At the Cross Her Station Keeping

Representative Text

1 At the cross her station keeping,
Stood the mournful Mother weeping,
Close to Jesus to the last.

2 Through her heart, his sorrow sharing,
All his bitter anguish bearing,
Now at length the sword has passed.

3 O how sad and sore distressed,
Was that Mother highly blest
Of the sole begotten One!

4 Christ above in torment hangs,
She beneath beholds the pangs
Of her dying, glorious Son.

5 Is there one who would not weep,
Whelmed in miseries so deep,
Christ's dear Mother to behold?

6 Can the human heart refrain
From partaking in her pain,
In that Mother's pain untold?

7 Bruised, derided, cursed, defiled,
She beheld her tender Child,
All with bloody scourges rent.

8 For the sins of his own nation
Saw him hang in desolation
Till his spirit forth he sent.

9 O thou Mother! Font of love,
Touch my spirit from above,
Make my heart with thine accord.

10 Make me feel as thou hast felt;
Make my soul to glow and melt
With the love of Christ, my Lord.

11 Holy Mother, pierce me through,
In my heart each wound renew
Of my Savior crucified.

12 Let me share with thee his pain,
Who for all my sins was slain,
Who for me in torment died.

13 Let me mingle tears with thee,
Mourning him who mourned for me,
All the days that I may live.

14 By the cross with thee to stay;
There with thee to weep and pray,
All I ask of thee to give.

15 Virgin of all Virgins best!
Listen to my fond request:
Let me share thy grief divine.

LATIN -
1 Stabat Mater dolorosa
Juxta crucem lacrimosa,
Dum pendebat Filius.

2 Cujus animam gementem,
contristatam et dolentem,
Pertransivit gladius.

3 O quam tristis et afflicta
Fuit illa benedicta,
Mater Unigeniti!

4 Quae maerebat et dolebat,
Pia Mater, dum videbat
Nati poenas inclyti.

5 Quis non posset contristari,
Piam Matrem contemplari
Dolentem cum Filio?

6 Quis est homo qui non fleret,
Matrem Christi si videret
In tanto supplicio?

7 Pro peccatis suae gentis
vidit Iesum in tormentis,
et flagellis subditum.

8 Vidit suum dulcem Natum
Moriendo desolatum,
Dum emisit spiritum.

9 Eia Mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.

10 Fac ut ardeat cor meum
in amando Christum Deum,
ut sibi complaceam.

11 Sancta Mater, istud agas,
Crucifixi fige plagas
Cordi meo valide.

12 Tui Nati vulnerati,
Tam dignati pro me pati,
Poenas mecum divide.

13 Fac me vere tecum flere,
Crucifixo condolere,
Donec ego vixero.

14 Juxta crucem tecum stare,
Ac me tibi sociare
In planctu desidero.

15 Virgo virginum praeclara,
Mihi jam non sis amara:
Fac me tecum plangere.

Source: Breaking Bread (Vol. 39) #120

Author: Jacopone, da Todi

Jacobus de Benedictis, commonly known as Jacopone, was born at Todi in Umbria, early in the 13th century, his proper name being Jacopone di Benedetti. He was descended from a noble family, and for some time led a secular life. Some remarkable circumstances which attended the violent death of his wife, led him to withdraw himself from the world, and to enter the Order of St. Francis, in which he remained as a lay brother till his death, at an advanced age, in 1306. His zeal led him to attack the religious abuses of the day. This brought him into conflict with Pope Boniface VIII., the result being imprisonment for long periods. His poetical pieces were written, some in Italian, and some in Latin, the most famous of the latter being "Cur mundu… Go to person page >

Translator: Edward Caswall

Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872… Go to person page >

Timeline

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The Cyber Hymnal #26
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Instances

Instances (101 - 134 of 134)
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The Hymnal #230

The Hymnal 1982 #159

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The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #76a

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The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #76b

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The Hymnal #161

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The Hymnal #103a

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The Hymnal #103b

The Little Catholic Hymn Book #d5

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The Liturgy and Hymns of the American Province of the Unitas Fratrum #154

The Music of Holy Week, a Choir Book #d1

The New Church Hymnal #d30

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The New English Hymnal #97

The New Saint Basil Hymnal #d9

The Ordinary of the Mass and a Complete Manual of Hymns for Parochial Schools #d32

The Oxford American Hymnal for Schools and Colleges #d28

The Oxford Hymn Book #89

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The Oxford Hymn Book #89a

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The Oxford Hymn Book #89b

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The Parish Hymnal #16

The Parochial Hymnal, a Select Collection #d6

The Pius X Hymnal #d14

The Pius X Hymnal for Unison, Two Equal, or Four Mixed Voices. Rev. ed. #d10

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The Riverdale Hymn Book #125

The Sarum Hymnal #131

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The Scottish Hymnal #41

The St. Cecilia Hymnal. 4th ed. #d10

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The St. Gregory Hymnal and Catholic Choir Book. Singers' ed., Melody ed. #23

The Treasury of Easter Music and music for Passiontide #5

The Treasury of Easter Music and music for Passiontide #5b

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Victorian Hymns #181

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Voices United #139

Pages

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