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Kate Hankey

1834 - 1911 Person Name: Katherine Hankey Meter: 7.7.7.7 Author of "Advent tells us Christ is near" in The Hymnal Arabella Katherine Hankey (b. Clapham, England, 1834; d. Westminster, London, England, 1911) was the daughter of a wealthy banker and was associated with the Clapham sect of William Wilberforce, a group of prominent evangelical Anglicans from the Clapham area. This group helped to establish the British and Foreign Bible Society, promoted the abolition of slavery, and was involved in improving the lot of England's working classes. Hankey taught Bible classes for shop girls in London, visited the sick in local hospitals, and used the proceeds of her writings to support various mission causes. Her publications include Heart to Heart (1870) and The Old, Old Story and Other Verses (1879). Bert Polman =============== Hankey, Katharine, has published several hymns of great beauty and simplicity which are included in her:— (1) The Old, Old Story, 1866; (2) The Old, Old Story, and other Verses, 1879; (3) Heart to Heart, 1870, enlarged in 1873 and 1876. In 1878 it was republished with music by the author. Miss Hankey's hymns which have come into common use are:— 1. Advent tells us, Christ is near. The Christian Seasons. Written for the Sunday School of St. Peter's, Eaton Square, London, and printed on a card with music by the author. 2. I love to tell the story Of unseen things above. The love of Jesus. This is a cento from No. 3, and is given in Bliss's Gospel Songs, Cincinnati, 1874, and other American collections. 3. I saw Him leave His Father's throne. Lovest than Me? Written in 1868. It is No. 33 of the Old, Old Story, and other Verses, 1879. 4. Tell me the old, old story. This Life of Jesus in verse was written in two parts. Pt. i., "The Story Wanted," Jan. 29; and Pt. ii., "The Story Told," Nov. 18, 1866. It has since been published in several forms, and sometimes with expressive music by the author, and has also been translated into various languages, including Welsh, German, Italian, Spanish, &c. The form in which it is usually known is that in I. P. Sankey's Sacred Songs & Solos. This is Part i. slightly altered. Miss Hankey's works contain many suitable hymns for Mission Services and Sunday Schools, and may be consulted both for words and music with advantage. --John Julian, Dictionary of Hymnology (1907)

