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Ludwig van Beethoven
1770 - 1827 Person Name: Beethoven, 1770-1827 Composer of "SARDIS" in The Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period.
Bert Polman
Ludwig van Beethoven
Mark H. Forscutt
1834 - 1903 Person Name: M. H. Forscutt, 1834-1903 Author of "Heavenly Father, we adore thee!" in The Hymnal Mark Hill Forscutt (19 June 1834 – 18 October 1903) was an English hymn writer and a leader in several denominations of the Latter Day Saint movement. A convert to The Church of Jesus Christ of Latter-day Saints (LDS Church), Forscutt broke with that denomination for a number of reasons, not the least of which was the practice of plural marriage. Forscutt went on to serve in leadership positions in the Morrisite sect and later in the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS Church).
Forscutt was born in Godmanchester, England. When Forscutt joined the LDS Church as a 19-year-old in 1853, his father disowned him and insisted that he move out of his childhood home. From 1855 to 1860, Forscutt was a missionary for the LDS Church in England.
Forscutt was married in March 1860 to fellow Latter-day Saint Elizabeth Unsworth. On their marriage day, Forscutt and his wife began their emigration to Utah Territory with the intention of joining the gathering of Latter-day Saints in Salt Lake City. Upon arriving in Utah, he became a secretary to Brigham Young, the president of the LDS Church. Shortly after his arrival, Forscutt began to learn about the LDS practice of plural marriage, which he had not been aware of previously. This discovery, combined with other disagreements with Brigham Young, led Forscutt to disassociate himself from the LDS Church. Forscutt became affiliated with a group led by Joseph Morris; he was an apostle in the Morrisite organization and was involved in the 1861 Morrisite War. After these incidents, Forscutt joined the United States Army unit at Fort Douglas in Salt Lake City and was stationed in Ruby Valley (now Nevada) before returning to Salt Lake City.
In 1865, Forscutt joined the RLDS Church in Salt Lake City. He soon left the territory fearing for his life as an apostate from the LDS Church. Forscutt became a close personal friend of Joseph Smith III. Forscutt later served as a full-time missionary for the RLDS Church in England and the Society Islands. He was a copyist in the process that led to the 1866 publication of the Joseph Smith Translation of the Bible in 1866. Forscutt composed a number of hymns and was the editor of Saints' Harmony, an RLDS Church hymnal published in 1889.
Forscutt was a preacher in the RLDS Church until his death. On 2 May 1879, Forscutt preached the sermon at the funeral of Emma Smith Bidamon, the widow of Joseph Smith, Jr. and mother of Joseph Smith III.
Mark and Elizabeth Forscutt were the parents of three children Amy Forscutt Parr, Ruby Forscutt Faunce, and Mark Zenas Forscutt. They divorced in 1867.
--http://en.wikipedia.org/wiki/Mark_Hill_Forscutt
Mark H. Forscutt
W. S. Rockstro
1823 - 1895 Person Name: William Smith Rockstro, 1823-1895 Arranger of "OMNI DIE" in Hymns of the Saints William Rockstro (Composer, Arranger)
Born: January 5, 1823 - North Cheam, Surrey (baptisized at Modern Church), England
Died: July 2, 1895 - London, England
The English composer and writer on music, William Smith [Smyth] Rockstro (originally: Rackstraw), was distinguished as a student of modal music and an important contributor to the Grove’s Dictionary of Music and Musicians. The form of his surname by which he was known was an older style resumed after 1846. He was successively pupil of John Purkis, the blind organist, of Sterndale Bennett, and at the Leipzig Conservatorium, where he studied from I845 to 1846. He enjoyed the special friendship and tuition of Felix Mendelssohn, and was with Moritz Hauptmann for theory and with Plaidy for pianoforte.
For some years after his return to England, William Rockstro was active as a teacher and performer in London, being regular accompanist at the 'Wednesday concerts,' where Braham and other eminent singers were to be heard. At this period he wrote his most popular and beautiful song, Queen and huntress; and his pianoforte editions of classical and other operas led the way in popularising that class of music in an available form for the use of those who could not read full scores; and in his indications of the orchestral instruments above the music-staves he did much to point the way towards a general appreciation of orchestral colour. In the early 1860's he left London for Torquay on account of his mother's health and his own, and on her death in 1876 he became a Roman Catholic.
William Rockstro had been organist and honorary precentor at All Saints' Church, Babbacombe, from 1867, and won a high position as a teacher. Re published, with T. F. Ravenshaw, a Festival Psalter, adapted to the Gregorian Tones, in 1863, and Accompanying Harmonies to the Ferial Psalter in 1869. These were the first fruits of his assiduous study of ancient music, on which he became the first authority of his time in England. A couple of textbooks on harmony (1881) and counterpoint (1882) had a great success, and in the latter part of the first edition of the Grove’s Dictionary of Music and Musicians he wrote a large number of articles on musical archaeology generally. Later research has superseded his, but at the time he wrote, his contributions to such subjects as the music of the period which closed in 1600 were important. He was too ardent a partisan to be an ideal historian, but his History of Music for Young Students (1879) and his larger work, A General History of Music (1886), contain much that is of permanent value. His Life of Handel (1883) and Mendelssohn (1884) are fine examples of eulogistic biography, though they are hardly to be recommended as embodying a calmly critical estimate of either composer. In his larger History he showed that he was, nevertheless, not above owning himself in the wrong, and his recantation of certain excessive opinions expressed by him in the Dictionary against Wagner's later works was due to true moral courage. He conducted a concert of sacred music of the 16th and 17th centuries at the Inventions Exhibition of 1885, and in 1891 gave up Torquay for London, giving lectures at the Royal Academy of Music and Royal College of Music, and holding a class to counterpoint and plain-song at the latter institution. As a singing-master and teacher of the pianoforte his method of imparting instruction was remarkably successful.
As a composer, William Rockstro never quite freed himself from the powerful influences engendered by his studies: the lovely madrigal, "O too cruel fair," was judged unworthy of a prize by the Madrigal Society on the ground that it was modelled too closely on Giovanni Pierluigi da Palestrina; and his oratorio, The Good Shepherd, produced at the Gloucester Festival of 1886 under his own direction, was found to bear too many traces of Mendelssohnian influence to deserve success. In 1891 he collaborated with Canon Scott Holland in writing the life of his old friend, Jenny Lind-Goldschmidt; an abbreviated edition came out in 1863, and with Otto Goldschmidt he wrote still a shorter book, Jenny Lind, her Vocal Art and Culture (partly reprinted from the biography). For many years his health had been bad, and he had many adverse circumstances to contend with. He fought bravely for all that he held best in art, and boundless enthusiasm carried him through.
Source: Grove’s Dictionary of Music and Musicians (1952 Edition; Author: J.A. Fuller Maitland; revised: H.C. Colles)
Contributed by Aryeh Oron (July 2007)
--www.bach-cantatas.com/Lib/
W. S. Rockstro
