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Importunate Prayer
Meter: 6.6.8.6 Appears in 212 hymnals Scripture: Luke 18:1-7 First Line: Jesus, who knows full well Lyrics: 1 Jesus, who knows full well
The heart of ev'ry saint,
Invites us all our griefs to tell,
To pray and never faint.
2 He bows his gracious ear,
We never plead in vain;
Then let us wait till he appears,
And pray, and pray again.
3 Though unbelief suggest,
Why should we longer wait?
He bids us never give him rest,
But knock at mercy's gate.
4 Jesus the Lord will hear
His chosen when they cry;
Yes, though he may a while forbear,
He'll help them from on high.
5 His nature, truth and love,
Engage him on their side;
When they are griev'd, his bowels move,
They will not be deny'd.
6 Then let us earnest cry,
And never faint in pray'r,
He sees, he hears, and from on high,
Will make our cause his own.
Topics: Prayer Importunate
Importunate Prayer
The well-fought day
Author: Charles Wesley Meter: 6.6.8.6 Appears in 39 hymnals Scripture: Luke 18:1 First Line: Pray, without ceasing pray Topics: Christ Captain of Salvation; Christ Power of; Christians Conquerors through Christ; Christians Warfare of; Devils, enemies of God and his saints; Heavenly Guest Hosts of; Holy Spirit Invitations of; Prayer Unceasing
The well-fought day
What a friend we have in Jesus
Author: Joseph Scriven (1819-1886) Meter: 8.7.8.7 D Appears in 1,712 hymnals Scripture: Luke 18:1 Lyrics: 1 What a friend we have in Jesus,
all our sins and griefs to bear!
What a privilege to carry
everything to God in prayer!
Oh, what peace we often forfeit,
oh, what needless pain we bear,
all because we do not carry
everything to God in prayer!
2 Have we trials and temptations,
is there trouble anywhere?
We should never be discouraged:
take it to the Lord in prayer.
Can we find a friend so faithful,
who will all our sorrows share?
Jesus knows our every weakness:
take it to the Lord in prayer.
3 Are we weak and heavy-laden,
cumbered with a load of care?
Jesus is our only refuge:
take it to the Lord in prayer.
Do your friends despise, forsake you?
Take it to the Lord in prayer!
In his arms he'll take and shield you;
you will find a solace there. Topics: Life in Christ Our Response to Christ - In Devotion; Assurance; Grief; Prayer; Temptation Used With Tune: CONVERSE
What a friend we have in Jesus
FROM STRENGTH TO STRENGTH
Appears in 36 hymnals Composer and/or Arranger: Edward Woodall Naylor (1867-1934) Scripture: Luke 18:1 Tune Key: G Major Incipit: 15512 31143 21327 Used With Text: Soldiers of Christ, arise
FROM STRENGTH TO STRENGTH
What a friend we have in Jesus
Author: Joseph Scriven (1819-1886) Hymnal: Church Hymnary (4th ed.) #547 (2005) Meter: 8.7.8.7 D Scripture: Luke 18:1 Lyrics: 1 What a friend we have in Jesus,
all our sins and griefs to bear!
What a privilege to carry
everything to God in prayer!
Oh, what peace we often forfeit,
oh, what needless pain we bear,
all because we do not carry
everything to God in prayer!
2 Have we trials and temptations,
is there trouble anywhere?
We should never be discouraged:
take it to the Lord in prayer.
Can we find a friend so faithful,
who will all our sorrows share?
Jesus knows our every weakness:
take it to the Lord in prayer.
3 Are we weak and heavy-laden,
cumbered with a load of care?
Jesus is our only refuge:
take it to the Lord in prayer.
Do your friends despise, forsake you?
Take it to the Lord in prayer!
In his arms he'll take and shield you;
you will find a solace there. Topics: Life in Christ Our Response to Christ - In Devotion; Assurance; Grief; Prayer; Temptation Languages: English Tune Title: CONVERSE
What a friend we have in Jesus
What a friend we have in Jesus
Author: Joseph Scriven (1819-1886) Hymnal: Hymns of Glory, Songs of Praise #547 (2008) Meter: 8.7.8.7 D Scripture: Luke 18:1 Lyrics: 1 What a friend we have in Jesus,
all our sins and griefs to bear!
