London he became convinced that he was being called into full time Christian work, he also increasingly felt that some aspects of his legal work sat uncomfortably with his faith. In 1832 he was invited by the Ebenezer Strict Baptist Chapel in Barnstaple to be their pastor. In April 1832 he left the lucrative legal profession and stepped down the social ladder and moved to Barnstaple to become pastor. He accepted the post as pastor of a Strict Baptist chapel only on the condition that he would only be bound by what was written in the Bible and not by any denominational creeds or beliefs. Fellowship, for example, he believed was open to all true believers in Christ, and not restricted to those who had been baptised by full immersion on a profession of faith. His views on fellowship were similar to those of Anthony Norris Groves. Over time, the chapel changed from being Strict Baptist to a non denominational one ran on similar grounds to the assembly led by George Muller in Bristol, with a building at Grosvenor Street eventually being known as Grosvenor Street Chapel. In 1994 this church moved from Grosvenor Street to another part of Barnstaple occupying a converted railway shed and is now known as Grosvenor Church – http://www.grosvenorchurch.org Other examples of the assembly moving to a non denominational position are one man ministry being replaced by the priesthood of all believers and Chapman refusing any clerical salary. Chapman never enforced these changes onto the chapel and never forced his viewpoint but was prepared to wait for every believer meeting at the chapel to see the need for change. Chapman rose to become an influential figure within the Plymouth Brethren alongside John Nelson Darby and George Muller. His zeal and compassion for people led to him being referred to by many as the "apostle of love". For example, Chapman preferred to live very frugally in a deprived area of Barnstaple in order to reach the poor. In 1848 he sided with George Muller in regards to a dispute over the independency of each assembly and believed that John Nelson Darby should have waited much longer before excommunicating Muller's assembly in Bristol for not supporting Darby in his dispute with Benjamin Wills Newton. This riled some supporters of Darby who were wanting to discredit Chapman. Darby, however reproved them, saying, "You leave that man alone; We talk of the heavenlies, but Robert Chapman lives in them." In regards to the timing of the rapture of the Church, an issue which became prominent within the brethren movement, Chapman held a partial rapture view with part of the saved being raptured before the Great Tribulation and a part of them after the Great Tribulation. Charles Spurgeon called Chapman "the saintliest man I ever knew". Chapman became so well known that a letter from abroad addressed only to "R.C. Chapman, University of Love, England" was correctly delivered to him. --en.wikipedia.org ============================== Chapman, Robert Cleaver, was born Jan. 4, 1803, and has been for more than fifty years a "Minister of tho Gospel" at Barnstaple. In 1837 he published:— Hymns for the Use of the Church of Christ. By R. C. Chapman, Minister of the Gospel, Barnstaple. 1837. This was reprinted in 1852. Some copies of the 1852 edition have bound up with them An Appendix selected from Various Sources. By John Chapman. Several of these hymns were repeated in the Plymouth Brethren Hymns for the Poor of the Flock, 1838; A Few Hymns and Some Spiritual Songs, selected 1856 for the Little Flock; and in other collections. These include:— 1. Go behold [and search] the tomb of Jesus. Easter. 2. God's tender mercies follow still. Heaven. Com¬posed of stanza xxi. of "The Lamb of God exalted reigns." 3. King of glory set on high. Ascension. 4. My soul, amid this stormy world. Longing for heaven. 5. No condemnation—0 my soul. Peace in Believing. 6. 0 God, Whose wondrous Name is Love. Resignation. 7. The Prince of Life, once slain for us. Advent. Mr. Chapman's hymns and poems number 162, and are mainly in use with the Plymouth Brethren, with whom he was a Minister. They are given in his Hymns and Meditations, Barnstaple, 1871. He died June 12, 1902. --John Julian, Dictionary of Hymnology (1907)

Nathaniel Cotton

1707 - 1788 Hymnal Number: d8 Author of "Affliction is a stormy deep" in The Millennial Harp Cotton, Nathaniel, M.D., born in 1707, and educated for the medical profession at Leyden. Giving his attention more especially to brain diseases, he first assisted a physician, who devoted his attention to the insane, at Dunstable; and they erected a large Asylum at St. Albans. In 1763 the poet Cowper became one of his patients, and, on his recovery, conceived a warm attachment for his medical friend. Dr. Cotton died at St Albans, Aug. 2, 1788. Several of his hymns appeared from 1760 onwards in Dr. Dodd's Christian's Magazine, some signed "Dr. Cotton, St. Albans," some “N.," and some without signature. His poetical works were published posthumously:— Various Pieces in Verse and Prose, 2 vols., Lond., Dodsley, 1791; and Visions in Verse, &c, with Memoir, 1808. His hymns came into use through Collyer's Collection, 1812. They are:— 1. Amid the various scenes of ill. Affliction Sanctified. From Various Pieces, &c, 1791. 2. Tell me, my soul, O tell me why. Sin the cause of fear. From Various Pieces, &c, 1791. 3. This is the day the Lord of Life. Sunday. From Various Pieces, &c, 1791. 4. While sorrow wrings my bleeding heart. Suffering. From his version of Ps. xiii., "Offended Majesty, how long ?" in the Christian's Magazine, Feb. 1761. 5. With fierce desire the hunted hart. Ps. 42. Dr. Cotton's most widely known hymn is, “Affliction is a stormy deep," q. v. It is a port of No. 5. --John Julian, Dictionary of Hymnology (1907)

