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Eben E. Rexford

1848 - 1916 Author of "Scatter Sunshine by the Way" in Pentecostal Hymns Nos. 3 and 4 Combined Rexford, Eben Eugene.M (Johnsburg, New York, July 16, 1848--October 16, 1916, Shiocton, Wisconsin). Horticulturalist and editor of a Wisconsin farm journal. Many of his verses were used to fill empty corners of the journal. He also wrote many books on gardening. Lawrence University (Appleton, Wisc.), Litt.D. Twenty-five years, organist at First Congregational Church, Shiocton. See: Smith, Mary L.P. (1930). Eben E. Rexford; a biographical sketch. Menasha, Wis., George Banta Pub. Co. --Leonard Ellinwood, DNAH Archives and Gabriel, Charles H. (1916). Singers and Their Songs. Chicago: The Rodeheaver Company. =============== Rexford, Eben Eugene , an American writer, born July 16, 1848, is the author of Nos. 199, 246, 263, 353, in I. D. Sankey's Sacred Songs and Solos), 1878, No. 5, and 456 in the Methodist Sunday School Hymnbook, 1879. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================ Rexford, E. E. , p. 1587, ii. Additional hymns by this author in common use include:— 1. He saw the wheat fields waiting. Harvest of the World. 2. O where are the reapers. Missions. 3. Rouse up to work that waits for us. Duty. 4. We are sailing o'er an ocean. Life's Vicissitudes. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================

Jennie Ree

Arranger of "Speak the Kind Word" in Sunday School Voices, No.2 See Gabriel, Chas. H. (Charles Hutchinson), 1856-1932

Charles P. Whitford

Person Name: C. P. Whitford Arranger of "Speak a Kind Word When You Can" in Songs for Service

Anonymous

Person Name: Anon. Author of "Give a Kind Word" in The Evangelists' Songs of Praise No. 2 In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Chas. H. Gabriel

1856 - 1932 Composer of "[Do you know a heart that hungers]" in Pentecostal Hymns Nos. 3 and 4 Combined Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman

Emma Louise Ashford

1850 - 1930 Person Name: E. L. Ashford Composer of "[Do you know a heart that hungers]" in Songs for Work and Worship Ashford, Emma Louise (Hindle). (Delaware state, March 27, 1850-- ). Sand and studied with father. Moved to Plymouth, Massachusetts, 1864; to Seymour, Connecticut, 1865; Organist, St. Peters (Episcopal) Church, 1865; married, 1867 to John Ashford; moved to Chicago, ca.1867; alto soloist (under Dudley Buck), St. James (Episcopal) Church, Chicago, 1867-1868; moved to Nashville, Tennessee, ca.1869. Studied pipe organ with Dr. Anderson; composition with Dr. R.H. Peters. 10 years, Mr. & Mrs. Ashford conducted choir work at Presbyterian Church and Jewish Temple in Nashville. Visited and studied in Europe, 1894, 1897, 1904. Publisher, Lorenz. See: Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company. --Keith C. Clark, DNAH Archives

Sidney Martin Grannis

1827 - 1907 Person Name: S. M. Grannis Composer of "[Do you know a heart that hungers]" in Songs for Service Born: September 23, 1827, Geneseo, New York. Died: 1907, Los Angeles, California. Buried: Angelus Rosedale Cemetery, Los Angeles, California. Grannis’ family moved to Le Roy, New York in 1831. His father Samuel owned a hardware business which in 1844 was located in the Barrett Block, known as the "Dock," on the present site of the Le Roy Post Office. Samuel was involved on the Underground Railroad. Sidney would drop into Samuel’s Store where he would sit down at the melodeon and sing until the room filled with people. Although it was said that he never learned to read music, he wrote music to several poems. Grannis established a reputation with "Do They Miss Me at Home?" Caroline Mason wrote the poem "Do They Miss Me at Home?" and Sidney Grannis put it to music. It became a popular favorite during the Civil War. One of the lines reads: “Does someone repeat my name over and sigh that I tarry so long? And is there a chord in the music "That’s miss’d when my voice is away, And a chord in each heart that awaketh, regret at my wearisome stay?" He also composed the ballads, "Only Waiting," "Cling to the Union," and "People Will Talk You Know." In 1856 Grannis wrote the words and music for Sparking Sunday Night. Sheet music was published by Joseph P. Shaw, Rochester, New York, affiliated with Oliver Ditson (Boston), who also distributed the song. The sheet music is preserved in the Sibley Library, Eastman School of Music, University of Rochester, New York. As a solo singer, Grannis had a remarkable tenor voice, and it was said that his voice "was of marvelous flexibility, sweet as a flute, and had a range of three octaves." A newspaper in Pultneyville mentioned that Grannis performed at the Union Church in 1864 "to an appreciative audience." He sang at more than five thousand concerts. He organized the Amphion Troupe, a vocal quartet which included "Pixley and Bryant" and Emily Goodenou, who sang solo. The group toured the country giving concerts. In 1864, Grannis was in New Haven, Connecticut, where he composed his music for Your Mission. In the later days of the Civil War, Philip Phillips, who had a wonderfully sweet tenor voice, was invited to sing at a great meeting of the United States Christian Commission in the Senate Chamber at Washington, February, 1865, President Lincoln and Secretary Seward (then president of the commission) were there, and the hall was crowded with leading statesmen, army generals, and friends of the Union. The song selected by Mr. Phillips was Mrs. Gates’ "Your Mission." The hushed audience listened spell-bound as the sweet singer went on, their interest growing to feverish eagerness until the climax was reached in the fifth stanza. In the storm of enthusiasm that followed, President Lincoln handed a hastily scribbled line on a bit of paper to Chairman Seward, "Near the close let us have Your Mission repeated." In 1884, Grannis moved to Los Angeles, California, where several of his admirers presented him a cottage and grounds. It was said of him: "He was the best man we ever knew, going in and out among us like a ray of light, never complaining, always cheerful, always happy, never a cloud on his sunny countenance. His nature was musical, he loved to sing. His songs were inspiring, his mirth contagious. Who that has heard his favorite laughing song, can forget his sunlit face, or fail to recall the effect the song produced? His invitation "please join the chorus" was superfluous. Throughout this broad land his rollicking laughter has been heard and his sweet and musical songs have flowed like soothing and peace giving rivers." --www.hymntime.com/tch/