What a privilege to carry
everything to God in prayer!
Oh, what peace we often forfeit,
oh, what needless pain we bear,
all because we do not carry
everything to God in prayer!
2 Have we trials and temptations,
is there trouble anywhere?
We should never be discouraged:
take it to the Lord in prayer.
Can we find a friend so faithful ,
who will all our sorrows share?
Jesus knows our every weakness;
take it to the Lord in prayer.
3 Are we weak and heavy-laden,
cumbered with a load of care?
Jesus is our only refuge:
take it to the Lord in prayer.
Do your friends despise, forsake you?
Take it to the Lord in prayer!
In his arms he'll take and shield you;
you will find a solace there. Topics: Life in Christ Our Response to Christ - In Devotion; Assurance; Grief; Prayer; Temptation Languages: English Tune Title: CONVERSE
What a friend we have in Jesus
What a Friend We Have in Jesus
Author: Joseph M. Scriven Hymnal: Voices Together #628 (2020) Meter: 8.7.8.7 D Scripture: Luke 18:1-8 Lyrics: 1 What a friend we have in Jesus,
all our sins and griefs to bear!
What a privilege to carry
ev’rything to God in prayer!
Oh, what peace we often forfeit,
oh, what needless pain we bear,
all because we do not carry
ev’rything to God in prayer.
2 Have we trials and temptations?
Is there trouble anywhere?
We should never be discouraged—
take it to the Lord in prayer!
Can we find a friend so faithful,
who will all our sorrows share?
Jesus knows our ev’ry weakness—
take it to the Lord in prayer!
3 Are we weak and heavy laden,
’cumbered with a load of care?
Precious Savior, still our refuge,
take it to the Lord in prayer!
Do thy friends despise, forsake thee?
Take it to the Lord in prayer!
Jesus’ arms will take and shield thee—
thou wilt find a solace there.
Lao:
1 ມິດ ສະຫາຍເຮົາຄື ພຣະເຢ ຊູ ຊົ
ງ ແບກເອົາຜິດບາບໃຫ້ຫາຍ
ເຮົາຈິ່ງ ມີ ສິດເຂົ້າມາເຝົ້າ ຢູ່
ດ້ວຍ ບໍ່ ຢ້ານຈະ ຖືກຂັບ ໄລ່
ສຸກ ສຳລານໄດ້ຫວິດໄປ ຫຼາຍ ທີ່
ເກີດລຳບາກຈົນ ຕົວຫີວ ອ່ອນ
ການໜັກ ໃຈ ຝຸງ ນີ້ ບັງເກີດ ມີ
ເພາະໝູ່ ເຮົາຖິ້ມການໄຫວ້ວອນ
Mid sahaihaokheu phrayesu,
song baebaophid haihai,
haoching mee sidkhaomafao yu,
duai bo yancha theukkhap lai.
suk samlan dai hewpai lai thi
koed lambakchon tuaeet on,
kannak chai fung nee bangkoed mee
phomu haothimkanvaivvon.
2 ການທຸກໃຫຍ່ການລອງໃຈມີ ມາ
ການລຳ ບາກມາເຖິງເມື່ອໃດ
ໃຫ້ ເຮົາມີຄວາມເຊື່ອແລະໝັ່ນມາ
ຫາ ພຣະເຈົ້າປົງ ທຸກວາງໃຈ
ຜູ້ ຮັກເໝືອນພຣະອົງຫາ ບໍ່ ໄດ້
ພຣະອົງ ຊົງແບກຄວາມໂສກເສົ້າ
ຊົງ ຮູ້ ຈັກ ໃຈເຮົາຈິ່ງບອກ ໄວ້ ວ່າ
ຈົ່ງຮີບໄຫວ້ວອນພຣະເຈົ້າ
Kanthukhyaikanlongchaimee ma,
kanlambak mathoengmeuodai,
hai haomikhuaamseulaemanma ha
phrachaopok thukvangchai.
phu hakmeuonphraongha bodai
phraong songbaebkhuaamosoksao,
song hu chakchaihaochingbok vai va
chongbibhaivvonphrachao.
