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Brian Buda

b. 1982 Arranger (Last stanza setting) of "LOBE DEN HERREN" in Rejoice Hymns

Otto Goldschmidt

1829 - 1907 Person Name: Otto Goldschmidt, 1829–1907 Arranger of "[Praise to the Lord, the Almighty]" in Hymns of the Church of Jesus Christ of Latter-day Saints

1816 - 1875 Harmonizer of "LOBE DEN HERREN" in The United Methodist Hymnal William Sterndale Bennett, born in Sheffield, England, April 13, 1816, died in London, Feb. 1, 1875. His father, an organist, died when he was three years old, and his education was cared for by his grandfather. At the age of eight (1824) he entered the choir of King's College Chapel at Cambridge, where his grandfather lived, and in 1826 was sent to London to study at the Royal Academy of Music. Here he studied composition under Lucas and Dr. Crotch, and pianoforte, first under W. H. Holmes, and then under Cipriani Potter. His first composition of note was his D minor pianoforte concerto, op. 1, written in 1832 and played by himself at the prize concert at the Academy in 1833. Mendelssohn was present and greatly encouraged the young composer. In 1836 the firm of Broadwood offered to pay his expenses for a year's study in Leipsic; here he came under the influence of Mendelssohn and Schumann, both of whom held his talent in high esteem. He came back to London after the specified year, but returned to Leipsic for another year's study in 1840. In 1843 he began to give successful chamber concerts in London, and in 1844 married Mary Anne Wood, daughter of a captain in the Navy. In 1849 he founded the London Bach Society, one of the results of which was the first performance in England of the Matthew Passion, April 6, 1854. In 1853 he was offered the conductorship of the Leipsic Gewandhaus concerts, and in 1856 he was elected to the chair of musical professor at the University of Cambridge, and shortly afterwards received the degree of Mus. Doc. In 1856 he was also made permanent conductor of the Philharmonic Society, a post which he resigned ten years later to become principal of the Royal academy of Music. In 11867 he received the Cambridge degree of M.A. and a salary of 100 pounds was joined to his professorship. In 1870 the University of Oxford conferred upon him the honorary dgree of D.C.L. He was knighted in 1871, and a scholarship was founded at the Royal academy of Music out of subscriptions to a public testimonial to him in St. James's Hall in 1872. He died after a short illness, and was buried in Westminster Abbey. Bennett has been called the first English composer of individual genius since Purcell; he certainly was the first English composer who go any real recognition in Germany. He has generally been considered as a follower and imitator of Mendelssohn, although the best English critics deny this. Yet he may truly be said to have held more by Mendelssohn than by Schumann. His compositions are noteworthy for an easy grace, refinement, and elaborate perfection of style. Cyclopedia of Music and Musicians by John Denison Camplin, Jr. and William Foster Apthorp (Charles Scribner’s Sons, 1888) https://archive.org/details/cyclopediaofmusi01cham/mode/2up

Susan Caudill

Arranger (last stanza setting and choral ending) of "LOBE DEN HERREN" in The Celebration Hymnal

F. Richard Garland

Author of "O Lord, Our Lord" in Discipleship Ministries Collection The Reverend F. Richard Garland is a retired United Methodist pastor. He and his wife, Catherine Sprigg, a Certified Registered Nurse Anesthetist, live in North Kingstown, RI. Dick was born and raised in Fort Wayne, Indiana, and is a lifelong Methodist. A graduate of Garrett Theological Seminary, he interned in Chicago and then served churches in Indiana, Rhode Island, Massachusetts, and Connecticut. He continues to preach on occasion, provide coverage in emergency pastoral situations, and write a monthly essay, "From Where I Sit" for the newsletter of the North Kingstown UMC. He has been a contributor to The Upper Room. Dick is a lifelong hiker who still climbs in the mountains of New Hampshire. At home, he spends a great deal of time in his flower gardens. He has sung with the Rhode Island Civic Chorale and Orchestra and is a member of the Fellowship of United Methodists in Music and Worship Arts. Dick wrote his first hymn, a children's song, in a seminary music class with Austin C. Lovelace, and he has written poetry for many years. He began writing hymns for use in his churches about twenty years ago, but did not submit them for publication until 2006, after being encouraged to do so by a classmate and friend. Many of his texts are inspired by the seasons of the church year, particularly Christmas and Easter, and by Scriptures from the Lectionary. In April of 2007, an appeal from a clergy colleague for a memorial hymn in response to the shootings at Virginia Tech University resulted in the creation of his hymn, In Grief and Aching Sorrow, set to the tune, Passion Chorale by J.S. Bach. Once, his pastor, frustrated in trying to find enough hymns to go with the Good Samaritan story in Luke 10:25-37, asked him to write a new hymn for a service. The result was his hymn, "When We Would Neighbor Be." On a dare from a colleague, he revealed a whimsical side by writing a hymn for Groundhog Day, "Praise the Lord for Woodland Creatures." His hymn, "I Have a Dream," was written to celebrate the 50th Anniversary of the address by The Rev. Dr. Martin Luther King, Jr. He has written a series of texts based on the selections from the Letters to the Ephesians and to the Philippians found in the New Revised Common Lectionary. F. Richard Garland

