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W. G. Polack
1890 - 1950 Person Name: W. Gustave Polack Translator of "Lord Jesus, Thou art Going Forth" in The Lutheran Hymnal
W. G. Polack
Caspar Friedrich Nachtenhöfer
1624 - 1685 Person Name: Kaspar F. Nachtenhöfer Author (sts. 1-3, 5) of "Lord Jesus, Thou art Going Forth" in The Lutheran Hymnal Nachtenhöfer (Nachtenhoefer), Caspar Friedrich, son of Caspar Nachtenhöfer, advocate at Halle, was born at Halle, March 5, 1624. He entered the University of Leipzig in 1647, as a student of theology (M.A. 1651). He was then for a few months tutor in the house of the Chancellor August Carpzov at Coburg. In the end of 1651 he was appointed diaconus, and in 1655 pastor, at Meeder near Coburg. He was then, in 1671, called to Coburg as pastor of the Holy Cross Church, and diaconus of the St. Moritz Church. He afterwards devoted himself wholly to St. Moritz, and died as second senior in charge Nov. 23, 1685 (Wetzel ii. 203; Allgemeine Deutsche Biographie xxiii. 192, &c) He published a metrical history of the Passion under the title of Erklärung des Leidens- und Sterbens-Geschichte Jesu Christi, at Coburg in 1685. Four hyms are ascribed to him, two of which have been tr. viz.:—
i. Diess ist die Nacht, da mir erschienen. Christmas. This is in J. H. Havecker's Kirchenecho, 1695, No. 406, in 5 st. of 6 1., marked as by M. C. F. N. It had previously appeared in the Coburg Gesang-Buch 1683 [Coburg Gymnasium Library], and is included in the Unverfälschter Liedersegen, 1851, No. 31. The translation in common use is:—
This is the night wherein appeared. A good and full tr. by A. T. Russell, as No. 58 in his Psalms & Hymns, 1851.
ii. So gehst du dann, mein Jesu, hin. Passiontide. This appears in the Neu -Vollständigers Marggräft. Brandenburgisches Gesang-Buch, Culmbach and Bayreuth, 1668, p. 81, in 4 st. of 8 1., entitled "A beautiful hymn for Lent." It is also in the Coburg Gesang-Buch, 1668, Appendix, p. 4, entitled "Christ's Death the sinner's Life." In both books it is without name of author. Wetzel ii. 206, ascribes it to Nachtenhöfer, and says it was written in 1651, while he was tutor at Coburg. It is a hymn on Christ's way to the Cross, and in the form of a dialogue between the soul and Christ. In order to complete the sense an additional stanza was inserted between the original iii. and iv., and this is the form in the Unverfälschter Liedersegen, 1851, No. 781. This new stanza, according to Wetzel ii. 210, is by Magnus Daniel Omeis, Professor at Altdorf (born at Nürnberg, Sept. 6, 1646; died at Altdorf Nov. 22, 1708), and was included in the Altdorf Gesang-Buch of 1699. The translation in common use is :—
So, Lord, Thou goest forth to die. A good translation of st. i., v. by A. T. Russell, as No. 92 in his Psalms & Hymns, 1851. [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Caspar Friedrich Nachtenhöfer
Magnus Daniel Omeis
1646 - 1708 Person Name: Magnus D. Omeis Autor (st. 4) of "Lord Jesus, Thou art Going Forth" in The Lutheran Hymnal
Magnus Daniel Omeis
C. H. Dretzel
1697 - 1775 Person Name: Kornelius Heinrich Dretzel Composer of "SO GEHST" in The Cyber Hymnal Born: (baptised).September 18, 1697 - Nuremberg, Bavaria, Germany
Died: May 7, 1755 - Nuremberg, Bavaria, Germany
The German composer, organist and musicographer, Cornelius Heinrich Dretzel, was a grandson of Georg Dretzel (c1610-after 1676; organist of St Michael, Schwäbisch Hall) and nephew of Valentin, the most important member of the family. A possible student of Johann Pachelbel's eldest son, C.H. Dretzel also studied with J.S. Bach in Weimar in 1716-1717. He appears to have spent his whole life in Nuremberg, his hometown, in various organists' posts: Frauenkirche, St Lorenz (from 1743) and St Sebald.