W. Chatterton Dix

1837 - 1898 Person Name: William Chatterton Dix Meter: 7.7.7.7 Author of "As with gladness men of old" in The National Hymn Book of the American Churches Most British hymn writers in the nineteenth century were clergymen, but William C. Dix (b. Bristol, England, 1837; d. Cheddar, Somerset, England, 1898) was a notable exception. Trained in the business world, he became the manager of a marine insurance company in Glasgow, Scotland. Dix published various volumes of his hymns, such as Hymns of Love and Joy (1861) and Altar Songs: Verses on the Holy Eucharist (1867). A number of his texts were first published in Hymns Ancient and Modern (1861). Bert Polman ======================== Dix, William Chatterton, son of John Dix, surgeon, of Bristol, author of the Life of Chatterton; Local Legends, &c, born at Bristol, June 14, 1837, and educated at the Grammar School of that city. Mr. Chatterton Dix's contributions to modern hymnody are numerous and of value. His fine Epiphany hymn, "As with gladness men of old,” and his plaintive ”Come unto Me, ye weary," are examples of his compositions, many of which rank high amongst modern hymns. In his Hymns of Love and Joy, 1861, Altar Songs, Verses on the Holy Eucharist, 1867; Vision of All Saints, &c, 1871; and Seekers of a City, 1878, some of his compositions were first published. The greater part, however, were contributed to Hymns Ancient & Modern; St. Raphaels Hymnbook, 1861; Lyra Eucharidica, 1863; Lyra Messianica, 1864; Lyra Mystica, 1865; The People's Hymns, 1867; The Hymnary, 1872; Church Hymns, 1871, and others. Many of his contributions are renderings in metrical form of Dr. Littledale's translation from the Greek in his Offices . . . of the Holy Eastern Church, 1863; and of the Rev. J. M. Rodwell's translation of hymns of the Abyssinian Church. These renderings of the "songs of other Churches" have not received the attention they deserve, and the sources from whence they come are practically unknown to most hymnal compilers. Mr. Dix has also written many Christmas and Easter carols, the most widely known of which is "The Manger Throne."   In addition to detached pieces in prose and verse for various magazines, he has published two devotional works, Light; and The Risen Life, 1883; and a book of instructions for children entitled The Pattern Life, 1885. The last-named contains original hymns by Mr. Dix not given elsewhere. In addition to the more important of Mr. Dix's hymns which are annotated under their respective first lines, the following are also in common use:- 1. God cometh, let the heart prepare.  Advent. In his Vision of All Saints, &c, 1871.      2. Holy, holy, holy, to Thee our vows we pay.  Holy Communion.   Published in his Altar Songs, 1867, in 6 stanzas of 6 lines, and headed "Eucharistic Processional for Dedication Feast."    In the Society for Promoting Christian Knowledge Church Hymns, 1871, and others in an abridged form.      3. How long, O Lord, how long, we ask.   Second Advent.   Appeared in the Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns, 1869, and repeated in several collections.        4. In our work and in our play.    Children's Hymn. Published in his Hymns and Carols for Children, 1869, and is largely adopted  in  children's  hymnbooks, as  Mrs. Brock's Children's Hymnbook, 1881, and others.   Also in the Society for Promoting Christian Knowledge Church Hymns, 1871.      5.  In the hollow of Thine hand.   For Fair Weather. Appeared in the People's Hymns, 1867, and repeated in several others.      6.  Joy fills our inmost heart today.    Christmas. Printed in the Church Times, and  then on a Flysheet by Gr. J. Palmer, as the third of Four Joyful Hymns for Christmas, circa 1865. It is in the Society for Promoting Christian Knowledge Church Hymns, 1871, and other hymnals. It is also one of Mr. Dix's Christmas Customs & Christmas Carols, not dated.      7. Lift up your songs, ye thankful.   St. Ambrose. Contributed to the People's Hymns, 1867.  8. Now in numbers softly flowing.    St. Cecilia. Contributed to the People's Hymns, 1867.    9.  Now, our Father, we adore Thee.   Praise to the Father.   Appeared in the Appendix to the S. P. C. K. Psalms & Hymns, 1869.   10.  O Christ, Thou Son of Mary.   St. Crispin.   First printed in the Union Review, Sept., 1866, and thence into the People's Hymns, 1887.   11. O Cross which only canst allay.   Glorying and Trusting in the Cross.   Published in the People's Hymns, 1867.   12. O Thou the Eternal Son of God.   Good Friday. Appeared in Lyra Messianica, 1864; the author's Hymns and Carols for Children, 1869; the S. P. C. K. Church Hymns, 1871, &c.   13. On the waters dark and drear.   For use at Sea. Published in Hymns for Public Worship, &c. (St. Raphael's, Bristol), 1861; the S. P. C. K. Church Hymns, 1871, &c.   14. Only one prayer to-day.   Ash Wednesday.   Contributed to the People's Hymns, 1867.   15. Sitting at receipt of custom.  St. Matthew.  Appeared in the People's Hymns, 1867.   16. The Cross is on thy brow.   Confirmation.   In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.   17.  The stars above our head.   Work and Humility. In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.  18. When the shades of night are falling.   Evening Hymn to the Good Shepherd.   In the author's Seekers of a City, &c. [1878]. Most of Mr. Dix's best-known hymns, and also some of those named above, are in common use in America and other English-speaking countries. In Great Britain and America from 30 to 40 are in common use.  He died Sept. 9, 1898. -- John Julian, Dictionary of Hymnology (1907) ====================== Dix, William Chatterton, p. 302, ii. Additional hymns by Mr. Dix now in common use are:— 1. Lift up your songs, ye angel choirs. Ascension. 2. Now, my soul rehearse the story. Christ Feeding the Multitude. 3. Within the temple's hallowed courts. Blessed Virgin Mary. These hymns are from his Altar Songs, 1867. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Thomas Gibbons

