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Henry Wadsworth Longfellow
1807 - 1882 Person Name: H. W. Longfellow Author of "Psalm of Life" in The Spirit of Praise Longfellow, Henry Wadsworth , D.C.L. was born at Portland, Maine, Feb. 27, 1807, and graduated at Bowdoin College, 1825. After residing in Europe for four years to qualify for the Chair of Modern Languages in that College, he entered upon the duties of the same. In 1835 he removed to Harvard, on his election as Professor of Modern Languages and Belles-Lettres. He retained that Professorship to 1854. His literary reputation is great, and his writings are numerous and well known. His poems, many of which are as household words in all English-speaking countries, display much learning and great poetic power. A few of these poems and portions of others have come into common use as hymns, but a hymn-writer in the strict sense of that term he was not and never claimed to be. His pieces in common use as hymns include:—
1. Alas, how poor and little worth. Life a Race. Translated from the Spanish of Don Jorge Manrique (d. 1479), in Longfellow's Poetry of Spain, 1833.
2. All is of God; if He but wave His hand. God All and in All. From his poem "The Two Angels," published in his Birds of Passage, 1858. It is in the Boston Hymns of the Spirit, 1864, &c.
3. Blind Bartimeus at the gate. Bartimeus. From his Miscellaneous Poems, 1841, into G. W. Conder's 1874 Appendix to the Leeds Hymn Book.
4. Christ to the young man said, "Yet one thing more." Ordination. Written for his brother's (S. Longfellow) ordination in 1848, and published in Seaside and Fireside, 1851. It was given in an altered form as "The Saviour said, yet one thing more," in H. W. Beecher's Plymouth Collection, 1855.
5. Sown the dark future through long generations. Peace. This, the closing part of his poem on "The Arsenal at Springfield," published in his Belfrey of Bruges, &c, 1845, was given in A Book of Hymns, 1848, and repeated in several collections.
6. Into the silent land. The Hereafter. A translation from the German.
7. Tell me not in mournful numbers. Psalm of Life. Published in his Voices of the Night, 1839, as "A Psalm of Life: What the heart of the Young Man said to the Psalmist." It is given in several hymnals in Great Britain and America. In some collections it begins with st. ii., "Life is real! Life is earnest."
The universal esteem in which Longfellow was held as a poet and a man was marked in a special manner by his bust being placed in that temple of honour, Westminster Abbey. [Rev. F. M. Bird, M.A.]
--John Julian, Dictionary of Hymnology (1907), p. 685
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http://en.wikipedia.org/wiki/Henry_Wadsworth_Longfellow
Henry Wadsworth Longfellow
T. C. O'Kane
1830 - 1912 Person Name: Tullius C. O'Kane Author of "They are coming, they are coming" in The School Hymnal O'Kane, Tullius Clinton, an American writer, born March 10, 1830, is the author of "O sing of Jesus, Lamb of God" (Redemption); and "Who, who are these beside the chilly wave?" (Triumph in Death), in I. D. Sankey's Sacred Songs and Solos, 1878 and 1881.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Tullius Clinton O'Kane was born in Fairfield County, Ohio, March 10, 1830. He resided with his parents in this vicinity until the spring of 1849, when he went to Delaware, Ohio, and entered the Ohio Wesleyan University, from which he graduated in 1852, with the degree A. B., and received his A. M. degree three years later from his Alma Mater.
Immediately upon his graduation, he was tendered a position in the Faculty as Tutor of Mathematics, which he accepted and successfully filled for five years. The students always called him "Professor," by which title he is known to the present day.
His musical abilities were early recognized in the University, and for years he was the musical precentor in the daily chapel devotions. He organized and maintained a Choral Society in the College, and was the first musical instructor in the Ohio Wesleyan Female College, which a few years ago was incorporated into the University.
In 1857 he was elected to a principalship in the Cincinnati public schools, and served in that capacity until 1861, when he resigned his position to accept a place in the piano establishment of Philip Phillips & Co. He remained with this house until its removal to New York City in 1867, when, although urged to be transferred with the house to that city, he preferred to remove with his family back to Delaware, Ohio.
For the ensuing six years he traveled over the state of Ohio as the general agent for the Smith American Organ Co., of Boston, Mass. During this time he visited conferences, Sunday-school conventions, both State and County, introducing his Sunday-school singing books, and in this way became well known throughout his native state, and quite extensively in some of the adjoining states.
His musical compositions were first published in Philip Phillips' Musical Leaves, in 1865, and since then but few Sunday-school singing books have appeared without one or more of his compositions.