Cornelius Heinrich Dretzel's keyboard counterpoints and fugues were his forte having thoroughly emersed himself in the works of J. S. Bach. His reputation as a virtuoso player and contrapuntist is supported by his solo harpsichord concerto, Harmonische Ergötzung, influenced by J.S. Bach's Italian Concerto (BWV 971). Indeed Harmonische Ergötzung was long thought to be composed by J.S. Bach. An early version of the slow movement was entered into Schmeider as BWV 897:1. C.H. Dretzel's own "divertimenti" were thought to be lost until they were found in a collection that had belonged to Haydn. Of hymnological importance is his collection and commentary Des evangelishen Zions musicalische Harmonie (1731), which contains over 900 melodies, suspended over a continuous bass, most appealing in print for the first time in their local versions; the preface discusses the origin and development of the chorale.
--www.bach-cantatas.com/L
C. H. Dretzel
Erik Gustaf Geijer
1783 - 1847 Person Name: Erik Gustaf Geijer, 1783-1847 Author of "Thy Cross, O Jesus, Thou Didst Bear" in Hymnal and Order of Service
Erik Gustaf Geijer
Arthur T. Russell
1806 - 1874 Translator of "So, Lord, Thou Goest Forth To Die" in The Cyber Hymnal Arthur Tozer Russell was born at Northampton, March 20, 1806. He entered S. John's College, Cambridge, in 1824, took the Hulsean Prize in 1825, and was afterwards elected to a scholarship. He was ordained Deacon in 1829, Priest in 1830, and the same year was appointed Vicar of Caxton. In 1852, he was preferred to the vicarage of Whaddon. In 1863, he removed to S. Thomas', Toxteth Park, near Liverpool, and in 1867, to Holy Trinity, Wellington, Salop. He is the editor and author of numerous publications, among them several volumes of hymns.
--Annotations of the Hymnal, Charles Hutchins, 1872.
=================================
Russell, Arthur Tozer , M.A. He was the son of the Rev. Thomas Clout, who later changed his surname for Russell (Gentlemen’s Magazine, 1848), an Independent or Congregational minister who won for himself a good reputation by editing the works of Tyndale, Frith, Barnes, and Dr. John Owen, &c. He was born at Northampton, March 20, 1806; educated at St. Saviour's School, Southwark, and at the Merchant Taylors' School, London. In 1822-24 he was at Manchester College, York. In 1825 he entered St. John's College, Cambridge, as a sizar, and in his freshman year gained the Hulsean Prize, its subject being, "In what respects the Law is a Schoolmaster to bring men to Christ." In 1829 he was ordained by the Bishop of Lincoln (Kaye), and licensed to the Curacy of Great Gransden, Hunts, and in 1830 was preferred to the Vicarage of Caxton, which he held till 1852. During his ministry here he published the following works: The Claims of the Church of England upon the Affections of the People (1832); Sermons for Fasts and Festivals; A Critique upon Keble's Sermon on Tradition, in opposition. About 1840 appeared his Apology of the Church of England and an Epistle to Seignor Sapio concerning the Council of Trent, translated from the original Latin of Bishop Jewell. About the same time appeared Hymn Tunes, Original and Selected from Ravenscroft and other old Musicians, In 1841 was published A Manual of Daily Prayer. In 1844 Memorials of the Works and Life of Dr. Thomas Fuller….
His first appearance as a hymnwriter was in the 3rd edition of the hymn-book published by his father (1st ed. 1813), and known amongst Congregationalists as Russet's Appendix. In 1847 followed The Christian Life. In 1851 Psalms and Hymns, partly original, partly selected, for the use of the Church of England. … In 1867 he removed to Wrockwardine Wood, Shropshire, where he remained until 1874, when he was presented to the Rectory of Southwick, near Brighton. Here he died after a long and distressing illness, on the 18th of November, 1874. In his earlier years he was an extreme High Churchman, but by the study of St. Augustine his views were changed and he became, and continued to the end, a moderate Calvinist. His original hymns are gracious and tender, thoughtful and devout. His translations on the whole are vigorous and strong, but somewhat ultra-faithful to the original metres, &c. He left behind him a History of the Bishops of England and Wales in manuscript sufficient to form three or four goodly octavos, and numerous MS. Notes on the Text of the Greek Testament; and also a large number of original chants and hymntunes in manuscripts. [Rev. A. B. Grossart, DD. LLD.]