3 ເມື່ອອິດອອນໜັກ ອົກ ໜັກໃຈນັ້ນ
ມີ ທຸກ ໃຫຍ່ບໍ່ ແພ້ ອົດເອົາ
ໂອ້ ຜູ້ ຊ່ອຍຂໍ ໃຫ້ ໝູ່ ເຮົາຫັ່ນ
ໄຫວ້ວອນ ຂໍ ຈົນ ໄດ້ບັນເທົາ
ເມື່ອໝູ່ ຄູ່ ໜ່່າຍ ຊັງພາກອອກໄປ
ຄວນອອກປາກເປັນຄຳອ້ອນວອນ
ພຣະເຢ ຊູ ຈະຊົງ ອຸ້ມເຮົາ ໄປ
ນຳ ພຣະອົງຈະ ໄດ້ ຮັບພອນ
Meuidonak oak nakchainan
mee thuk yai bo paeh od aow,
o phu soykhohai mu haomun
haivuaon kho chon daibanthao.
meuomu khu hai sang phakoakpai
khuan oakpak pen khamonuaon,
phrayesu chasong umhaopai
nam phraongcha dai habphon.
Hmong:
1 Kuv tug kwvluag yog Tswv Yesxus,
Nwg tsi tso kuv tseg ib txhis.
Leejtwg hlub kuv npaum le Yesxus?
Tsi muaj ib tug hlub le nwg.
Nwg paab kuv dlim dlaab le xibteg
Lug nyob huv nwg lub xubndlag.
Kuv yuav muab sab rau ntseeg Yesxus,
Leejtwg yuav ua kuas kuv ntshai?
2 Tej kev txomnyem huv nplajteb nuav
Txawj ua kuas kuv lub sab ntxhuv.
Kuv raug kev txhawj xeeb ua luaj nua,
Leejtwg yuav has kuv ib lus?
Kuav yuav nrhav ib tug ua kwvluag,
Nrhav huv nplajteb ntshai tsi muaj.
Yesxus tuab leeg yuav paab kuv dlim,
Kuv txhaj tau txujsa ib txhis.
3 Tej kev txhawj xeeb tej kev quaj ntsuag
Tej ua kuas kuv ntshai ua luaj.
Kuv muab txhua yaam tso rua Yesxus,
Ca sab ntsoov nwg yuav paab kuv.
Kuv yuav qha tej kws kuv ntxhuv sab,
Kuv tsi xaav khaws tej nuav ca.
Muab taagnrho rua Yesxus saib xyuas,
Naj nub nyob kuv tso sab plhuav. Topics: Children Appropriate for; Comfort; Grief; Jesus Christ Presence of; Mennonite World Fellowship Sunday; Praying About Prayer; Praying For Ourselves; Separation from the World; Trials Languages: Lao, Hmong Tune Title: CONVERSE
What a Friend We Have in Jesus
Charles Wesley
1707 - 1788 Person Name: C. Wesley Scripture: Luke 18:1 Author of "Come, ye followers of the Lord" in Methodist Hymn-Book Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
John Newton
1725 - 1807 Scripture: Luke 18:1 Author of "Importunity" in Laudes Domini John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumultuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.”
Bert Polman
==================
Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764).
The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.]
A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:—
1. Be still, my heart, these anxious cares. Conflict.
2. Begone, unbelief, my Saviour is near. Trust.
3. By the poor widow's oil and meal. Providence.
4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers.
5. Darkness overspreads us here. Hope.
6. Does the Gospel-word proclaim. Rest in Christ.
7. Fix my heart and eyes on Thine. True Happiness.
8. From Egypt lately freed. The Pilgrim's Song.
9. He Who on earth as man was Known. Christ the Rock.
10. How blest are they to whom the Lord. Gospel Privileges.
11. How blest the righteous are. Death of the Righteous.
12. How lost was my [our] condition. Christ the Physician.
13. How tedious and tasteless the hours. Fellowship with Christ.
14. How welcome to the saints [soul] when pressed. Sunday.
15. Hungry, and faint, and poor. Before Sermon.
16. In mercy, not in wrath, rebuke. Pleading for Mercy.
17. In themselves, as weak as worms. Power of Prayer.
18. Incarnate God, the soul that knows. The Believer's Safety.
19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn.