1720 - 1785 Person Name: Thomas Gibbons (1720-1785) Meter: 7.7.7.7 Author of "Angels, Roll the Rock Away" in The Cyber Hymnal Gibbons, Thomas, was born at Beak, near Newmarket, May 31, 1720; educated by Dr. Taylor, at Deptford; ordained in 1742, as assistant to the Rev. Mr. Bures, at Silver Street Chapel, London; and in 1743 became minister of the Independent Church, at Haberdashers' Hall, where he remained till his death, Feb. 22, 1785. In addition to his ministerial office he became, in 1754, tutor of the Dissenting Academy at Mile End, London; and, in 1759, Sunday evening lecturer at Monkwell Street. In 1760 the College at New Jersey, U.S., gave him the degree of M.A. and in 1764 that of Aberdeen the degree of D.D. His prose works were (1) Calvinism and Nonconformity defended, 1740; (2) Sermons on various subjects, 1762; (3) Rhetoric, 1767; (4) Female Worthies, 2 vols., 1777. Three volumes of sermons were published after his death. His poetical works were:— (1) Juvenilia; Poems on various subjects of Devotion and Virtue, 1750, was published by subscription. Among the subscribers is found the name of the Rev. Mr. George Whitefield, B.A. It was dedicated to the Countess of Huntingdon, and bears her coat of arms. In this volume are included versions of six of the Psalms, and a few hymns. (2) Hymns adapted to Divine wor¬ship in two books. Book I. Derived from select passages of Holy Scriptures. Book II., Written on sacred subjects and particular occasions, partly collected front various authors, but principally composed by Thomas Gibbons, D.D., 1769. (3) Hymns adapted to Divine worship in two books. Book I. Derived from select passages of the Holy Scriptures. Book II. Written on sacred subjects and particular occasions by Thomas Gibbons, D.D., 1784. (4) The Sermons, published in 1762, included fifteen hymns, one being appended to each sermon. (5) The Christian Minister in three poetical epistles to Philander, 1772. This volume included (i.) Poetical versions of several parts of Scripture, (ii.) Translations of poems from Greek and Latin writers, (iii.) Original pieces on various occasions. (6) An English version of the Latin Epitaphs on the Nonconformist's Memorial, with a poem to the memory of the 2000 ministers ejected in 1662, 1775. (7) Select Portions of Scripture, and Remarkable Occurrences, versified for the Instruction and entertainment of Youth of both Sexes, 1781. Reprinted in America, 1805. Dr. Gibbons may be called a disciple in hymnwriting of Dr. Watts, whose life he wrote. His hymns are not unlike those of the second rank of Watts. He lacked "the vision and faculty divine," which gives life to hymns and renders them of permanent value. Hence, although several are common use in America, they are dying out of use in Great Britain. The most popular are, "Now let our souls on wings sublime"; "Great God, the nations of the earth"; "Thy goodness, Lord, our souls confess"; "To Thee, my God, whose presence fills." [Rev. W. Garrett Horder] The less important of Dr. Gibbons's hymns, which are still in common use are:— 1. And be it so that till this hour. Hope. This is No. 50 in Book ii. of his Hymns adapted to Divine Worship, &c, 1769, in 5 stanzas of 4 lines, and headed, "Encouragement against Despair; or, Hope still set before us." Originally a Sacramental hymn in Rippon's Selections, 1787, No 230, it was altered to a general hymn, with special reference to "Hope." 2. Assist us, Lord, Thy Name to praise. Life, a race. In Rippon's Baptist Selections, 1787, No. 326, in 4 stanzas of 4 lines. 