Friedrich Layritz

1808 - 1859 Person Name: Layritz Composer of "[Pris ske dig, Herre och konung för konungar alla]" in Andeliga Sånger (3. upplagan) Friedrich (also: Fridrich) Christoph Ludwig Eduard Layriz (also: Layritz, Lairitz, * January 30 1808 in Nemmersdorf, today part of Goldkronach, † March 18 1859 in Unterschwaningen ) was a German Lutheran pastor and Hymnologist. Friedrich Layriz came from a Franconian family, went to school in Bayreuth and studied Protestant theology at the universities of Leipzig and Erlangen. In Erlangen, he was influenced by the Erlanger theology to Christian Krafft and Georg Karl von Raumer. He was pastor from 1837 to 1842 he provided the second Parochial ministry in the St. St. John's Church in Hirschlach, then from 1842 as pin preacher in St. Georgen (Bayreuth). In 1846 he was named after a literary quarrel with the priest Elias Sittig to the future Bavarian Hymns transferred to Unterschwaningen. Layriz' importance lies in the collection and rediscovery of Lutheran chorales from the time before the Enlightenment theology, which were widely heavily revised or completely forgotten, and their original polyrhythmic melodies. In 1844 he published the programmatic core of the German hymn of Luther to Gellert with 450 hymns, the major influence on the song book design in Bavaria (1854), Germany and should have in the German-speaking Lutherans in North America. The collection and subsequently by Layriz published chorale books were certainly not historical-critical editions, but for practical use. Therefore, there are also additions and alterations by Layriz therein, such as the until now sung in Protestant churches verses 3 and 4 of "Es ist ein Ros sprung" (EC 30). In the area of liturgy Layriz worked. He conducted research on the service in the Age of Reformation and was responsible for the musical aspect of the liturgy of Wilhelm Lohe. http://de.wikipedia.org/wiki/Friedrich_Layriz See also in: Wikipedia

James Vila Blake

1842 - 1925 Translator of "Praise Ye the Lord" in The Carol Blake, James Vila. (Brooklyn, New York, January 21, 1842--April 28, 1925, Chicago, Illinois). He graduated from Harvard College in 1862 and from Harvard Divinity School in 1866, and served Unitarian churches in Massachusetts and Illinois, his last and longest pastorate being at Evanston, Illinois, 1892-1916. Author of a number of books. He shared with W.G. Gannett and F.L. Hosmer in the compilation of the first edition of Unity Hymns and Chorals, (1880), which included his hymn, "Father, Thou art calling, calling to us plainly," included also in The New Hymn and Tune Book, 1914, and in Hymns of the Spirit, 1937. the latter book also includes his hymn of the church universal, "O sing with loud and joyful song." --Henry Wilder Foote, DNAH Archives