20. Joy is a [the] fruit that will not grow. Joy.
21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken.
22. Let us adore the grace that seeks. New Year.
23. Mary to her [the] Saviour's tomb. Easter.
24. Mercy, 0 Thou Son of David. Blind Bartimeus.
25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken.
26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go."
27. Now may He Who from the dead. After Sermon.
28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege.
29. O Lord, how vile am I. Lent.
30. On man in His own Image made. Adam.
31. 0 speak that gracious word again. Peace through Pardon.
32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows."
33. Physician of my sin-sick soul. Lent.
34. Pleasing spring again is here. Spring.
35. Poor, weak, and worthless, though I am. Jesus the Friend.
36. Prepare a thankful song. Praise to Jesus.
37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine."
38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance.
39. Salvation, what a glorious plan. Salvation.
40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn.
41. Saviour, visit Thy plantation. Prayer for the Church.
42. See another year [week] is gone. Uncertainty of Life.
43. See the corn again in ear. Harvest.
44. Sinner, art thou still secure? Preparation for the Future.
45. Sinners, hear the [thy] Saviour's call. Invitation.
46. Sovereign grace has power alone. The two Malefactors.
47. Stop, poor sinner, stop and think. Caution and Alarm.
48. Sweeter sounds than music knows. Christmas.
49. Sweet was the time when first I felt. Joy in Believing.
50. Ten thousand talents once I owed. Forgiveness and Peace.
51. The grass and flowers, which clothe the field. Hay-time.
52. The peace which God alone reveals. Close of Service.
53. Thy promise, Lord, and Thy command. Before Sermon.
54. Time, by moments, steals away. The New Year.
55. To Thee our wants are known. Close of Divine Service.
56. We seek a rest beyond the skies. Heaven anticipated.
57. When any turn from Zion's way. Jesus only.
58. When Israel, by divine command. God, the Guide and Sustainer of Life.
59. With Israel's God who can compare? After Sermon.
60. Yes, since God Himself has said it. Confidence.
61. Zion, the city of our God. Journeying Zionward.
-- John Julian, Dictionary of Hymnology (1907)
=================
Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
See also in:
Hymn Writers of the Church
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John Newton
James Montgomery
1771 - 1854 Scripture: Luke 18:1 Author of "Come to the Morning Prayer" in Sacred Poems and Hymns James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missions and the British Bible Society. He published eleven volumes of poetry, mainly his own, and at least four hundred hymns. Some critics judge his hymn texts to be equal in quality to those of Isaac Watts and Charles Wesley . Many were published in Thomas Cotterill's Selection of Psalms and Hymns (1819 edition) and in Montgomery's own Songs of Zion (1822), Christian Psalmist (1825), and Original Hymns (1853).
Bert Polman
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Montgomery, James, son of John Montgomery, a Moravian minister, was born at Irvine, Ayrshire, Nov. 4, 1771. In 1776 he removed with his parents to the Moravian Settlement at Gracehill, near Ballymena, county of Antrim. Two years after he was sent to the Fulneck Seminary, Yorkshire. He left Fulneck in 1787, and entered a retail shop at Mirfield, near Wakefield. Soon tiring of that he entered upon a similar situation at Wath, near Rotherham, only to find it quite as unsuitable to his taste as the former. A journey to London, with the hope of finding a publisher for his youthful poems ended in failure; and in 1792 he was glad to leave Wath for Shefield to join Mr. Gales, an auctioneer, bookseller, and printer of the Sheffield Register newspaper, as his assistant. In 1794 Mr. Gales left England to avoid a political prosecution. Montgomery took the Sheffield Register in hand, changed its name to The Sheffield Iris, and continued to edit it for thirty-one years. During the next two years he was