3. Eternal life, how sweet the sound. Eternal Life. This is one of three hymns on Titus iii. 7, in his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 156, in 5 stanzas of 4 lines. In the American Dutch Reformed Hymns of the Church, 1869, No. 843 begins with st. ii., "Eternal life, how will it reign?" 4. Father, is not Thy promise pledged? Missions. This is Pt. iii.of his hymn, "Great God, the nations of the earth" (q. v.). 5. Forgiveness, 'tis a joyful sound. Pardon. From his Hymns adapted to Divine Worship, &c, 1769. Book i., No. 69, in 5 stanzas of 4 lines into several modern collections in Great Britain and America. It is based on St. Luke, vii. 47. 6. From winter's barren clods. [Spring.] Appeared in his Hymns, &c, 1784, Book ii., No. 27, in 5 stanzas of 4 lines, and headed, "The Return of the Spring celebrated in the Powerful and Gracious Work of God." In 1787 it was repeated anonymously in Rippon's Baptist Selections, No. 499. The hymn, "Great God, at Thy command, Seasons in order rise," begins with st. iii. of this hymn. 7. Happy the men in ancient days. Public Worship. In his Hymns adapted to Public Worship, &c, 1784. 8. On Zion, his most holy mount. Gospel Feast. From his Hymns adapted for Divine Worship, &c, 1769, Book i., No. 35, in 6 stanzas of 4 lines. It was originally a Sacramental hymn, but in its abbreviated form, as in use in America, that element is eliminated. 9. Our Father, high enthroned above. Lord's Prayer. Appeared in the Bristol Baptist Collection of Ash & Evans, 1769, No. 41, in 9 stanzas of 4 lines. In 1772 it was reprinted in a revised form, and with an additional stanza, in Gibbons's Christian Minister, p. 74. 10. Thy goodness, Lord, our souls confess. Providence and Grace. Appeared in the Gospel Magazine, 1775, and in his Hymns adapted to Divine Worship, &c, 1784, Bk. ii., No. 11, in 7 stanzas of 4 lines. In Dobell's Selections, 1806, st. i.-iv., and vi. were given with alterations, which were not improvements, as No. 9. This arrangement is repeated in modern hymnbooks, including the Baptist Hymnal, 1879, and others. 11. When Jesus dwelt in mortal clay. Jesus our Example. From his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 128, in 9 stanzas of 4 lines into a few American collections, including the Baptist Praise Book, 1871. The more important of Dr. Gibbons's hymns are annotated under their respective first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907) ====================== Gibbons, Thomas, p. 420, i. From his Hymns, &c, of 1784, are also in common use:— 1. Lord God, omnipotent to bless. Divine Help desired. 2. Now may the God of peace and love. Close of Service. (1769. Pt. i.) 3. O what stupendous mercy shines. Benevolence. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Godfrey Thring

