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W. Howard Doane
1832 - 1915 Person Name: W. H. D. Composer of "SHERWIN" in Gospel Hymn and Tune Book An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks.
Bert Polman
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Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:—
(1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c.
His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c.
- John Julian, Dictionary of Hymnology (1907)
W. Howard Doane
Anonymous
Person Name: Anon. Author of "Sinner, what has earth to show" in Hymn Book of the Methodist Protestant Church In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Charlotte Elizabeth
1790 - 1846 Person Name: Charlotte Elizabeth Tonna Author of "Sinner, What Hast Thou To Show?" in The Cyber Hymnal Charlotte Elizabeth was born at Norwich in 1790. Her father, the Rev. Michael Browne, was Rector of S. Giles' parish in that city. She married Captain George Phelan, of the army, but the union proved an unhappy one. Thrown upon her own resources, she contributed to the Dublin Tract Society, and in 1834, became editor of "The Christian Ladies' Magazine." Her husband died in 1837. In 1840, she married Mr. L.H. Tonna, but continued to retain her two Christian names as her literary designation. She died in 1846. Her works are very numerous.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Other names: Charlotte Elzabeth Browne Tonna, Mrs. Tonna, Author of Zadoo, Charlotte Elizabeth Phelan
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Tonna, Charlotte Elizabeth, née Browne, commonly known as "Charlotte Elizabeth," was the only daughter of Michael Browne, Rector of St. Giles, Norwich, and was born in Norwich, Oct. 1, 1790. She was first married to Captain George Phelan, of the 60th Rifles (who died in 1837), and secondly to the Rev. Lewis H. Tonna. Her death took place at Ramsgate, July 12, 1846. Under the name of "Charlotte Elizabeth" she published several works, including Chapters on Flowers, Derry, a Tale of the Revolution, Personal Recollections, &c. Her hymns in common use include:—
1. Holy Father, heavenly King (1832). God Man's only Refuge.
2. O God of Israel, deign to smile. For Resignation.
3. O Thou Who didst prepare. For Use at Sea.
4. Sinner, what hast thou to show? Christians' Joy.
5. Soldier go, but not to claim. The Good Fight of Faith.
Of these hymns Nos. 3, 4 appeared in W. Urwick's Dublin Collection of Hymns, 1829.
-- John Julian, Dictionary of Hymnology (1907)
Charlotte Elizabeth
Louis M. Gottschalk
1829 - 1869 Person Name: Louis Moureau Gottschalk Composer of "MERCY" in The Cyber Hymnal Louis Moreau Gottschalk USA 1829-1869. Born in New Orleans, LA, to a Jewish father and Creole mother, he had six siblings and half-siblings. They lived in a small cottage in New Orleans. He later moved in with relatives (his grandmother and a nurse). He played the piano from an early age and was soon recognized as a prodigy by new Orleans bourgeois establishments. He made a performance debut at the new St. Charles Hotel in 1840. At 13 he left the U.S. And went to Europe with his father, as they realized he needed classical training to fulfill his musical ambitions. The Paris Conservatory rejected him without hearing him play on the grounds of his nationality. Chopin heard him play a concert there and remarked, “Give me your hand, my child, I predict that you will become the king of pianists. Franz Liszt and Charles Valentin Alkan also recognized his extreme talent. He became a composer and piano virtuoso, traveling far and wide performing, first back to the U.S., then Cuba, Puerto Rico, Central and South America. He was taken with music he heard in those places and composed his own. He returned to the States, resting in NJ, then went to New York City. There he mentored a young Venezuelan student, Carreno, and became concerned that she succeed. He was only able to give her a few lessons, yet she would remember him fondly and play his music the rest of her days. A year after meeting Gottschalk, she performed for President Lincoln and went on to become a renowned concern pianist, earning the nickname “Valkyrie of the Piano”. Gottschalk was also interested in art and made connections with notable figures of the New York art world. He traded one of his compositions to his art friend, Frederic Church, for one of Church's landscape paintings. By 1860 Gootschalk had established himself as the best known pianist in the New World. He supported the Union cause during the Civil War and returned to New Orleans only occasionally for concerts. He traveled some 95,000 miles and gave 1000 concerts by 1865. He was forced to leave the U.S. later that year as a result of a scandelous affair with a student at Oakland Female Seminary in Oakland, CA. He never came back to the U.S. He went to South America giving frequent concerts. At one, in Rio de Janeiro, Brazil, he collapsed from yellow fever as he played a concert. He died three weeks later, never recovering from the collapse, possibly from an overdose of quinine or an abdominal infection. He was buried in Brooklyn, NY. Though some of his works were destroyed or disappeared after his death, a number of them remain and have been recorded by various artists.
John Perry
Louis M. Gottschalk
