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Text Identifier:"^tuyos_siempre_de_tu_trono$"
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Ludwig van Beethoven

1770 - 1827 Person Name: L. Beethoven, 1770-1827 Arreg. de of "SARDIS" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera Author of "¡Tuyos siempre! De tu trono" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

William Dalrymple Maclagan

1826 - 1910 Person Name: William D. Maclagan, 1826-1910 Composer of "NEWINGTON" in Cántico Nuevo Maclagan, William Dalrymple , D.D., son of David Maclagan, M.D., was born in Edinburgh, June 18, 1826. In early life he entered the army, and served for some time in India. Retiring with the rank of lieutenant, he entered St. Peter's College, Cambridge, where he graduated B.A. 1856 and M.A. in 1860. Taking Holy Orders, he was curate of St. Saviour's, Paddington, 1856-58, and St. Stephen's, Marylebone, 1858-60. He then became Secretary to the London Diocesan Church Building Society, from 1860 to 1865; curate of Enfield, 1865-69; Rector of Newington, 1869-75; and Vicar of Kensington, 1875-78. He was also Hon. Chaplain to the Queen, and Prebendary of Reculverland in St. Paul's Cathedral, London. In 1878 he was consecrated Bishop of Lichfield. Bishop Maclagan's work has been mainly of a practical character, and his publications are few. The few hymns which he has written have been received with great favour, and create a desire for more of the same kind and quality. The following are in common use.:— 1. Again the trumpet sounds. Missions. Written about 1870. Appeared in the Hymns Ancient & Modern Hymns Ancient & Modern series of Hymns for Mission Services. 1871. 2. Be still, my soul, for God is near. Holy Communion. Part ii. is “O Body, broken for my sake." Written about 1873 for St. Mary's, Newington. In Thring's Collection, 1882. 3. Holy Spirit, Lord of love. Confirmation. Written about 1873, and published in Mrs. C. Brock's Children's Hymn Book, 1884. 4. It is finished, blessed Jesus [Saviour]. Good Friday. Written for Hymns Ancient & Modern, 1875. In several collections. 5. Lord, when Thy Kingdom comes, remember me. Good Friday. Written for the 1875 ed. of Hymns Ancient & Modern. Sometimes given in two parts: Pt. ii. Beginning, “Lord, when with dying lips my prayer is said." 6. The Saints of God their conflict past. All Saints. First published in Church Bells, 1870; and again in the Society for Promoting Christian Knowledge Church Hymns, 1871. 7. What thanks and praise to Thee we owe. St. Luke. Written for the 1875 edition of Hymns Ancient & Modern These hymns are of more than usual merit, being characterized by great simplicity, tenderness, and fervour. The special season or purpose is clearly indicated, and its lessons earnestly enforced. -- John Julian, Dictionary of Hymnology (1907) ============= Maclagan, Abp. W. D., pp. 709, i.; 1578, ii. At the present time all Abp. Maclagan's hymns are in common use, and most of his tunes likewise. With regard to the latter, it is exceptional to find so many tunes by the author of popular hymns sharing the same popularity in the principal hymnals. In Church Hymnal, 1903, and Hymns Ancient & Modern, 1904, combined, there are eight of his tunes, whilst the hymns are six in all. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Mary Fawler Maude

1819 - 1913 Person Name: Mary Fawler Maude, 1819-1913 Author of "Tuyos Siempre" in Cántico Nuevo Maude, Mary Fawler, née Hooper, daughter of George Henry Hooper, of Stanmore, Middlesex, was married in 1841 to the late Joseph Maude, some time Vicar of Chirk, near Ruabon, and Hon. Canon of St. Asaph, who died in Feb. 1887. Mrs. Maude's hymns were published in her Twelve Letters on Confirmation, 1848, and in Memorials of Past Years, 1852 (privately printed). Her best known hymn, is "Thine for ever, God of love" (Confirmation). Concerning it Mrs. Maude says: -- "It was written in 1847 for my class in the Girls' Sunday School of St. Thomas, Newport, Isle of Wight, and published in 1848 at the beginning of a little book called ‘Twelve Letters on Confirmation,' by a Sunday School Teacher, and reprinted in the Memorials, 1852." [S. MSS.] The original is in 7 stanzas of 4 lines. It is usually abbreviated, and stanzas ii., iii. transposed, as in the Society for Promoting Christian Knowledge Church Hymns, 1871; the Hymnal Companion; Hymns Ancient & Modern, 1875, Thring's Collection, 1882, and most other hymnbooks. As a hymn for Confirmation its use is extensive. The omitted stanzas are:— "Thine for ever in that day When the world shall pass away: When the trumpet note shall sound, And the nations underground "Shall the awful summons hear, Which proclaims the judgment near. Thine for ever. 'Neath Thy wings Hide and save us, King of Kings." -- John Julian, Dictionary of Hymnology (1907)

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