imprisoned twice, first for reprinting therein a song in commemoration of "The Fall of the Bastille," and the second for giving an account of a riot in Sheffield. The editing of his paper, the composition and publication of his poems and hynms, the delivery of lectures on poetry in Sheffield and at the Royal Institution, London, and the earnest advocacy of Foreign Missions and the Bible Society in many parts of the country, gave great variety but very little of stirring incident to his life. In 1833 he received a Royal pension of £200 a year. He died in his sleep, at the Mount, Sheffield, April 30, 1854, and was honoured with a public funeral. A statue was erected to his memory in the Sheffield General Cemetery, and a stained glass window in the Parish Church. A Wesleyan chapel and a public hall are also named in his honour. Montgomery's principal poetical works, including those which he edited, were:—
(1) Prison Amusements, 1797; (2) The Wanderer of Switzerland, 1806; (3) The West Indies, 1807; (4) The World before the Flood, 1813; (5) Greenland and Other Poems, 1819; (6) Songs of Zion, 1822; (7) The Christian Psalmist, 1825; (8) The Christian Poet, 1825; (9) The Pelican Island, 1828; (10) The Poet’s Portfolio, 1835; (11) Original Hymns for Public, Private, and Social Devotion, 1853. He also published minor pieces at various times, and four editions of his Poetical Works, the first in 1828, the second in 1836, the third in 1841, and the fourth in 1854. Most of these works contained original hymns. He also contributed largely to Collyer's Collection, 1812, and other hymnbooks published during the next 40 years, amongst which the most noticeable was Cotterill's Selections of 1819, in which more than 50 of his compositions appeared. In his Christian Psalmist, 1825, there are 100 of his hymns, and in his Original Hymns, 1853, 355 and 5 doxologies. His Songs of Zion, 1822, number 56. Deducting those which are repeated in the Original Hymns, there remain about 400 original compositions.
Of Montgomery's 400 hymns (including his versions of the Psalms) more than 100 are still in common use. With the aid of Montgomery's MSS. we have given a detailed account of a large number. The rest are as follows:—
i. Appeared in Collyer's Collection, 1812.
1. Jesus, our best beloved Friend. Personal Dedication to Christ.
2. When on Sinai's top I see. Sinai, Tabor, and Calvary.
ii. Appeared in Cotterill's Selection, 1819.
3. Come to Calvary's holy mountain. The Open Fountain.
4. God in the high and holy place. God in Nature. The cento in Com. Praise, 1879, and others, "If God hath made this world so fair," is from this hymn.
5. Hear me, O Lord, in my distress. Ps. cxliii.
6. Heaven is a place of rest from sin. Preparation for Heaven.
7. I cried unto the Lord most just. Ps. cxlii.
8. Lord, let my prayer like incense rise. Ps. cxxxix.
9. O bless the Lord, my soul! His grace to thee proclaim. Ps. ciii.
10. Out of the depths of woe. Ps. cxxx. Sometimes "When from the depths of woe."
11. The world in condemnation lay. Redemption.
12. Where are the dead? In heaven or hell? The Living and the Dead.
iii. Appeared in his Songs of Zion, 1822.
13. Give glory to God in the highest. Ps. xxix.
14. Glad was my heart to hear. Ps. cxxii.
15. God be merciful to me. Ps. lxix.
16. God is my strong salvation. Ps. xxvii.
17. Hasten, Lord, to my release. Ps. lxx.
18. Have mercy on me, O my God. Ps. li.
19. Hearken, Lord, to my complaints. Ps. xlii.
20. Heralds of creation cry. Ps. cxlviii.
21. How beautiful the sight. Ps. cxxxiii.
22. How precious are Thy thoughts of peace. Ps. cxxxix.
23. I love the Lord, He lent an ear. Ps. cxvi.
24. In time of tribulation. Ps. lxxvii.
25. Jehovah is great, and great be His praise. Ps. xlviii. Sometimes, "0 great is Jehovah, and great is His Name."
26. Judge me, O Lord, in righteousness. Ps. xliii.
27. Lift up your heads, ye gates, and wide. Ps.xxiv.
28. Lord, let me know mine [my] end. Ps. xxxi.
29. Of old, 0 God, Thine own right hand. Ps. lxxx.
30. O God, Thou art [my] the God alone. Ps. lxiii.
31. 0 Lord, our King, how excellent. Ps. viii. Sometimes, "0 Lord, how excellent is Thy name."
