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Psalm 41
Author: Isaac Watts Meter: 8.8.8.8 Appears in 86 hymnals Scripture: Psalm 41:1-3 First Line: Blest is the man whose bowels move Lyrics:
Blest is the man whose bowels move,
And melt with pity to the poor;
Whose soul, by sympathizing love,
Feels what his fellow saints endure.
His heart contrives for their relief
More good than his own hands can do;
He, in the time of gen'ral grief,
Shall find the Lord has bowels too.
His soul shall live secure on earth,
With secret blessings on his head,
When drought, and pestilence, and dearth
Around him multiply their dead.
Or if he languish on his couch,
God will pronounce his sins forgiv'n;
Will save him with a healing touch,
Or take his willing soul to heav'n.
Topics: Poor charity to them; Afflicted pity to them; Charity to the poor; Liberality rewarded; Pity to the afflicted
Psalm 41
How Blest the Man Who Thoughtfully
Meter: 8.6.8.6 D Appears in 7 hymnals Scripture: Psalm 41 Topics: Character, Evil; Mercy, Christian; Sickness; Doxologies; Betrayal; Poor Used With Tune: DEDEKAM
How Blest the Man Who Thoughtfully
Happy the Man whose tender Care
Appears in 16 hymnals Scripture: Psalm 41 Lyrics: 1 Happy the Man, whose tender Care
relieves the Poor distress'd!
When he's by Troubles compaas'd round,
the Lord shall give him Rest.
2 The Lord his Life, with Blessings crown'd,
in Safety shall prolong;
And disappoint the Will of those
that seek to do him Wrong.
3 If he in languishing Estate,
oppress'd with Sickness, lie;
The Lord will easy make his Bed,
and inward Strength supply.
4 Secure of this, to Thee, my God,
I thus my pray'r address'd:
"Lord, for thy Mercy, heal my Soul,
"tho' I have much trasgress'd."
5 My cruel Foes, with sland'ring Words,
attempt to wound my Fame:
"When shall he die (say they,) and Men
"Forget his very Name?"
6 Suppose they formal Visits make,
'tis all but empty Show:
They gather Mischief in their Hearts,
and vent it where they go.
7,8 With private Whispers, such as these,
to hurt me they devise:
"A sore Disease afflicts him now;
"he's fall'n, no more to rise."
9 My own familiar Bosom-friend,
on whom I most rely'd,
Has me, whose daily Guest he was,
with open Scorn defy'd.
10 But thou my sad and wretched State,
in Mercy, Lord, regard;
And raise me up, that all their Crimes
may meet their just Reward.
11 By this I know, thy gracious Ear
is open when I call;
Because Thou suffer'st not my Foes
to triumph in my Fall.
12 Thy tender Care secures my Life
from Danger and Disgrace;
And Thou vouchsaf'st to set me still
before thy glorious Face.
13 Let therefore Israel's Lord and God
from Ages to Age be blest;
And all the People's glad Applause
with loud Amens express'd.
Happy the Man whose tender Care
BEACH SPRING (fragment)
Appears in 220 hymnals Composer and/or Arranger: A. Royce Eckhardt Scripture: Psalm 41 Tune Sources: The Sacred Harp, Philadelphia, 1833 Tune Key: G Major Incipit: 11213 32161 16561 Used With Text: Psalm 41 (A Responsorial Reading)
BEACH SPRING (fragment)
Psalm 41 (A Responsorial Reading)
Author: Joseph M. Scriven Hymnal: Psalms for All Seasons #41B (2012) Scripture: Psalm 41 First Line: What a privilege to carry everything to God in prayer Lyrics: Refrain:
What a privilege to carry
everything to God in prayer!
1 What a privilege to carry
everything to God in prayer!
2 Are we weak and heavy laden?
Take it to the Lord in prayer.
3 Have we trials and temptations?
Take it to the Lord in prayer.
4 Do your friends despise, forsake you?
Take it to the Lord in prayer.
5 Precious Savior, still our refuge!
Take it to the Lord in prayer.
Topics: Biblical Names and Places Israel; Doxologies; God as Healer; Integrity; Lament General; Lament Individual; Poverty; Ten Commandments 9th Commandment (do not bear false witness); Year B, Ordinary Time after Epiphany, 7th Sunday Languages: English Tune Title: BEACH SPRING (fragment)
Psalm 41 (A Responsorial Reading)
Spirit of God, Descend Upon My Heart
Author: George Croly, 1780-1860 Hymnal: African American Heritage Hymnal #312 (2001) Meter: 10.10.10.10.10.10 Scripture: Psalm 41:11 Lyrics: 1 Spirit of God, descend upon my heart;
Wean it from earth; through all its pulses move;
Stoop to my weakness, mighty as Thou art,
And make me love Thee as I ought to love.
2 I ask no dream, no prophet ecstasies,
No sudden rending of the veil of clay,
No angel visitant, no op'ning skies;
But take the dimness of my soul away.
3 Teach me to feel that Thou art always nigh;
Teach me the struggles of the soul to bear,
To check the rising doubt, the rebel sigh;
Teach me the patience of unanswered prayer.
4 Teach me to love Thee as Thine angels love,
One holy passion filling all my frame;
The kindling of the heav'n-descended Dove,
My heart an altar, and Thy love the flame. Topics: God Love and Mercy; God Our Love For God; Patience Languages: English Tune Title: MORECAMBE
Spirit of God, Descend Upon My Heart
When languor and disease invade
Author: Augustus Montague Toplady (1740-1778) Hymnal: Carmina Sanctorum, a selection of hymns and songs of praise with tunes #667 (1886) Scripture: Psalm 41:3 Topics: Life and Death Languages: English Tune Title: COOLING
When languor and disease invade
Isaac Watts
1674 - 1748 Scripture: Psalm 41:1-3 Author of "Psalm 41" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
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Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
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Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
Frederick C. Atkinson
1841 - 1896 Person Name: Frederick C. Atkinson, 1841-1897 Scripture: Psalm 41:11 Composer of "MORECAMBE" in African American Heritage Hymnal Born: August 21, 1841, Norwich, Norfolk, England. Died: November 30, 1896, East Dereham, Norfolk, England. As a boy Atkinson was a chorister and assistant organist at Norwich Cathedral. In 1867 he graduated with a Bachelor of Music degree from Cambridge and then served as organist and choirmaster in St. Luke's Church, Manningham, Bradford. He also held that position at Norwich Cathedral and at St. Mary's Parish Church in Lewisham. Atkinson wrote hymn tunes, anthems, and complete Anglican services, as well as songs and piano pieces.
Psalter Hymnal Handbook, 1988
Frederick C. Atkinson
Michel Guimont
b. 1950 Scripture: Psalm 41:2-14 Composer of "[Happy are those who consider the poor and weak]" in Gather Comprehensive
Michel Guimont
