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Charles Steggall

1826 - 1905 Person Name: Charles H. Steggall Hymnal Number: d257 Author of "O holy city seen of John" in The American Hymnal for Chapel Service

1200 - 1265 Hymnal Number: d67 Author of "Day of wrath, that [O] day of mourning [burning]" in The American Hymnal for Chapel Service Thomas of Celano was born at Celano in the Abruzzi, and joined St. Francis of Assisi c. 1214. He was commissioned by Gregory IX to write the life of St. Francis: the First Legend, 1229; the Second Legend, 1247; and the Tract on the Miracle of St. Francis a few years later. His Legend of St. Clare was composed in 1255. He was probably among the first band of friars to visit Germany, 1221. --The Hymnal 1940 Companion =============================== Thomas of Celano. It is somewhat remarkable that neither the date of the birth nor of the death of this writer, whose name is so intimately associated with the Dies Irae, is on record. He was a native of Celano, a small town near the lake Fucino, in the farther Abruzzo, and hence his name of Thomas of Celano. Several of the inhabitants of this town were driven therefrom by Frederick II. in 1223, and Thomas with the rest. He found his way to Assisi, and became a monk there during the lifetime of St. Francis. The Franciscan Order was established in 1208, Thomas was therefore one of the early students at Assisi. He was subsequently "custos of the convents of Worms, Mentz, and Cologne, and afterwards sole custos of the Rhine districts." The last named appointment he held till 1230, when he returned to Assisi. As intimated above the date of his death is not on record. It is sometimes given as 1255. Thomas also wrote a Life of St. Francis. --John Julian, Dictionary of Hymnology, Appendix I (1907) See also in: Hymn Writers of the Church

Henry F. Chorley

1808 - 1872 Hymnal Number: d119 Author of "God, the all merciful, Earth has [hath] forsaken" in The American Hymnal for Chapel Service Chorley, Henry Fothergill, was born at Blackleyhurst, Lancashire, Dec. 15, 1808, and educated at the Royal Institution, Liverpool. In 1834 he was engaged as a member of the staff of the London Athenaeum. This connection he retained for 35 years. He died Feb. 15, 1872. He published some novels and a large number of songs. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============ Born: December 15, 1808, Blackley Hurst, near Billinge, Lancashire, England. Pseudonym: Paul Dell. Died: February 16, 1872, London, England. Buried: Brompton Cemetery, London, England. Son of an iron worker and lock maker, Chorley moved with his family to Liverpool after his father’s death in 1816. He was educated by private tutors in Liverpool and at the school of the Royal Institution. His youth was shaped partly by time spent in the household of the wealthy and intellectual Mrs. Benson Rathbone of Green Bank, and he became a close friend of her son Benson, who died in an accident in 1834. Chorley began writing for the London Athenæum in 1830, and was the paper’s music critic and literary reviewer until 1868. He also became music critic for the London Times and wrote, for these and other journals, reviews and musical gossip columns, discussing composers and performers in Britain and on the European continent. He was quite conservative, and was a persistent opponent of innovation, but was a lively chronicler of London life. In the Athenæum and elsewhere, Chorley often criticized the music of Schumann and Wagner for what he called "decadence." In 1850 and 1851, Chorley edited the Ladies’ Companion, which covered fashion and domestic women’s issues. Chorley was also a journalist, novelist, playwright, and poet, and opera librettist. One of his best known pieces was his obituary of Turgenev, mistakenly written while the Russian was still very much alive. Turgenev was not offended by the error nearly as much as he was by the critical opinions of his work Chorley gave in the obituary. Chorley was considered eccentric and abrasive, but was respected for his integrity and kindness. He enthusiastically gave and attended dinner parties, and cultivated friendships with Elizabeth Barrett, Felix Mendelssohn, Charles Dickens, Arthur Sullivan and Charles Santley. After the death of his brother, John Rutter Chorley (1806–1867), Henry inherited enough money to retire from the Athenæum, though he continued to contribute articles for that paper and for The Orchestra. In spite of Chorley’s efforts to promote the music of Charles Gounod in England, the composer disliked Chorley intensely. When Gounod lived in England in the early 1870’s, he wrote a satirical piano piece intended to be a parody of Chorley’s personality. It greatly amused Gounod’s English patron, Georgina Weldon, who described Chorley as having a "thin, sour, high-pitched sopranish voice" and moving like a "stuffed red-haired monkey." Gounod intended to publish the piece with a dedication to Chorley, but died before this was possible. Weldon then invented a new program for the piece, which was re-titled Funeral March of a Marionette. It became popular as a concert piece, and in the 1950s, its opening phrases became well known as the theme music for the television program Alfred Hitchcock Presents. Chorley’s works include: Music and Manners in France and Germany, 1841 Pomfret, 1845 Roccabella, 1859 The Prodigy, 1866 --www.hymntime.com/tch/