1823 - 1903 Person Name: Godfrey Thring, 1823-1903 Meter: 7.7.7.7 Author of "All that's good and great and true" in The Beacon Song and Service book Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring re­turned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respect­ed A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882). Bert Polman ================ Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c. A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:— 1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882. 2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima. 3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others

Benjamin H. Kennedy

1804 - 1889 Meter: 7.7.7.7 Translator (from German) of "Ask Ye What Great Thing I Know" in The Cyber Hymnal Kennedy, Benjamin Hall, D.D., son of the Rev. Raun Kennedy, sometime Incumbent of St. Paul's, Birmingham, and editor of A Church of England Psalm-Book, &c, 1821 (12th ed. 1848), was born at Summer Hill, near Birmingham, Nov. 6, 1804, and educated at King Edward's School, Birmingham; Shrewsbury School; and St. John's College, Cambridge. He graduated B.A. in 1827 (First Class Classical Tripos and First Chancellor's Medallist). He was Fellow of his College 1828-36; Head Master of Shrewsbury School, 1836-66; and Regius Professor of Greek in the University of Cambridge and Canon of Ely , 1867. Dr. Kennedy took Holy Orders in 1829, and was for some time Prebendaiy in Lichfield Cathedral and Rector of West Felton, Salop. He was elected Hon. Fellow of St. John's College, Cambridge, in 1880. Besides his Public School Latin Grammar, Palaestra Latina, Palaestra Stili Latini, &c, his editions of some of the Classics, and University Sermons, Dr. Kennedy published the following:— (1) The Psalter, or the Psalms of David, in English Verse. By a Member of the University of Cambridge, 1860; (2) Hymnologia Christiana, or Psalms & Hymns Selected and Arranged in the Order of the Christian Seasons (quoted in this Dictionary as Kennedy), 1863. i. From these two works many psalms and hymns have passed into other collections. The following versions of the Psalms first appeared in The Psalter, 1860, and again in the Hymnologia Christiana 1863. In many instances they have undergone considerable alteration in the latter work, and those of great length are broken into parts:— 1. All ye people, come and clap, &c. Ps. xlvii. 2. Arise, 0 Lord, with healing rod. Ps. x. 3. As pants the hind for cooling streams. Ps. xlii. 4. As Thy mercy lasts for ever. Ps. cix. 5. Be merciful to me, 0 God. Ps. lvii. 6. Be Thou my Judge, and I will strive. Ps. xvii. 7. Bless ye the Lord, His solemn praise record. Ps. cxxxiv. 8. Bow down Thine ear, and hear my cry. Ps. lxxxvi. 9. Come, ye children, list to me. Ps. xxxiv. 10. Ever, O my God and King. Ps. cxlv. 11. Ever will I bless the Lord. Ps. xxxiv. 12. Every king shall bow before Him. Ps. lxxii. 13. Full oft my chafing thoughts, &c. Ps. lxxiii. 14. God, avert the deadly blow. Ps. lix. 15. God, in Judah's homes is known. Ps. lxxvi. 16. God of my righteousness. Ps. iv. 17. Hear Thou my prayer, O Lord. Ps. cxliii. 18. Help us, O Lord, the good decay. Ps. xii. 19. How blest are they who flee, &c. Ps. cxix. 20. How blest the man, who fears to stray. Ps. i. 21. How blest the man whose errors, &c. Ps. xxxii. 22. How good it is to praise the Lord. Ps. xcii. 23. How long art silent, Lord? how long. Ps. xxxv. 24. How long forgotten, Lord, by Thee. Ps. xiii. 25. How long wilt Thou conceal Thy face. Ps. lxxxix. 26. I lift mine eyes unto the hills. Ps. cxxi. 27. I love the Lord, for He is nigh. Ps. cxvi. 28. I muse upon Thine ancient praise. Ps. lxxvii. 29. I praise Thee, Lord, who o'er my foes. Ps. xxx. 30. I trod the path of life, my strength. Ps. cii. 31. In trouble to the Lord I prayed. Ps. cxx. 32. Jehovah reigns, arrayed in light. Ps. xciii. 33. Judge me, O God; maintain my cause. Ps. xliii. 34. Lord, hear my prayer, and let my cry. Ps. cii. 35. Lord, I am not lofty-minded. Ps. cxxxi. 