Of Russell's hymns a large number are included i Kennedy, 1863, and several also are in a few of the lesser known collections….Of his original hymns, about 140 in all, including those in Dr. Maurice's Choral Hymn Book, 1861, the following are found in a few collections:—
1. Christ is risen! O'er His foes He reigneth. Easter.
2. Give praise to God our King. Praise.
3. Great is the Lord; 0 let us raise. Ps. xlviii.
4. Hail, 0 hail, Our lowly King. Praise to Christ.
5. Hail, 0 Lord, our Consolation. Christ, the Consoler.
6. Holy Ghost, Who us instructest. Whitsuntide.
7. Holy Spirit given. Whitsuntide.
8. Hosanna, bless the Saviour's Name. Advent.
9. In the mount it shall be seen. Consolation.
10. In the tomb, behold He lies. Easter Eve. Sometimes "In the night of death, He lies."
11. Jesu, at Thy invitation. Holy Communion.
12. Jesu, Thou our pure [chief] delight. Praise for Salvation.
13. Jesu, when I think on Thee. In Afflictio.
14. Jesu, Who for my transgression. Good Friday.
15. Jesu, Lord most mighty. Lent .
16. Lift thine eyes far hence to heaven. Looking Onward. Sometimes "Lift thy longing eyes to heaven."
17. Lo, in 'mid heaven the angel flies. The Message of The Gospel.
18. Lord, be Thou our Strength in weakness. In Affliction.
19. Lord, my hope in Thee abideth. Hope in Jesus.
20. Lord, when our breath shall fail in death. Death anticipated.
21. Lord, Who hast formed me. Self-Consecration.
22. My God, to Thee I fly. In Affliction. Sometimes "Great God, to Thee we fly."
23. Night's shadows falling. Evening.
24. Now be thanks and praise ascending . Praise.
25. Now to Christ, our Life and Light. Evening.
26. 0 glorious, 0 triumphal day. Easter.
27. O God of life, Whose power benign. Trinity. In the Dalston Hymns for Public Worship, &c, 1848.
28. 0 Head and Lord of all creation. Passiontide.
29. 0 Jesu, blest is he. Consolation.
30. O Jesu! we adore Thee. Good Friday.
31. O Saviour, on the heavenly throne. The Divine Guide and Protector.
32. O Thou Who over all dost reign. Church Defence.
33. Praise and blessing, Lord, be given. Praise to Jesus.
34. Praise the Lord: praise our King. Advent.
35. The Lord unto my Lord thus said. Ps. cx.
36. The Morning [promised] Star appeareth. Christmas.
37. The night of darkness fast declineth. Missions.
38. The way to heaven Thou art, O Lord. Jesus the Way, Truth, and Life. Sometimes "Thou art the Way: Heaven's gate, O Lord."
39. Thou Who hast to heaven ascended. Ascension.
40. To Him Who for our sins was slain. Praise to Jesus, the Saviour. Written Friday, Jan. 24, 1851.
41. We praise, we bless Thee. Holy Trinity.
42. What, my spirit, should oppress thee. In Affliction.
43. What though through desert paths Thou leadest? Security and Consolation in Christ.
44. Whom shall I, my [we our] refuge making. Lent. Sometimes "Whom shall we our Refuge making."
45. Whosoe'er in Me believeth. The Resurrection.
46. Why, O why cast down, my spirit? In Affliction.
47. With awe Thy praise we sinners sing. Lent. Sometimes "With trembling awe Thy praise we sing."
48. With cheerful hope, my soul, arise. Security in God.
49. Ye hosts that His commands attend. Universal Praise of Jesus.
50. Your adoration, O earth and heaven, unite. Universal Praise to Christ.
Unless otherwise stated, all the above appeared in Russell's Psalms & Hymns, 1851. The total number of original hymns contributed by him to Maurice's Choral Hymn Book was 21.
--Exerpts from John Julian, Dictionary of Hymnology (1907)
Arthur T. Russell