Matthäus Apelles von Löwenstern

1594 - 1648 Person Name: M. A. von Lowenstern Hymnal Number: d208 Author of "Lord of our life, and God of our salvation" in The American Hymnal for Chapel Service Löwenstern, Matthäus Apelles von, was born April 20, 1594, at Neustadt, in the principality of Oppeln, Silesia, where his father was a saddler. He early distinguished himself by his musical abilities, was appointed in 1625, by Duke Heinrich Wenzel of Münsterberg, as his music director and treasurer at Bernstadt: in 1626, director of the princely school at Bernstadt; and in 1631 Rath and Secretary and also Director of finance. Thereafter he entered the service of the Emperors Ferdinand II. (d. 1637), and Ferdinand III. as Rath, and was ennobled by the latter. Fi¬nally he became Staatsrath at Oels to Duke Carl Friedrich of Münsterberg, and died at Breslau, April 11, 1648 (Koch, iii. 57-60 ; Allgemeine Deutsche Biog. xix. 318, &c). Lowenstern's hymns, thirty in all, are of very varied worth, many being written in imitation of antique verse forms, and on the mottoes of the princes under whom he had served. In the original editions they were accompanied with melodies by himself. When or where they were first published (cir. 1644) is not clear. They were bound up with the Breslau Kirchen und Haus-Music, 1644, and there bear the title: Symbola oder Gedenck-Sprüche IIIirer FFFürstl. GGGn. Hn. Carl Friedrikis Hertzogs zu Münsterberg .... dann auch anderer Erlauchter Fiirstlicher Personen. Zusanibt noch etlichen absondtrs beygesetzten Geistlichen Oden. Gestellet durch M. A. v. L. Three of these hymns have been translated:— i. Christe, du Beistand deiner Kreuzgemeine. [In time of War.] 164-4, No. xvii., in 4 stanzas of 4 lines, entitled "Sapphic Ode. For spiritual and temporal peace." Included in many later collections, and as No. 215 in the Unverfälschter Liedersegen, 1851. It was a favourite hymn of Niebuhr, and also of Bunsen, who included it in his Versuch , 1833, and concluded with it the preface to his Bibelwerk. The translations in common use are:— 1. Lord of our life, and God of our Salvation. Contributed by Philip Pusey to A. R. Reinagle's Psalm and Hymn Tunes, Oxford, 1840, p. 132, in 5 stanzas. It is rather founded on the German than a translation, stanzas i., ii. on stanzas i.; iii.-v. on ii.-iv. The tune to which it was set was marked by Bunsen as an "old Latin melody," and so the Pusey hymn has sometimes been erroneously called a tr. from a Latin hymn of the 8th century. From Reinagle it passed into the Salisbury Hymn Book, 1857, and has been repeated in Hymns Ancient & Modern, Sarum Hymnal, Hymnary, Church Hymns; and in America in the Evangelical Hymnal, N. Y., 1880, Laudes Domini, 1884, and others. 2. Blest aid of Thine afflicted congregation. In full, by A. T. Russell, as No. 99 in the Dalston Hospital Hymn Book, 1848. 3. Christ, Thou the champion of the band who own. A good and full translation by Miss Winkworth in her Lyra Germanica, 1st Ser., 855, p. 105; repeated in Schaff's Christ in Song, 1869, and the Ohio Lutheran Hymnal, 1880. In the 2nd ed. of her Lyra Germanica, 1856, it begins, "Christ, Thou the champion of that war-worn host." 4. 0 Christ, the leader of that war-worn host. A good and full tr., based on Miss Winkworth, by W. Mercer in his Church Psalm & Hymn Book, 1857, No. 279 (Oxford ed., No. 391), and repeated in the American Sabbath Hymn Book, 1858. From the version of 1858 Mr. Windle seems to have altered the form in his Collection, No. 268. ii. Nun preiset alle. [Missions.] 1644, No. xii., in 5 st. of 6 1., entitled " Alcaic Ode." A fine hymn of Praise. In the Unverfälschter Liedersegen 1851, No. 717. The translation in common use is:-— Now let us loudly. In full, by Miss Winkworth in her Chorale Book for England , 1863, No. 177, set to Lowenstern's original melody. iii. Wenn ich in Angst und Noth. [Cross and Consolation .] 1644, No. viii., in 7 stanzas of 7 lines, entitled "The 121st Psalm." It is a fine version as a hymn of consolation in times of trouble. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 984. The translations in common use are:— 1. When in distress and woe I lift. A good translation, omitting stanza v., by H. J. Buckoll, in his Hymns from German, 1842, p. 19, repeated in the Dalston Hospital Hymn Book 1848. 2. When anguish'd and perplexed. A good translation, omitting stanzas v., vi., by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 70. In her Chorale Book for England, 1863, No. 142, altered and set to the original melody by Lowenstern. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