William Cutter

1801 - 1867 Hymnal Number: d466 Author of "Thy neighbor, it is he whom thou" in The Millennial Harp Cutter, William, born at North Yarmouth, Maine, May 15, 1801, and was removed in childhood to Portland, and educated at Bowdoin College, graduating in 1821. He was subsequently engaged for some time in business in Portland, and again in Brooklyn, New York. Died Feb. 8, 1867. Mr. Cutter, who was a member of the Congregational body, was a deserving writer, who has hitherto missed his due meed of acknowledgment. To his friend Mr. Colesworthy we are indebted for the details of his life and hymnological work. His hymns include:— 1. Thy neighbour? it is he whom thou. Christian Brotherhood. This appeared in the Christian Mirror for May 30, 1828 (Mr. Colesworthy thinks that he set the types for it), and again in Cheever'sAmerican Poetry, 1831. An altered form of the hymn, "Who is thy neighbour? he whom thou," soon came into use, and was often printed before it was included anonymously in W. B. O. Peabody's Unitarian Springfield Collection, 1835. From being found in that collection it has been attributed to Peabody in error. 2. Hide not thy talent in the earth. Duty. Appeared in the Christian Mirror, Oct. 10, IS28. In some collections it begins with stanza ii., "What if the little rain should say." 3. She loved her Saviour, and to Him. Thankfulness and Duty. Was first published in the Christian Mirror, but the date is uncertain. It was reprinted by Cheever in his American Poetry, 1831. In addition to the above, Cutter wrote several hymns which appeared in the Mirror, and in the Sunday School Instructor, of which he and Mr. Colesworthy were joint editors. His hymns are unknown to the English collections. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Charlotte Elizabeth

1790 - 1846 Person Name: Charlotte Elizabeth Tonna Hymnal Number: d509 Author of "When burdened is my breast" in The Millennial Harp Charlotte Elizabeth was born at Norwich in 1790. Her father, the Rev. Michael Browne, was Rector of S. Giles' parish in that city. She married Captain George Phelan, of the army, but the union proved an unhappy one. Thrown upon her own resources, she contributed to the Dublin Tract Society, and in 1834, became editor of "The Christian Ladies' Magazine." Her husband died in 1837. In 1840, she married Mr. L.H. Tonna, but continued to retain her two Christian names as her literary designation. She died in 1846. Her works are very numerous. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. =========================== Other names: Charlotte Elzabeth Browne Tonna, Mrs. Tonna, Author of Zadoo, Charlotte Elizabeth Phelan =========================== Tonna, Charlotte Elizabeth, née Browne, commonly known as "Charlotte Elizabeth," was the only daughter of Michael Browne, Rector of St. Giles, Norwich, and was born in Norwich, Oct. 1, 1790. She was first married to Captain George Phelan, of the 60th Rifles (who died in 1837), and secondly to the Rev. Lewis H. Tonna. Her death took place at Ramsgate, July 12, 1846. Under the name of "Charlotte Elizabeth" she published several works, including Chapters on Flowers, Derry, a Tale of the Revolution, Personal Recollections, &c. Her hymns in common use include:— 1. Holy Father, heavenly King (1832). God Man's only Refuge. 2. O God of Israel, deign to smile. For Resignation. 3. O Thou Who didst prepare. For Use at Sea. 4. Sinner, what hast thou to show? Christians' Joy. 5. Soldier go, but not to claim. The Good Fight of Faith. Of these hymns Nos. 3, 4 appeared in W. Urwick's Dublin Collection of Hymns, 1829. -- John Julian, Dictionary of Hymnology (1907)

H. L. Hastings

1831 - 1899 Person Name: Horace L. Hastings Hymnal Number: d315 Author of "On, on, thou weary mariner" in The Millennial Harp Hastings, Horace Lorenzo, was born at Blandford, Mass., Nov. 26, 1831; commenced writing hymns, and preaching, in his 17th year, and laboured as an evangelist in various parts of the U. S. In 1866 he established The Christian, a monthly paper, in which many of his hymns have appeared, and in 1865 the Scriptural Tract Repository in Boston. He published Social Hymns, Original and Selected, Boston, 1865; Songs of Pilgrimage, a Hymnal for the Churches of Christ, Part i., 1880; and in August, 1886, the same completed, to tho extent of 1533 hymns, 450 of which are original and signed "H." The best known of these is "Shall we meet beyond the river," written in N. Y. city, 1858, and lately published as a leaflet in 14 stanzas of 8 lines. The text in Gospel Hymns and elsewhere consists of the 1st half of stanzas i., iv., xi. and ix. The Hastings Birthday Book, extracts from his prose writings, appeared 1886. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology