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Ludwig van Beethoven

1770 - 1827 Person Name: Beethoven Composer of "SARDIS" in Worship Song A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman
Ludwig van Beethoven

John Stainer

1840 - 1901 Composer of "ALL FOR JESUS (WYCLIFFE)" in The Sanctuary Hymnal, published by Order of the General Conference of the United Brethren in Christ
John Stainer

Arthur Henry Brown

1830 - 1926 Person Name: A. H. Brown Composer of "ST. MABYN" in Common Praise Born: Ju­ly 24, 1830, Brent­wood, Es­sex, Eng­land. Died: Feb­ru­a­ry 15, 1926, Brent­wood, Es­sex, Eng­land. Almost com­plete­ly self taught, Brown be­gan play­ing the or­gan at the age 10. He was or­gan­ist of the Brent­wood Par­ish Church, Es­sex (1842-53); St. Ed­ward’s, Rom­ford (1853-58); Brent­wood Par­ish Church (1858-88); St. Pe­ter’s Church, South Weald (from 1889); and Sir An­tho­ny Browne’s School (to 1926). A mem­ber of the Lon­don Gre­gor­i­an As­so­ci­a­tion, he helped as­sem­ble the Ser­vice Book for the an­nu­al fes­tiv­al in St. Paul’s Ca­thed­ral. He sup­port­ed the Ox­ford Move­ment, and pi­o­neered the res­tor­a­tion of plain­chant and Gre­gor­i­an mu­sic in Ang­li­can wor­ship. Brown ed­it­ed var­i­ous pub­li­ca­tions, in­clud­ing the Al­tar Hym­nal. His other works in­clude set­tings of the Can­ti­cles and the Ho­ly Com­mun­ion Ser­vice, a Child­ren’s Fes­tiv­al Serv­ice, an­thems, songs, part songs, and over 800 hymn tunes and car­ols. Music: Alleluia! Sing the Tri­umph Arthur Dale Ab­bey Fields of Gold Are Glow­ing Gerran Holy Church Holy Rood If An­gels Sang Our Sav­ior’s Birth Lammas O, Sing We a Car­ol Purleigh Redemptor Mun­di Ring On, Ye Joy­ous Christ­mas Bells Saffron Wal­den St. An­a­tol­i­us St. Aus­tell St. John Dam­as­cene St. Ma­byn St. So­phro­ni­us Story of the Cross Sweet Child Di­vine --www.hymntime.com/tch
Arthur Henry Brown

E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins Composer of "WRAYSBURY" in Book of Worship with Hymns and Tunes Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry
E. J. Hopkins

Joseph P. Holbrook

1822 - 1888 Person Name: Joseph Perry Holbrook (1822— ) Composer of "WESTMINSTER" in Songs of Praise with Tunes Joseph P. Holbrook was a tune writer in the parlor music style, and used the popular melodies of Mason and Hastings, Bradbury and Root, Greatorex and Kingsley in his collections. He furnished settings for the choir hymns in Songs for the Sanctuary in his Quartet and chorus Choir (New York, 1871, and sought more recogniation than had been given him in a hymnal of his own, Worship in Song (New York, 1880); a book that found no welcome. from The English hymn: its development and use in worship By Louis FitzGerald Benson
Joseph P. Holbrook

Fred A. Fillmore

1856 - 1925 Person Name: Fred. Fillmore Composer of "[Hear my prayer, oh, Heavenly Father]" in Joy and Gladness Born: May 15, 1856, Par­is, Ill­i­nois. Died: No­vem­ber 15, 1925, Ter­race Park, Ohio. Buried: Mil­ford, Ohio. Frederick Augustus Fillmore, who was born on May 15, 1856, in Paris, IL, one of seven children, five sons and two daughters, born to Augustus Damon and Hannah Lockwood Fillmore. His father was a preacher in the Christian Church, as well as a composer, songbook compiler, and hymn publisher who developed his own system of musical notation using numbers on the staff in place of note heads. Augustus eventually settled in Cincinnati, OH, and established a music publishing business there. Until 1906, there was no official distinction between "Christian Churches" and "Churches of Christ." The names were used pretty much interchangeably, and many older churches of Christ which are faithful today were once known as "Christian Churches." Fred and his older brother James took over their father's publishing business following the death of Augustus in 1870 and established the Fillmore Brothers Music House. This became a successful Cincinnati music form, publishing church hymnals and later band and orchestral music. For many years the firm issued a monthly periodical, The Music Messenger. The brothers edited many hymnbooks and produced many songs which became popular. Beginning with the songbook Songs of Glory in 1874, there appeared many Fillmore publications which became widely used through churches, especially in the midwest. For these collections, Fred provided a great deal of hymn tunes. --launch.groups.yahoo.com/group/hymnoftheday
Fred A. Fillmore

Harriet Parr

1828 - 1900 Person Name: Harriet Parr, 1828— Author of "Hear my prayer, O heavenly Father" in Hymnal and Liturgies of the Moravian Church Pseudonym: Holme Lee Parr, Harriet, was born at York in 1828, and has published several works under the nom de plume of "Holme Lee," including Maude Talbot, 1854; Sylvan Holt’s Daughter, 1858; Warp and Woof, 1861; Mr. Wynyard's Ward, 1867; and several other works of fiction. Miss Parr is known to hymnology by one hymn only, viz.:— Hear my [our] prayer, 0 heavenly Father. Evening. This beautiful and pathetic hymn appeared in her story The Wreck of the Golden Mary, which was the Christmas number of Charles Dickens's Household Words, 1856. The way in which the hymn is introduced into the story has been often told, and is worth repeating. The story sets forth how the ship Golden Mary, on her voyage to California, struck on an iceberg, and the passengers, taking to the boats, suffered privations for several days. To beguile the time they repeated stories. One of them, Dick Tarrant, a wild youth, relates some of his experiences, in which he says:— “What can it be that brings all these old things over my mind? There's a child's hymn I and Tom used to say at my mother's knee, when we were little ones, keeps running through my thoughts. It's the stars, may be; there was a little window by my bed that I used to watch them at, a window in my room at home in Cheshire; and if I were ever afraid, as boys will be after reading a good ghost story, I would keep on saying it till I fell asleep." ”That was a good mother of yours, Dick; could you say that hymn now, do you think ? Some of us might like to hear it." "It is as clear in my mind at this minute as if my mother was here listening to me," said Dick. And he repeated " 'Hear my prayer, O Heavenly Father, Ere we lay us down to sleep,' " &c. Through the instrumentality of Dr. Allon it was included in the New Congregational Hymn Book, 1859, No. 945, in 5 st. of 4 1. Since then it has reappeared in numerous collections in Great Britain and America. In some hymn-books, as in Thring's Collection, 1882, it begins, "Hear our prayer, O heavenly Father," and a doxology is added. Instead of the doxology, the Rev. W. J. Hall added the following lines (written in 1873). "Home of rest and peace unending, Whither turns my longing heart, Home from whence thro' all the ages Never more shall I depart." This addition was given in the New Mitre Hymnal, 1875. In the Parish Hymn Book, 1863 and 1875, it is a Morning hymn, and begins:— "Praise to Thee, Whose hosts have watched us Through the helpless hours of sleep," &c. -- John Julian, Dictionary of Hymnology (1907)
Harriet Parr

Edmund S. Carter

1845 - 1923 Composer of "DEVOTION" in Hymnal and Order of Service Born: Feb­ru­a­ry 3, 1845, New Mal­ton, York­shire, Eng­land. Died: May 23, 1923, Scar­bo­rough, York­shire, Eng­land. Carter at­tend­ed Wor­ces­ter Coll­ege, Ox­ford (BA & MA 1871). He was or­dained dea­con in 1871, and priest in 1872. He served as Cur­ate of Christ Church, Eal­ing, Mid­dle­sex (1871-75); Vi­car chor­al of York Min­ster (1875); Rec­tor of St. Mar­tin, Mic­kle­gate, York (1877-82); and Vi­car of St. Mi­chael Bel­fry, York (1882). Music: DAY BY DAY WREFORD --www.hymntime.com/tch/
Edmund S. Carter

Henry J. Gauntlett

1805 - 1876 Person Name: H. J. Gauntlett Composer of "PRAYER" in Hymns of the Faith Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman
Henry J. Gauntlett

Marguerite Gray

Composer of "[Hear my prayer, O heavenly Father]" in The Praise Book
Marguerite Gray

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