William H. Burleigh

1812 - 1871 Person Name: William Henry Burleigh Hymnal Number: d189 Author of "Lead us, O Father, in the paths of peace" in The American Hymnal for Chapel Service Burleigh, William Henry, an active reformer and member of the Unitarian body, was born at Woodstock, Connecticut, Feb. 12, 1812, and brought up on a farm at Stainfield in the same state. In 1837 he went to Pittsburg, Pennsylvania, where, having been previously apprenticed to the printing trade, he published the Christian Witness and Temperance Banner. In 1843 he undertook the duties of editor of the Christian Freeman, at Hartford. From 1849 to 1855 he was agent of the New York State Temperance Society; and from 1855 to 1870 Harbour Master at New York. Died at Brooklyn, March 18, 1871. His poetical pieces and hymns were contributed to various periodicals and journals. Many of these were collected and published as Poems, Phila. in 1841. This volume was enlarged by additional pieces, and republished by his widow, in 1871. The dates of these hymns and poems are most difficult to determine. Where possible they are given in detail. It is somewhat curious that Burleigh's hymns are generally more extensively used in England than at home. The introduction of some of his best compositions into the English collections is due to the Lyra Sacra Americana, whence they were mostly taken by the compilers. Those in use in Great Britain and America are:— 1. Fades from the west the farewell nigh. Night . This poem, entitled “A Psalm of Night," is given in his Poems, N. Y., 1871, pp. 275-6. Although not in the 1st edition of his Poems, 1841, it was in common use as early as 1844. It is in 5 stanzas of 8 lines. From it the following centos have come into common use:— (1) “Day unto day uttereth speech." This is composed of stanzas iii.-v., and was given in the Christian Hymns of the Cheshire Pastoral Association (Amer. Unitarian), 1844, as an "Evening Hymn." (2) "O Holy Father, mid the calm." This cento In Longfellow and Johnson's Book of Hymns, 1846, and their Hymns of the Spirit, 1864, &c, is composed of stanzas iv.-v. (3) "Not only doth the voiceful day," No. 324 in Longfellow and Johnson's Hymns of the Spirit, 1864, is composed of st. ii.-iii. Another arrangement beginning with the same stanza is in the Lyra Sacra Americana, p. 41. (4) “The brightening dawn and voiceful day." In the Hymnary (Lond.), 1872, is, altered from the Lyra Sacra Americana as above, with the addition of a doxology. In and through these various forms, the use of this hymn is very extensive. 2. Father, beneath Thy sheltering wing. Trust and Peace. Appeared in Longfellow and Johnson's Hymns of the Spirit, 1864, No. 471, in 4 stanzas of 4 lines. It is given in many American collections, and in the Baptist Hymnal, 1879, Horder's Cong. Hymns , 1884, and others in Great Britain. Orig. text in Lyra Sacra Americana, p. 39, with "that" for "which” in st. ii. line 4. 3. For the dear love that kept us through the night. Morning. From Poems, 1871, into Horder's Congregational Hymns, 1884. 4. From profoundest depths of tribulation. Lent. This appeared in the Supplement to Hedge and Huntington's Hymns, &c. (Unitarian), 1853, No 843. 5. Lead us, 0 Father, in the paths of peace. Divine Guidance. No. 32 of the Lyra Sacra Americana, in 4 stanzas of 4 lines, being "A Prayer for Guidance." With English compilers this hymn ranks amongst Burleigh’s productions next in popularity to No. 8, and is found in most of the collections there named. 6. Not in vain I poured my supplication . Lent. This is a continuation of the same thought as No. 4 preceding, and follows it in the same Supplement. 7. O deem not that earth's crowning bliss. Mourning. This, passed from the Lyra Sacra Americana, 1868, into the Eng. Bap. Hymnal , 1879; Horder's Congregational Hymns, 1884, and others. It is in his Poems, 1i871, p. 258. The hymn, "From lips divine, like healing balm," in the Methodist Episcopal Hymnal, N. Y., 1878, is a cento from this hymn. 8. Still will we trust though earth seems dark and dreary. Faith. Appeared in the Lyra Sac. Amer., 1868, pp. 43-44, in 5 stanzas of 4 lines. This is the most widely adopted of this author's hymns by the English compilers. It is given in some of the best collections, as the New Congregational Hymn Book, Thring, Horder, the Baptist Hymnal, Allon, &c. 9. There is a beautiful land by the spoiler untrod. Heaven. Dr. Cleveland Lyra Sac. Americana, 1868, p. 298) says, "This piece was first published in the Independent, Jan. 18, 1866." 10. They who have kept their spirit's virgin whiteness. Purity. In Lyra Sacra Americana, 1868, p. 46. 11. Thou Who look'st with pitying eye. Lent. In Lyra Sacra Americana, 1868, p. 47. 12. Through the changes of the day. Evening. From his Poems, 1841. It is given in the Lyra Sac. Amer., p. 50, the Society for Promoting Christian Knowledge Psalms. and Hymns, 1852, Thring's Collection, and others. 13. We ask not that our path be always bright. Trust in God. From the Lyra Sac. Amer, 1868, into Horder's Congregational Hymns, 1884. 14. When gladness gilds our prosperous day. Good in all. Also from Lyra Sacra Americana into Horder's Cong. Hymns, 1884. It has been already noted that Burleigh's hymns have a more extended use in Great Britain, than in his own country. The foregoing notes will also show that his productions are more widely known and used outside of his own denomination than by his own people. Concerning the hymns included in the Lyra Sac. Amer., Dr. Cleveland, the editor, says, "Most of these beautiful hymns of Mr. Burleigh's were given to me in manuscript by the author," but he does not indicate what was new and what was old. -- John Julian, Dictionary of Hymnology (1907)