36. Lord, I lift my soul to Thee. Ps. xxv. 37. Lord, my Rock. I cry to Thee. Ps. xxviii. 38. Lord, save me from the foeman's wrath. Ps. cxl. 39. Lord, Thou wilt guard with faithful love. Ps. xxxvii. 40. Lord, Thy love and truth I praise. Ps. ci. 41. My God, my God, to Thee I cry, Ah! why hast Thou, &c. Ps. xxii. 42. My heart is fain, O God, my heart. Ps. cviii. 43. My portion is the living Lord. Ps. cxix. 44. My Saviour is the living Lord. Ps. xi. 45. My Shepherd is the Lord, no care. Ps. xxiii. 46. My trust is in Thy holy Name. Ps. lxxi. 47. My voice to God ascends on high. Ps. lxxvii. 48. Not in envy, not in anger. Ps. xxxvii. 49. Not in Thy fury, Lord, reprove. Ps. xxxviii. 50. O grant us, God of love. Ps. lxvii. 51. O God, be merciful to me. Ps. li. 52. 0 God of hosts, a vine. Ps. lxxx. 53. 0 God, subdue the power of sin. Ps. vii. 54. O Lord, in Thine accepted day. Ps. lxix. 55. 0 Lord our King, how bright Thy fame. Ps. viii. 56. O Lord, the God of my salvation. Ps. lxxxviii. 57. 0 praise ye the Lord, Praise Him in His shrine. Ps. cl. 58. O rejoice, ye righteous, in the Lord. Ps. xxxiii. 59. Oft, as to scatter kings. Ps. lxviii. 60. Out of the depths to Thee I cry. Ps. cxxx. 61. Praise, O my soul, the Lord and all. Ps. ciii. 62. Praise, 0 my soul, the Lord; how great. Ps. civ. 63. Praise the Lord, for good is He. Ps. cxxxvi. 64. Praise the Lord, for it is wise. Ps. cxlvii. 65. Praise the Lord from heaven on high. Ps. cxlviii. 66. Praise the Lord, His people; raise. Ps. cxlvi. 67. Praise ye the Lord, all nations. Ps. cxvii. 68. Praise ye the Lord, for good is He. Ps. cxviii. 69. Praise ye the Lord, for very good. Ps. cvii. 70. Praised be the Lord, my Rock of might. Ps. cxliv. 71. Save me, O God, the dangerous, &c. Ps. lxix. 72. Save me through Thy name, 0 God. Ps. liv. 73. Seek we Jehovah's house, they said. Ps. cxxii. 74. Sing a new song unto the Lord. Ps. xcvi. 75. Sing the Lord, ye sons of heaven. Ps. xxix. 76. Sing unto the Lord with mirth. Ps. c. 77. Take note, O Lord, of all my fears. Ps. lvi. 78. The heavens declare Thy wondrous fame. Ps. lxxxix. 79. The heavens, O God, Thy glory tell. Ps. xxx. 80. The king, 0 Lord, with hymns of praise. Ps. xxi. 81. The life of man is like the grass. Ps. ciii. 82. The Lord in thy distressful day. Ps. xx. 83. The Lord is King; glad earth, and ye. Ps. xcvii. 84. There is no God, so saith the fool. Ps. xiv. 85. Thou searchest all my secret ways. Ps. cxxxix. 86. To Thee I call. O Lord, be swift. Ps. cxli. 87. 'Twas dream-like, when the Lord's decree. Ps. cxxvi. 88. Unless the Lord with us had wrought. Ps. cxxiv. 89. Unto my feet a lantern shines Thy word. Ps. cxix. 90. Unto the Lord I make my moan. Ps. cxlii. 91. We sat and wept by Babel's stream. Ps. cxxxvii. 92. When Israel came from Egypt's strand. Ps. cxiv. 93. When through the dismal waste. Ps. lxviii. 94. Who rules his life by God's behest. Ps. cxxviii. 95. Whoe'er his secret home has made. Ps. xci. 96. With weary care brought low. Ps. lxix. 97. With my whole heart I will praise Thee. Ps. cxxxviii. 98. Within Thy tabernacle, Lord. Ps. xv. 99. Ye Judges of the earth, be still. Ps. lxxxii. ii. The following also appeared in The Psalter, 1860, and again in Hymnologia Christiana 1863, mostly altered, and based upon the corresponding Psalms by George Sandys (q.v.), published in his Paraphrase upon the Psalms of David, 1636:— 100. Blest he whose timely mercies heed. Ps. xli. 101. Hide not, 0 Lord, Thy cheering face. Ps. xl. 102. I waited for a gentle word. Ps. xl. 103. Israel of God, be Christ your Guide. Ps. cxv. 104. Who in the Lord securely lay. Ps. cxxv. iii. To the Rev. A. T. Russell's Psalms & Hymns, 1851, Dr. Kennedy was indebted to a limited extent in preparing his Psalter, 1860. In his Preface he says, p. viii.," Mr. Russell's metres, and occasionally his words, have been adopted in the following Psalms: 2, 24, 39, 45, 46, 50, 84, 85, 90, 110, 111, 113." Of these the following, sometimes with alterations of the 1860 text, were given in the

