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Person Results

Tune Identifier:"^he_is_king_spiritual$"
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John Wesley Work

1873 - 1925 Person Name: John W. Work Harmonizer of "HE IS KING" in Les Chants du Pèlerin John W. Work, Jr. (b. Nashville, TN, 1872; d. Nashville, 1925), is well known for his pioneering studies of African American folk music and for his leadership in the performance of spirituals. He studied music at Fisk University in Nashville and classics at Harvard and then taught Latin, Greek, and history at Fisk from 1898 to 1923. Director of the Jubilee Singers at Fisk, Work also sang tenor in the Fisk Jubilee Quartet, which toured the country after 1909 and made commercial recordings. He was president of Roger Williams University in Nashville during the last two years of his life. Work and his brother Frederick Jerome Work (1879-1942) were devoted to collecting, arranging, and publishing African American slave songs and spirituals. They published two collections: New Jubilee Songs as Sung by the Fisk Jubilee Singers (1901) and Folk Songs of the American Negro (1907). Bert Polman

Horace Clarence Boyer

1935 - 2009 Person Name: Horace Clarence Boyer (b. 1935) Arranger of "[He built his throne up in the air]" in Lift Every Voice and Sing II Horace Boyer (b. Winter Park, Flordia, July 28, 1935; d. Amherst, Massachusetts, July 21, 2009) was professor of music at the University of Massachussetts, Amhurst, editor of the African American hymnal Lift Every Voice and Sing, Lift Every Voice and Sing II, and author of How Sweet the Sound: The Golden Age of Gospel (Elliot & Clark, 1995). Sing! A New Creation

Melva W. Costen

b. 1933 Adapter of "HE IS KING" in Lift Up Your Hearts Melva W. Costen, a native of South Carolina, retired as Helmar Emil Nielsen Professor of Worship and Music, choral director, and chair of the church music degree program at Interdenominational Theological Center in Atlanta, Georgia. She subsequently became the Visiting Professor of Liturgical Studies at the Institute of Sacred Music at Yale Divinity School in New Haven, Connecticut. She remains active in the Civil Rights Movement and as a teacher and consultant in area of church music, liturgy, and curriculum development. (2006) --www.cokesbury.com/

W. Lawrence Curry

1906 - 1966 Harmonizer of "[I know that my Redeemer lives]" in Sing and Rejoice!

Joëlle Gouel

Translator of "Il Est Roi Des Rois" in Les Chants du Pèlerin

Joseph T. Jones

1902 - 1983 Arranger of "HE IS KING" in The Presbyterian Hymnal Joseph T. Jones (1902-1983) was the son of Rev. A.A. and Mary M. Jones, both former slaves, who went on to being a school in McConnellsville, South Carolina. His father was pastor of the Bethlehem Presbyterian Church. Joseph, “Joe,” Jones entered Johnson C. Smith University (formerly Biddle University) and became heavily involved in music. After graduation (1927), a friend recommended him for a position as a Sunday school missionary, headquartered in Knoxville, Tennessee. He traveled extensively in the South, organizing Sunday schools, sometimes in isolated places, and providing opportunities for religious growth to children and adults. In 1947, Jones was promoted to supervisor of Sunday school missionary work in the Southeast and moved to Charlotte, North Carolina. He graduated from Johnson C. Smith Theological Seminary and was ordained in the Presbyterian Church in the U.S.A. Jones attended all General Assemblies of the church from 1927 until his retirement in 1973, except for one when Joe and Ione’s second child was born two weeks earlier than expected. Joe Jones frequently sang and led singing on his travels. He was urged to collect the spirituals he sand and did so in Great Day: Negro Spirituals as Sung and Directed by J. T. Jones (1961). Jones died after an eight-year struggle with Alzheimer’s disease. --The Presbyterian Hymnal Companion 1993

Joseph Jones

1902 - 1983 Person Name: Joseph T. Jones, 1902-1983 Arranger of "HE IS KING" in Lift Up Your Hearts

John W. Work

1901 - 1967 Person Name: John W. Work, III, 1901-1967 Editor of "He Is King of Kings" in Lead Me, Guide Me (2nd ed.) John Wesley Work III (1901-1967) Composer, educator, choral director, and ethnomusicologist John Wesley Work III was born on June 15, 1901, in Tullahoma, Tennessee, to a family of professional musicians. His grandfather, John Wesley Work, was a church choir director in Nashville, where he wrote and arranged music for his choirs. Some of his choristers were members of the original Fisk Jubilee Singers. His father, John Wesley Work Jr., was a singer, folksong collector and professor of music, Latin, and history at Fisk, and his mother, Agnes Haynes Work, was a singer who helped train the Fisk group. His uncle, Frederick Jerome Work, also collected and arranged folksongs, and his brother, Julian, became a professional musician and composer. Work began his musical training at the Fisk University Laboratory School, moving on to the Fisk High School and then the university, where he received a B.A. degree in 1923. After graduation, he attended the Institute of Musical Art in New York City (now the Julliard School of Music), where he studied with Gardner Lamson. He returned to Fisk and began teaching in 1927, spending summers in New York studying with Howard Talley and Samuel Gardner. In 1930 he received an M.A. degree from Columbia University with his thesis American Negro Songs and Spirituals. He was awarded two Julius Rosenwald Foundation Fellowships for the years 1931 to 1933 and, using these to take two years leave from Fisk, he obtained a B.Mus. degree from Yale University in 1933. Work spent the remainder of his career at Fisk, until his retirement in 1966. He served in a variety of positions, notably as a teacher, chairman of the Fisk University Department of Music, and director of the Fisk Jubilee Singers from 1947 until 1956. He published articles in professional journals and dictionaries over a span of more than thirty years. His best known articles were "Plantation Meistersingers" in The Musical Quarterly (Jan. 1940), and "Changing Patterns in Negro Folksongs" in the Journal of American Folklore (Oct. 1940). Work began composing while still in high school and continued throughout his career, completing over one hundred compositions in a variety of musical forms -- for full orchestra, piano, chamber ensemble, violin and organ -- but his largest output was in choral and solo-voice music. He was awarded first prize in the 1946 competition of the Federation of American Composers for his cantata The Singers, and in 1947 he received an award from the National Association of Negro Musicians. In 1963 he was awarded an honorary doctorate from Fisk University. Following Work's collection Negro Folk Songs, the bulk of which was recorded at Fort Valley, he and two colleagues from Fisk University, Charles S. Johnson, head of the department of sociology (later, in October 1946, chosen as the university's first black president), and Lewis Jones, professor of sociology, collaborated with the Archive of American Folk Song on the Library of Congress/Fisk University Mississippi Delta Collection (AFC 1941/002). This project was a two-year joint field study conducted by the Library of Congress and Fisk University during the summers of 1941 and 1942. The goal of the partnership was to carry out an intensive field study documenting the folk culture of a specific community of African Americans in the Mississippi Delta region. The rapidly urbanizing commercial area of Coahoma County, Mississippi, with its county seat in Clarksdale, became the geographical focus of the study. Some of the correspondence included in this collection between Work and Alan Lomax, then head of the Archive of American Folk Song, touches on both the Fort Valley and the emerging Fisk University recording projects. John Wesley Work died on May 17, 1967. --memory.loc.gov/ammem/ftvhtml/

Olive J. Williams

Arranger of "[He is King of Kings]" in Hymnal of the Church of God

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