William Gaskell

1805 - 1884 Hymnal Number: d384 Author of "Though lowly here our lot may be" in The American Hymnal for Chapel Service Gaskell, William, M.A., son of Mr. William Gaskell, was born at Latchford (a suburb of Warrington, on the Cheshire side of the Mersey), 24 July, 1805. He was educated at Manchester New College and at the University of Glasgow, where he graduated M.A. in 1825. In 1828 he became co-pastor with the Rev. J. G. Robberds at Cross Street Unitarian Chapel, Manchester, a position he held until his death. Mr. Gaskell was a man of cultivated mind and considerable literary ability. His publications include Lectures on the Lancashire Dialect, 1853, a small volume of Temperance Rhymes, 1839, and various theological works. In 1832 he married Elizabeth Cleghorn Stevenson, who afterwards attained celebrity as the authoress of Mary Barton, and of other popular tales. He died June 11, 1884, and is buried at Knutsford. To the second edition, 1856, of the 1st Series of Lyra Germanica Mr. Gaskell contributed "A sure Stronghold our God is He," a translation of Luther's “ Ein' feste Burg" (q.v.), replacing a version by Miss Winkworth in the first edition. He also contributed 79 hymns to Beard's Unitarian Collection of Hymns for Public and Private Worship, 1837. [George Arthur Crawford, M.A.] The following hymns by Gaskell still in common use are found chiefly in Unitarian hymnbooks, including Martineau's Hymns, &c, 1840, and Hymns of Praise and Prayer, 1873; Hedge & Huntington's Hymns for the Church of Christ, Boston, U.S.A., 1853; Longfellow & Johnson's Book of Hymns, Boston, 1848, and their Hymns of the Spirit, Boston, 1864; and the American Unitarian Association's Hymn [& Tune] Book, &c, Boston, 1868 :— 1. Dark, dark indeed the grave would be. Death and Burial. 2. Darkness o'er the world was brooding. The Dayspring. 3. Dark were the paths our Master trod. Sympathy with Christ. 4. Father, glory be to Thee. Doxology. 5. Forth went the heralds of the cross. Power of Faith. 6. How long, O Lord, his brother's blood? In time of War. From this "O hush, great God, the sounds of war," is taken. 7. I am free, I am free, I have broken away. The New Birth. 8. In vain we thus recall to mind. Holy Communion. 9. Mighty God, the first, the last. Infinite Knowledge. 10. No more, on earth no more. Death and Heaven. 11. Not in this simple rite alone. Holy Communion. 12. Not on this day, 0 God, alone. Sunday. 13. O God, the darkness roll away. Missions. 14. O God, to Thee our hearts would pay. Old Year. 15. 0 God, who knowest how frail we are. Seeking Strength. 16. 0 not to crush with abject fear. Christ's Work. 17. Our Father, through the coining year. The original begins, "Father, throughout the coming year." 18. Press on, press on, ye sons of light. Continuance in well-doing. 19. Sleep not, soldier of the cross. Faithfulness. 20. Thanks, thanks unto God! Who in mercy hath spoken. Gratitude for the Gospel. 21. Through all this life's eventful road. Walking with God. 22. To Thee, the Lord Almighty. Doxology. 23. Unto Thy temple, God of Love. Divine Worship. 24. We join to [crave] pray with wishes kind. Holy Matrimony. 25. We would leave, 0 God, to Thee. Original: "We would cast, 0 God, on Thee." Rest in God. 26. When arise the thoughts of sin. Looking to Jesus. These hymns all appeared in Beard's Collection, 1837. In addition there are:— 27. Calmly, calmly lay him down. 28. 0 Father, [gladly] humbly we repose. 29. 0 hush, great God, the sounds of war. For Peace. The dates of these hymns we have not been able to determine. No. 27 is in Hopps's Hymns for Public Worship, 1858 ; and Nos. 28 and 29 are in Hedge & Huntington's Hymns for the Church of Christ, 1853. -- John Julian, Dictionary of Hymnology (1907)

