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Text Identifier:"^my_soul_gives_glory_to_the_lord_in_god$"
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Mark V. Smith

Person Name: Mark V. Smith, b. 1956 Harmonizer of "MAGNIFICAT" in Worship (3rd ed.)

John Theodore Mueller

1885 - 1967 Person Name: John T. Mueller, 1885-1967 Translator of "My Soul Now Magnifies the Lord (Magnificat-Song of Mary)" in Christian Worship (1993)

Anonymous

Person Name: Unknown Author of "My Soul Doth Magnify the Lord" in Evangelical Lutheran Hymnary In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach, 1685-1750 Arranger of "GOTTLOB, ES GEHT NUNMEHR ZU ENDE" in Evangelical Lutheran Hymnary Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Michael Joncas

b. 1951 Person Name: Michael Joncas, b. 1951 Composer of "MAGNIFICAT (Joncas)" in Gather Comprehensive

Georg Joseph

1630 - 1668 Person Name: Georg Joseph, 17th century Composer of "ANGELUS" in Christian Worship (1993) Born: Probably circa 1630, Breslau, Silesia (now Wrocław, Poland). Died: Circa 1668. A musician in the service of the Prince-Bishop of Breslau in last half of the 17th Century, Joseph collaborated published five hymn volumes with Johann Scheffler. Sources Erickson, p. 325 Stulken, p. 218 Music: ANGELUS --www.hymntime.com/tch

Johann Gottlieb Wagner

Person Name: J. G. Wagner Composer of "GOTTLOB, ES GEHT NUNMEHR ZU ENDE" in Evangelical Lutheran Hymnary Johann Gottlieb Wagner; organist in Langenoeis, Schlesien, 1742 Evangelical Lutheran Hymnal, 1908

Hermann Bonnus

1504 - 1548 Person Name: Hermann Bonnus, c. 1504-48 Author of "My Soul Now Magnifies the Lord (Magnificat-Song of Mary)" in Christian Worship (1993) Bonn, Hermann (or Gude), son of Arnold Gude, Councillor at Quakenbrück near Osnabrück, was born at Quakenbrück about 1504. He matriculated at Wittenberg in 1523, and after studying under Luther and Melanchthon, he was for some time employed as a tutor. In 1530 he was appointed Rector of the newly founded St. Mary's School, in Lübeck; and in 1531, Superintendent of Lübeck. In 1543 at the request of the burgesses of Osnabrück he proceeded thither, and in the course of that year as the result of his work the principality was won to the cause of the Reformation. He died at Lübeck, Feb. 12, 1548 (Koch, i. 428-436; Allg. Deutsche Biographie, iii. 133). As a hymn-writer his work consisted mainly of revisions of the older Latin hymns, and translations of some of them and of a few High German hymns into Low German. His hymns appeared as Etlike schone Geistlike gesenge appended to the Magdeburg Gesang-Buch, 1542-43. The only one translated into English is:— 0 wir armen Sünder. [Fall & Redemption). First published 1542 as above in 6 stanzas of 4 lines, and thence in Wackernagel, iii. p. 735. It begins "Och wy armen sünders! unse missedadt," and first appeared in High German in the Magdeburg Gesang-Buch, 1588. Based on the old Judas hymn, c. 1400, "O du armer Judas." Translated as "We wratcheit sinnaris pure" in the Gude and Godly Ballates (edition 1567-68, folio 13), edition 1868, p. 21. (2) "'Twas our great transgression," in the Christian Examiner, Boston, U.S., Sept. 1860 [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

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