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: Juan Bautista Cabrera, 1837-1916 Meter: 7.7.7.7 Author of "Padre, tu Palabra es " in Culto Cristiano Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

George C. Stebbins

1846 - 1945 Meter: 7.7.7.7 Composer of "POSEN" in Elmhurst Hymnal Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey. At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England. (www.hymntime.com/tch)

Robert Murray M'Cheyne

1813 - 1843 Person Name: Robert M. McCheyne Meter: 7.7.7.7 Author of "When This Passing World Is Done" in Songs of Faith and Praise McCheyne, Robert Murray, son of Adam McCheyne, W. S., was b. at Edinburgh, May 21, 1813, and educated at Edinburgh University. In 1835 he became Assistant at Larbert,near Stirling, and was ordained in 1836 Minister of St. Peter's Established Church, Dundee. In 1839 he went to Palestine as one of the Mission of Enquiry to the Jews from the Church of Scotland. He d. at Dundee, March 25, 1843. His hymns, a few of which were written in Palestine, appeared in his Songs of Zion to cheer and guide Pilgrims on their way to the New Jerusalem, By the late Rev. B. M. McCheyne....Dundee, W. Middleton, 1843. These hymns were reprinted in his Memoir and Remains, edited by Dr. Andrew A. Bonar, 1844. The Songs as reprinted in 1844 number 14, and date from 1831 to 1841. The best known are, "I once was a stranger to grace and to God;" and, "When this passing world is done." In addition, "Beneath Moriah's rocky side," written at the "Foot of Carmel, June, 1839" (Sent from God); "Like mist on the mountains," written "Jan. 1st, 1831" (Children called to Christ), and "Ten Virgins, clothed in white" (The Ten Virgins), dated 1841, are in common use. [Rev. James Mearns, M. A.] --John Julian, Dictionary of Hymnology (1907)

Michael Saward

1932 - 2015 Person Name: Michael Saward (born 1932) Meter: 7.7.7.7 Alterer of "Let us gladly with one mind" in Hymns for Today's Church (2nd ed.) Michael John Saward (b. Blackheath, Kent, England, 1932) was residentiary Canon of St. Paul's Cathedral, London, and a church commissioner and member of the general synod of the Church of England. Educated at Eltham College, Bristol University, and Tyndale Hall, he was ordained in the Church of England in 1956. Saward served in several congregations and was radio and television officer for the Church Information Office (1967-1972). His publications include Leisure (1963), Couldn’t Care Less (1966), Don't Miss the Party (1974), and All Change (1983). Associated with the Jubilate Group for a number of years, he has written some sixty hymns and served as text editor for Hymns for Today's Church (1982). Bert Polman

M. M. Wells

1815 - 1895 Person Name: Marcus M. Wells Meter: 7.7.7.7 Composer of "GUIDE" in The Psalter Converted to Christianity as a youth at a mission in Buffalo, New York, Marcus Morris Wells (b. Cooperstown, NY, 1815; d. Hartwick, NY, 1895) spent most of his life near Hartwick as a farmer and maker of farm implements. He is remembered in hymnody for writing both the text and tune of "Holy Spirit, Faithful Guide." "On a Saturday afternoon, October 1858, while at work in my cornfield, the sentiment of the hymn came to me," writes Wells. "The next day, Sunday, being a very stormy day, I finished the hymn and wrote the tune for it and sent it to Prof. I. B. Woodbury." Isaac Woodbury was the editor of the New York Musical Pioneer, and the original text and tune were first published in that periodical's November 1858 issue. Bert Polman ================= Wells, Marcus M. Concerning this author and his hymn we have no information beyond the following facts:— Holy Spirit, faithful Guide. [Whitsuntide.] Appeared in The Sacred Lute, by T. E. Perkins, N.Y., undated [1864], p. 373, with music. Both words and music are attributed therein to M. M. Wells. The hymn has since been repeated in several English and American collections, including I. D. Sankey's Sacred Songs and Solos, 1878. It is dated 1858. --John Julian, Dictionary of Hymnology, New Supplement (1907)

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