William Channing Gannett

1840 - 1923 Hymnal Number: d42 Author of "Bring, O morn, thy music" in The American Hymnal for Chapel Service Gannett, William Channing, M.A., s. of Dr. Ezra Stiles Gannett, was b. at Boston, March 13, 1840, and educated at Harvard College, 1860, and the Divinity School, Cambridge. Entered the Unitarian Ministry in 1868, and after filling several pastorates he became Pastor of the Unitarian Church at Rochester, N.Y., 1889. Mr. Gannett's hymns, mainly written for special occasions, were included in great part in The Thought of God in Hymns and Poems, Boston, 1st Series 1885,2nd Series 1894, the combined production of F. L. Hosmer (q.v.) and himself. Of Mr. Gannett's hymns the following are in common use:— 1. Bring, 0 morn, thy music [God Everlasting.] Written in 1893, and printed in A Chorus of Faith, being an account and resume of the Parliament of Religions, held in Chicago, 1893. Included in The Thought of God, 2nd Series, 1894, and again in several hymnals. 2. Clear in memory's silent reaches. [Memory.] Written in 1877 for a Free Religious Assoc. Festival, and published in The Thought of God, 1st Series, 1885. 3. Prom heart to heart, from creed to creed. [Faith.] Written in 1875 for the 150th anniversary of the First Religious Society in Newburyport, and given in The Thought of God, 1ist Series, 1885. Usually st. ii. is omitted. 4. He hides within the lily. [Divine Providence.] "Consider the lilies, how they grow." Written in 1873, and printed for use at the Free Religious Assoc. Festival, May 30th, 1873. Published in The Thought of God, &c, 1st Series, 1885, in 4 stanzas of 8 lines. The most widely used of the author's hymns. 5. I hear it often in the dark. [The Voice of God.] Written at Milwaukee, in 1870, and published in The Thought of God, &c, 1st Series, 1885. Sometimes it begins with st. iii., "0 God within, so close to me," as in Hymns for Church and Home, Boston, 1895. 6. Praise to God and thanksgiving. [ Harvest.] Written in 1872 for a Harvest Festival at St. Paul's, Minn., of which he was then Pastor, and included in The Thought of God &c, 1st Series, 1885. in the Boston Pilgrim Hymnal, 1904, it begins "Praise to God, and thanks we bring." 7. Sleep, my little Jesus. [ Christmas Carol.] Written for the Sunday School, St. Paul's, Minn., in 1882, and given in The Thought of God, 2nd Series, 1894, as "Mary's Manger Song." 8. The Lord is in His holy place. [Dedication of a Place of Worship.] Written for the Dedication of the Rev. C. W. Wendte's Church, Chicago, April 24, 1873, and pub. in The Thought of God, &c, 1st Series, 1885. It is one of the most popular and widely used of the author's hymns. 