His first music book, Fresh Leaves, was issued in 1868. This was followed at intervals by Dew Drops, Songs of Worship, Every Sabbath, Jasper and Gold, Redeemer's Praise, Glorious Things and Morning Stars. In connection with his son, Edward T. O'Kane, who is himself a most excellent composer and a very skillful organist, in 1882 he issued Selected Anthems, a book designed for use by the more advanced choirs. In association with J. R. Sweney and "Chaplain" McCabe, he issued Joy to the World, a song book for prayer-meetings, and the same editors, with the addition of W. J. Kirkpatrick, compiled Songs of Redeeming Love, No. 1, in 1882, and No. 2 in 1884. He also issued Songs of Praises, Unfading Treasures and Forward Songs.
Some of Professor O'Kane's best known songs are Glorious Fountain, The Home Over There, On Jordan's Stormy Banks, Say, are You Ready? and many others. With Mr. O'Kane, music and musical composition have ever been a recreation, rather than a profession. He is an excellent leader of choirs, but his forte seems to be in leading large congregations, Sunday-schools and social religious meetings in sacred song. He sings "with the spirit and the understanding also " — with a due appreciation of both words and music — and very naturally infuses his enthusiasm into his audiences so that they cannot "keep from singing." In his music he endeavors to catch the spirit of the hymn, and then give it expression in the music he composes for it. This sometimes seems to have been almost an inspiration, and could be illustrated by a reference to the circumstances under which many of his compositions have been made.
One of his earlier and more widely known pieces is that entitled, Over There. He says he cut this hymn out of some newspaper and put it with others in his portfolio, intending some time when he felt like it to give it a musical setting. One Sunday afternoon, after studying his lesson for the next session of his Sunday-school, he opened his portfolio, and turning over the selections, found these words, and something seemed to say, "Now's your time." He sat down at the organ, studied the hymn intently for a few moments, and then, as his fingers touched the keys of the instrument, melody and harmony were in every movement, and when the stanza was ended, melody and harmony found their expression in the chorus, and Over There was finished.
Another of his well known songs is Sweeping Through the Gates. One cold, blustery day he had occasion to go from his residence to the railroad depot, about a mile distant, and in his route had to cross the river on a suspension foot-bridge. As he came down to the bridge, he thought of the "river of death," so cold, with no bridge, and then the words of the dying Cookman came to his mind, and he exclaimed to himself:
'Who, who are these beside the chilly wave? "
Words, melody and refrain seemed to come all at once and all together, so that by the time he arrived back at his home, the composition was complete.
Professor O'Kane is a genial, modest Christian gentleman, who carries sunshine wherever he goes. His greatest joy comes from the consciousness that his music has cheered and comforted the hearts of Christian people all over the world, and has been the means of winning thousands from the pleasures of the world to the higher enjoyments of the Christian religion. His song, Sweeping Through the Gates, will be sung till all the ransomed are gathered Over There.
-Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
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O'Kane, Tullius Clinton. Died 10 February 1912, Delaware, Ohio. Buried in Oak Grove Cemetery, Delaware, Ohio.
--DNAH Archives
T. C. O'Kane
George Stringer Rowe
1830 - 1913 Person Name: George S. Rowe Author of "Cradled in a Manger, Meanly" in The Cyber Hymnal Rowe, George Stringer, was born at Margate in 1830, and educated for the Wesleyan Ministry at Didsbury College. He entered the Wesleyan Ministry in 1853, and has since held important appointments at Ipswich, Hull, Southport, Leeds, Edinburgh, London, &c. In 1888 he was appointed to the chair of Pastoral Theology in Headingley College, Leeds. He was the author of "Life of John Hunt, &c."; "At His Feet"; "On His Day"; "The Psalms in Private Devotion"; and "Alone with the Word." His hymns include:—
1. Behold Thy youthful army.
2. Come, children all and praise.
3. Cradled in a manger meanly.
4. When they brought little children.
These hymns were written for Sunday School Anniversaries, and were included in the Methodist Sunday School Hymn Book, 1879.
--John Julian, Dictionary of Hymnology (1907)
George Stringer Rowe
Sydney Joseph Palmer Dunman
1843 - 1913 Person Name: S. J. P. Dunman Composer of "[Tell me not in mournful numbers]" in The Spirit of Praise Born: 07 Aug 1843, Bridgwater, Somerset, England.
Died: 30 Mar 1913, Bristol, England
organist, minister, composer, editor
Dunman entered the Wesleyan ministry in 1864, and was a well known composer of his time. He was on the committee that compiled the Wesleyan Tune Book of 1876, and several of his compositions are in African, Japanese and Italian hymnals.
--www.hymntime.com/tch/
Sydney Joseph Palmer Dunman
