Tune: SALZBURG (Hintze)

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SALZBURG (Hintze)

Composer: Jakob Hintze (1678)
Published in 194 hymnals

Printable scores: PDF, MusicXML
Audio files: MIDI, Recording

FlexScore
	At the Lamb's High Feast We Sing

Piano/Organ
	Nine Hymn Improvisations

Choral
	At the Lamb's High Feast

Composer: Jakob Hintze

Partly as a result of the Thirty Years' War and partly to further his musical education, Jakob Hintze (b. Bernau, Germany, 1622; d. Berlin, Germany, 1702) traveled widely as a youth, including trips to Sweden and Lithuania. In 1659 he settled in Berlin, where he served as court musician to the Elector of Brandenburg from 1666 to 1695. Hintze is known mainly for his editing of the later editions of Johann Crüger's Praxis Pietatis Melica, to which he contributed some sixty-five of his original tunes. Bert Polman Go to person page >

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Tune Information

Title:	SALZBURG (Hintze)
Composer:	Jakob Hintze (1678)
Meter:	7.7.7.7 D
Incipit:	51565 43554 32215
Key:	B♭ Major/C Major
Source:	Gesangbuch, Darmstadt, 1687;Praxis Pietatis Melica, Berlin, 1678;German chorale: Alle Menschen muessen sterben;"Siegesfürste Ehrenkönig"
Copyright:	Public Domain

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Texts

At the Lamb's High Feast We Sing

Songs of Thankfulness and Praise

All texts published with SALZBURG (Hintze)^ top

Alternative Tunes

More tunes with meter 7.7.7.7 D ^ top

Notes

The tune SALZBURG, named after the Austrian city made famous by Wolfgang Amadeus Mozart, was first published anonymously in the nineteenth edition of Praxis Pietatis Melica (1678); in that hymnbook's twenty-fourth edition (1690) the tune was attributed to Jakob Hintze (b. Bernau, Germany, 1622; d. Berlin, Germany, 1702). Partly as a result of the Thirty Years' War and partly to further his musical education, Hintze traveled widely as a youth, including trips to Sweden and Lithuania. In 1659 he settled in Berlin, where he served as court musician to the Elector of Brandenburg from 1666 to 1695. Hintze is known mainly for his editing of the later editions of Johann Crüger's (PHH 42) Praxis Pietatis Melica, to which he contributed some sixty-five of his original tunes.

The harmonization by Johann S. Bach (PHH 7) is simplified from his setting in his Choralgesänge (Rejoice in the Lord [231] and The Hymna1 1982 [135] both contain Bach's full harmonization). The tune is a rounded bar form (AABA) easily sung in harmony. But sing the refrain line in unison with full organ registration.

--Psalter Hymnal Handbook, 1988

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Timeline

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Piano/Organ Nine Hymn Improvisations Creative Hymn Accompaniments for Organ, Vol. 4 O God, Beyond All Praising - Hymn Settings for Flute and Organ More Piano/Organ...
Choral At the Lamb's High Feast CANON OF THANKS, A At the Lamb's High Feast We Sing - Songs of Thankfulness and Praise - (Choral Score) More Choral...
Instrumental Let the Whole Creation Cry (Songs of Thankfulness and Praise) Eight Hymn Introductions More Instrumental...
PowerPoint SONGS OF THANKFULNESS AND PRAISE (Voices United 1996 - 101) AT THE LAMB'S HIGH FEAST WE SING (Trinity Hymnal 420) LET THE WHOLE CREATION CRY (Psalms for All Seasons 148I/ pg 988) More PowerPoint...

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SALZBURG (Hintze)

Contents

SALZBURG (Hintze)

Composer: Jakob Hintze

Tune Information

Texts

Alternative Tunes

Notes

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Arrangements

Piano/Organ

Choral

Instrumental

PowerPoint

Harmonizations, Introductions, Descants, Intonations

Harmonizations, Introductions, Descants, Intonations: Organ and Trumpet

Harmonizations, Introductions, Descants, Intonations: Organ and Two Optional Instruments

Organ Solo

Piano Solo

Instruments: Keyboard and Solo Instrument

Instruments: Organ and Two Instruments

Voices: Organ, Voices, Descant Instrument

Media

Christian Classics Ethereal Hymnary #774

The Cyber Hymnal #104

The Cyber Hymnal #290

The Cyber Hymnal #764

Psalter Hymnal (Gray) #361

Worship and Rejoice #6

Worship and Rejoice #247

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Instances

Pages