Tune: CONSTANCE (Sullivan)

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CONSTANCE (Sullivan)

Composer: Arthur Sullivan (1875)
Published in 123 hymnals

Printable scores: PDF, MusicXML
Audio files: MIDI, Recording

Piano/Organ
	How Can I Keep from Singing?

Choral
	HOW CAN I KEEP FROM SINGING?

Instrumental
	How Can I Keep from Singing

Composer: Arthur Sullivan

Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The… Go to person page >

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Tune Information

Title:	CONSTANCE (Sullivan)
Composer:	Arthur Sullivan (1875)
Meter:	8.7.8.7 D
Incipit:	33342 56543 32221
Key:	E♭ Major
Copyright:	Public Domain

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Texts

I've Found a Friend

All texts published with CONSTANCE (Sullivan)^ top

Alternative Tunes

More tunes with meter 8.7.8.7 D ^ top

Notes

Arthur S. Sullivan (PHH 46) composed CONSTANCE for James G. Small's hymn text "I've Found a Friend, O Such a Friend"; the sentiment of that text explains the tune title. That text and tune were published in the Swedenborgian New Church Hymn Book (1874).

CONSTANCE is a solid Victorian tune with a fine climax in the melody of its final line. Though not specifically designed for the responsorial performance Psalm 136 requires, CONSTANCE can be performed in a dramatic manner that would please its operatically oriented composer. Organists could change registration or let the congregation sing unaccompanied on the refrain phrases. Or have one part of the congregation (or the choir or a good soloist) sing the first half of each line, and have everyone respond with the second half of each line, preferably by singing in parts. Emily R. Brink (PHH 158) composed the alternative harmonization in 1987 for the Psalter Hymnal.

--Psalter Hymnal Handbook, 1988

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