9. The morning hangs its signal. [Morning.] This is dated by the author "Chicago, July 30, 1886," and printed in Love to God and Love to Man, being No. 28 ot the Chicago "Unity Mission" series of hymns (N.D.). Also included in The Thought of God, &c, 2nd Series, 1894. Although in some sense a Morning hymn, it is adapted for use in Advent. It is usually known as “The Crowning Day." 10. The Truth is the Voice of God. In the "Unity Mission" Series, No. 28 (see above), this is given as No. 33, with the title "Truth and Righteousness and Love," in 4 stanzas of 4 lines and a refrain of 4 lines. These annotations are based upon manuscript notes kindly supplied by the author. The use made of Mr. Gannett's hymns shows that their poetic beauty and loving sympathy with all things beautiful and pure, are widely appreciated in America and to a limited extent in Great Britain also. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Robert Seagrave

1693 - 1759 Hymnal Number: d317 Author of "Rise, my soul, and stretch thy wings" in The American Hymnal for Chapel Service Robert Seagrave was born at Twyford, Leicestershire, in 1693. He studied at Clare Hall, Cambridge, graduating in 1718. In 1739, he was appointed Sunday Evening Lecturer at Lorimer's Hall, London. He afterwards preached in the Tabernacle, in connection with the Calvinistic Methodists. The date of his death is unknown. He published some treatises on doctrinal subjects, and on the duties of the ministry. In 1742, he published "Hymns for Christian Worship." His hymns have been published by Sedgwick (1860). --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ==================================== Seagrave, Robert, M.A., son of Robert Seagrave, Vicar of Twyford, Leicestershire, was born at Twyford, Nov. 22, 1693, and educated at Clare College, Cambridge, where he graduated in 1714. Taking Holy Orders he entered most earnestly into the movement then being carried forward by the Wesleys and Whitefield; and between 1731 and 1746 he issued numerous letters and pamphlets, &c, designed to awaken in the clergy a deeper earnestness in their work. In 1739 he was appointed Sunday Evening Lecturer at Loriners' Hall, London, where he continued to preach till 1750. He also occupied Whitefield's Tabernacle from time to time. His hymns, which were better known and more highly appreciated by the older compilers than those in modern days, and will still repay perusal, were included in his collection, published by him for use at the Loriner's Hall, as Hymns for Christian Worship, partly composed, and partly collected from Various Authors, 1742. The 4th edition was published in 1748, and the originals were reprinted by D. Sedgwick as Seagrave's Hymns, in 1860. Two of these hymns are still in common use:— 1. Now may the Spirit's holy fire. Opening of a Place of Worship. This, from Hymns for Christian Worship, &c, 1742, was given by G. Whitefield as the opening hymn of his Hymns for Social Worship, &c, 1753. It was repeated in Toplady's Psalms & Hymns, 1776; and again in later collections to modern hymnbooks. 2. Rise, my soul, and stretch thy wings. Pilgrim's Song. Also from his Hymns, &c, 1742, into G. Whitefield's Hymns, &c, 1753; and again in others to modern hymn books. --John Julian, Dictionary of Hymnology (1907)