Christian Friedrich Daniel Schubart

1739 - 1791 Person Name: Ch. F. D. Schubert Author of "Alles ist euer! o Worte des ewigen Lebens!" in Gesangbuch der Evangelischen Gemeinschaft Schubart, Christian Friedrich Daniel, son of Johann Jakob Schubart, schoolmaster and assistant clergyman at Obersontheim near Hall, in Württemberg (after 1740, at Aalen), was born at Obersontheim, March 26, 1739, and in 1758 entered the University of Erlangen as a student of theology. Thereafter he was for some time a private tutor at Königsbronn. In 1764 he was appointed organist and schoolmaster at Geisslingen, near Ulm. In 1768 he became organist and music-director at Ludwigsburg; but, in 1772, on account of misconduct, he was deprived of his office. After that, he led for some time a wandering life, and then settled down in Ulm, where he edited a political newspaper, entitled the Deutsche Chronik, with success. By his scurrilous attacks on the clergy, especially on the Eoman Catholics, and in particular upon the Jesuits, and by a satirical poem on the Duke of Württemberg, he made himself obnoxious. Unsuspectingly accepting an invitation to Blaubeuren, he was handed over to the Duke's adjutant, and, on Jan. 23, 1777, was imprisoned in the castle of Hohenasperg, where he remained, without even the shadow of a trial, till May 11, 1787. As a recompense for his long imprisonment, the Duke made him Court and theatre poet at Stuttgart, where he died of fever, Oct. 10, 1791 (Koch, vi. 376; K. H. Jördens's Lexicon deutscher Dichter und Prosaisten, vol. iv. 1809, p. 639). Schubart was a man of versatile genius, who might have attained distinction in half a dozen lines of life, had he only stuck to any of them. He was a man who could make himself most popular, spite of the fact that he possessed hardly any tact. His moral principles were anything but strong; and the Ten Commandments (especially the seventh) seemed to have little restraining influence over him. As a writer of secular poems, especially of lyrics, he displayed vigour and spirit; but his literary workmanship was often very careless. His hymns, over 130 in all, were written during the two periods when he led an orderly and Christian life, viz., in the years 1764-66, immediately after his marriage, and in the years 1777-87, during his enforced absence from temptation. His captive state, his reading of the devotional books in the commandant's library, and the visits which he then received from P. M. Hahn, pastor at Kornwestheim, awakened in him a repentance, sincere if not altogether lifelong; one of the principal results being the series of hymns included in his so-called Gedichte aus dem Kerker (Zürich, 1785). These were composed at a time when he was deprived of writing materials, and were dictated through a wall to a fellow prisoner in the next cell. They were published without his knowledge or supervision. In self defence he asked the Duke's permission to pubish an authorised edition of his poems; and this appeared at Stuttgart, in 2 vols., 1785-86, as his Sämmtliche Gedicht (a number of copies, printed beyond the subscription, bear the date 1787, and the name of a Frankfurt publisher, e.g. the copy in the British Museum); and this also included most of those in his Todesgesänge, originally published at Ulm in 1767. Being printed at the Ducal print¬ing office at Stuttgart, the poems were subjected to an official revision. Schubart meant to issue a genuine author's edition, but did not live to do so; and that published by his son, as his father's Gedichte, in two parts, at Frankfurt, 1802, is really a selection, and contains only about half of his hymns. The best of Schubart's hymns are those first published in 1785, which are more genuine and spiritual than his earlier productions. A considerable number became popular, and passed into the Württemberg Gesang-Buch, 1791, and other collections, up to 1850; and a few still con¬tinue in common use. They are, however, too personal and subjective, and not sufficiently natural in style for general use. Of Schubart's hymns the following have been translated into English, viz.:— i. Urquell aller Seligkeiten. Supplication for Spiritual Blessings. This fine hymn was written about 1780, and first pub. in his Gedichte aus dem Kerker, Zurich, 1785, p. 102, in 16 stanzas of 4 lines, entitled, "Supplication." The full text is in Koch, 2nd ed., vol. iv., p. 740. Translated as:— Though by sorrows overtaken. This can hardly be called a translation, but is rather a hymn suggested by the German, and is in 6 st. of 4 1. It appeared in A. R. Reinagle's Collection of Psalm and Hymn Tunes as sung in the Parish Church of St. Peter in the East, Oxford, published at Oxford in 1840, p. 138…. Other hymns by Schubart are:— ii. Alles ist euer! 0 Worte des ewigen Lebens. Thanksgiving. Translated as, "All things are yours! O sweet message of mercy divine." By Miss Borthwick, in Hymns from the Land of Luther, 1855, p. 5. iii. Der Trennung Last liegt schwer auf mien. Reunion in Heaven. On the sorrow of parting with friends whom one hopes to meet in heaven. Tr. as, “I die and grieve from those to go." By Dr. G. Walker, 1860, p. 58. iv, Hier stand ein Mensch! Hier fieler nieder. Sudden death of a Sinne. Translated as, “Now one in health Death, instant, crushes." By Dr. H. Mills, 1845. v. Kommt heut an eurem Stabe. For the Aged. On the Presentation in the Temple; and founded on St. Luke ii. 22 -32. Tr. as, "Ye who with years are sinking." By Dr. H. Mills, 1845 (1856, p. 275). [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Nancy Byrd Turner

1880 - 1971 Person Name: Nancy B.Turner, 1880- Author of "Father, We Bring Thee Our Praises" in The Children's Hymnbook Turner, Nancy Byrd. Born in Boydton, Virginia, July 29, 1880, daughter of Byrd Thornton Turner and Nancy Addison (Harrison) Turner. Composed her first verse at three. First published verse at age of 8--a romantic ballad, "Ruth in the Dentist's Chair" (he fell in love). Her father was an Episcopal minister; they lived in about a dozen small towns or rural communities during her childhood. In 1916, she went to Boston and joined the staff of Youth's Companion. She wrote under many pen names, and published in several magazines. She won numerous awards, including the "Golden Rose" of the New England Poetry Society and the Lyric Associates award of 1951. --Letter from Turner Rose to Jean Woodward Steele, Westminster Press, 1 February 1974, DNAH Archives.