32. O my soul, with all thy powers. Ps. ciii.
33. One thing with all my soul's desire. Ps. xxvii. From this, "Grant me within Thy courts a place."
34. Searcher of hearts, to Thee are known. Ps. cxxxix.
35. Thank and praise Jehovah's name. Ps. cvii.
36. Thee will I praise, O Lord in light. Ps. cxxxviii.
37. The Lord is King; upon His throne. Ps. xciii.
38. The Lord is my Shepherd, no want shall I know. Ps. xxiii.
39. The tempter to my soul hath said. Ps. iii.
40. Thrice happy he who shuns the way. Ps. i.
41. Thy glory, Lord, the heavens declare. Ps. xix.
42. Thy law is perfect, Lord of light. Ps. xix.
43. Who make the Lord of hosts their tower. Ps. cxxv.
44. Yea, I will extol Thee. Ps. xxx.
iv. Appeared in his Christian Psalmist. 1825.
45. Fall down, ye nations, and adore. Universal adoration of God desired.
46. Food, raiment, dwelling, health, and friends. The Family Altar.
47. Go where a foot hath never trod. Moses in the desert. Previously in the Leeds Congregational Collection, 1822.
48. Green pastures and clear streams. The Good Shepherd and His Flock.
49. Less than the least of all. Mercies acknowledged.
50. Not to the mount that burned with fire [flame]. Communion of Saints.
51. On the first Christian Sabbath eve. Easter Sunday Evening.
52. One prayer I have: all prayers in one. Resignation.
53. Our heavenly Father hear. The Lord's Prayer.
54. Return, my soul, unto thy rest. Rest in God.
55. Spirit of power and might, behold. The Spirit's renewing desired.
56. The Christian warrior, see him stand. The Christian Soldier. Sometimes, "Behold the Christian warrior stand."
57. The days and years of time are fled. Day of Judgment.
58. The glorious universe around. Unity.
59. The pure and peaceful mind. A Children's Prayer.
60. This is the day the Lord hath made (q. v.). Sunday.
61. Thy word, Almighty Lord. Close of Service.
62. What secret hand at morning light ? Morning.
63. While through this changing world we roam. Heaven.
64. Within these walls be peace. For Sunday Schools.
v. Appeared in his Original Hymns, 1853.
65. Behold yon bright array. Opening a Place of Worship.
66. Behold the book whose leaves display. Holy Scriptures.
67. Come ye that fear the Lord. Confirmation.
68. Home, kindred, friends, and country, these. Farewell to a Missionary.
69. Let me go, the day is breaking. Jacob wrestling.
70. Not in Jerusalem alone. Consecration of a Church.
71. Praise the high and holy One. God the Creator.
In common with most poets and hymnwriters, Montgomery strongly objected to any correction or rearrangement of his compositions. At the same time he did not hesitate to alter, rearrange, and amend the productions of others. The altered texts which appeared in Cotterill's Selections, 1819, and which in numerous instances are still retained in some of the best hymnbooks, as the "Rock of Ages," in its well-known form of three stanzas, and others of equal importance, were made principally by him for Cotterill's use. We have this confession under his own hand.
As a poet, Montgomery stands well to the front; and as a writer of hymns he ranks in popularity with Wesley, Watts, Doddridge, Newton, and Cowper. His best hymns were written in his earlier years. In his old age he wrote much that was unworthy of his reputation. His finest lyrics are "Angels from the realms of glory," "Go to dark Gethsemane," "Hail to the Lord's Anointed," and "Songs of praise the angels sang." His "Prayer is the soul's sincere desire," is an expanded definition of prayer of great beauty; and his "Forever with the Lord" is full of lyric fire and deep feeling. The secrets of his power as a writer of hymns were manifold. His poetic genius was of a high order, higher than most who stand with him in the front rank of Christian poets. His ear for rhythm was exceedingly accurate and refined. His knowledge of Holy Scripture was most extensive. His religious views were broad and charitable. His devotional spirit was of the holiest type. With the faith of a strong man he united the beauty and simplicity of a child. Richly poetic without exuberance, dogmatic without uncharitableness, tender without sentimentality, elaborate without diffusiveness, richly musical without apparent effort, he has bequeathed to the Church of Christ wealth which could onlv have come from a true genius and a sanctified! heart.
--John Julian, Dictionary of Hymnology (1907)
James Montgomery