F. M. Owen

1842 - 1883 Person Name: Frances Mary Owen Hymnal Number: d418 Author of "When thy soldiers take their swords" in The American Hymnal for Chapel Service Frances Mary Owen, née Synge, wife of the Rev. J. A. Owen, Assistant Master at Cheltenham College, was born April 16, 1842, and died June 19, 1883. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Leonard Bacon

1802 - 1881 Hymnal Number: d247 Author of "O God, beneath thy [your] guiding hand" in The American Hymnal for Chapel Service Leonard Bacon, D.D., was born in Detroit (where his father was a missionary to the Indians), February 19, 1802, and educated at Yale college and at Andover. In 1825 he was ordained Pastor of the Centre Church, New Haven, and retained that charge until 1866, when he was appointed Professor of Theology in Yale Divinity School. This professorship he resigned in 1871; but till his death in 1881, he was Lecturer on Church Polity. He died December 23, 1881. Dr. Bacon rendered important service to hymnology both as writer and compiler. While a student at Andover, he edited an important and now rare tract entitled Hymns and Sacred Songs for the Monthly Concert [of Prayer for Missions], Andover, September 1823. This contained the three hymns following, which are his:- Weep not for the saint that ascends. Death of a Missionary. Land where the bones of our father are sleeping. Missions. This was brought into notice in Great Britain through its insertion in the Evangelical Magazine, March, 1824. Wake the song of jubilee. Missions. Of these No. 1 is found in Lyra Sac. Amer., p. 6 and No. 3 was adopted, with alterations, by Pratt in his Ps. and Hys. (Lond. Seeley & Co,. 1829), fro which it passed into Greene and Mason's Church Psalmody, 1831, and the Church Psalmist of the Evangelical Christians (N. Y., 1845, 7th ed.). This altered text, with some further changes, was adopted by the author in his Appendix to T. Dwight's revised ed. of Watt's Psalms, 1833. This Appendix also contained three newe hymns by him, viz.:- Though now the nations sit beneath. Missions. This is based on a hymn by Sarah Slinn, "Arise in all Thy splendour, Lord" (q.v.), which Dr. Bacon had partly rewritten for his Andover Tract, above noted. In the Appendix to Dwight he substituted new verses for what remained of her's in the Tract, and then justly claimed the whole as his own. O Thou Who hast died to redeem us from hell. Holy Communion. God of our fathers, to Thy throne. Thanksgiving. In 1845 Dr. Bacon was joint compiler with Dr. E. T. Fitch, and several others, of Psalms & Hymns for Christian Use and Worship,, pub. "by the General Association of Connecticut." To this collection he contributed the four hymns following:- Here, Lord of life and light, to Thee. Institution of a Minister. This was written March 9, 1825, for his installation as pastor of the First Church, New Haven, and first published as above, No. 559, in 4 stanzas of 4 lines, and headed "Ordination in an ancient New England Church." O God, beneath They guiding hand. American Anniversary Hymn. This is a favorite American Anniversary hymn. It is abbreviated and altered from his hymn, "The Sabbath morn is as bright and calm," which he wrote for the Bicentenary of New Haven, 1833. In this revised form it was first published as above, No. 619, in 5 stanzas of 4 lines, and appointed "For the twenty-second of December." O God of Abraham, ever sure. Prayer on behalf of the Young. This was written as a substitute for Mrs. Hyde's "Dear Saviour, if these lambs should stray," the use of which was refused by the owners of the copyright of Nettleton's Village Hymns (1824). In the Psalms & Hymns, it is No. 635, in 4 stanzas of 4 lines, and headed "Prayer for the children of the Church." Hail, tranquil hour of closing day. Evening. This popular hymns was written under the same circumstances as the preceding, and as a substitute for Mr.s Brown's Twilight hymn, "I love to steal awhile away." It is No. 706 of the Psalms & Hymns, 1845, in 5 stanzas of 4 lines, and entitled "Evening Twilight." How sweet, thro' long remembered years. Evening. In the Church Praise Book., N.Y., 1882, No. 15, is composed of stanzas iii.-v. of No. 10. --John Julian, Dictionary of Hymnology (1907)