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George Thomas Thalben-Ball

1896 - 1987 Person Name: G. Thalben-Ball Meter: 6.4.6.4.10.10 Composer of "DENNIS" in Christian Science Hymnal (Rev. and enl.) London, England; organist

1853 - 1931 Meter: 6.4.6.4.10.10 Author of "Christ of the Upward Way" in The Presbyterian Hymnal Mathams, Walter John, was born in London, Oct. 30, 1853. Early in life he went to sea; but on returning through Palestine to England he began to study for the Ministry. In 1874 he entered the Regent's Park Baptist College as a Student, and subsequently had a pastoral charge at Preston, Lancashire. In 1879, his health failing, he went for a time to Australia and other places. Returning to England, he became, in 1883, minister at Falkirk, Scotland, and in 1888, at Birmingham. Whilst a student, he published a small volume of hymns and poems as At Jesus' Feet, (1876). He is also the author of several religious books of a popular character, as: Fireside Parables, 1879; Sunday Parables, 1883, &c. His principal hymns are:— 1. Bright falls the morning light. Morning. 2. Gentle Jesus, full of grace. Learning of Christ. 3. Go, work for God, and do not say. Christian Work. 4. God loves the little sparrows. Divine Providence. 5. Jesus, Friend of little children. Child's Prayer to Christ. 6. My heart, 0 God, be wholly Thine. Consecration. 7. No room for Thee, Lord Jesus. No room for Christ. 8. Reign in my heart, Great God. Consecration. 9. Sailing on the ocean. Life a Voyage. Nos. 1 and 6 of these hymns first appeared in his At Jesus’ Feet, 1876. Mr. Mathams has written several other hymns which have appeared in magazines and elsewhere. One of these, "Good has come from Nazareth," has been set to music by Dr. E. J. Hopkins. The 9 hymns named above are mainly in Baptist hymnbooks. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907) ============== Mathams, W. J. , p. 718, ii. Mr. Mathams entered the ministry of the Established Church of Scotland in 1900, acted for two years as chaplain to the Scottish forces in Egypt, and is now (1906) minister in charge of the parish of Stronsay, Orkney. His recent hymns include:— 1. Captain and Comrade of us all. [For Soldiers and Sailors.] Written and printed for use at a service held at Gourock Parish Church, April 10, 1904, on behalf of the Queen Victoria Memorial School for sons of Scottish sailors and soldiers. 2. From heights where God is reigning. [Boys' Brigade.] Written, 1905, for the S. S. Hymnary, 1905. 3. God is with us, God is with us. [Christian Warfare.] Written by request of the Nat. Council of Evang. Free Churches, first sung at their Congress at Nottingham, 1896, and published in the Christian Endeavour Hymnal, 1896. 4. Lord Jesus Christ! for love of Thee. [Christian Warfare.] Written in 1899, in connection with the Centenary Fund of the Congreg. Union. In the Sunday School Hymnary, 1905. 5. 0 Christ, sweet Rose of Sharon. [The Rose of Sharon.] Contributed to the Christian Endeavour Hymnal, 1896. We may add that of the hymns noted at p. 718, ii., Nos. 2, 3, 4, 5, 8, 9 were contributed to the Baptist Psalms and Hymns for School and Home, 1882, and that No. 7, first printed as a leaflet in 1878, is in the Suppl. of 1880 to the Baptist Psalms and Hymns. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

William Henry Monk

1823 - 1889 Meter: 6.4.6.4.10.10 Composer of "JESU DILECTISSIME (Monk)" William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Joseph Barnby

1838 - 1896 Person Name: J. Barnby, 1838-96 Meter: 6.4.6.4.10.10 Composer of "CORDS OF LOVE" in The Methodist Hymn-Book with Tunes Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Horatius Bonar

1808 - 1889 Meter: 6.4.6.4.10.10 Author of "Beloved, let us love" in Christian Science Hymnal (Rev. and enl.) Horatius Bonar was born at Edinburgh, in 1808. His education was obtained at the High School, and the University of his native city. He was ordained to the ministry, in 1837, and since then has been pastor at Kelso. In 1843, he joined the Free Church of Scotland. His reputation as a religious writer was first gained on the publication of the "Kelso Tracts," of which he was the author. He has also written many other prose works, some of which have had a very large circulation. Nor is he less favorably known as a religious poet and hymn-writer. The three series of "Hymns of Faith and Hope," have passed through several editions. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ================================ Bonar, Horatius, D.D. Dr. Bonar's family has had representatives among the clergy of the Church of Scotland during two centuries and more. His father, James Bonar, second Solicitor of Excise in Edinburgh, was a man of intellectual power, varied learning, and deop piety. Horatius Bonar was born in Edinburgh, Dec. 19th, 1808; and educated at the High School and the University of Edinburgh. After completing his studies, he was "licensed" to preach, and became assistant to the Rev. John Lewis, minister of St. James's, Leith. He was ordained minister of the North Parish, Kelso, on the 30th November, 1837, but left the Established Church at the "Disruption," in May, 1848, remaining in Kelso as a minister of the Free Church of Scotland. The University of Aberdeen conferred on him the doctorate of divinity in 1853. In 1866 he was translated to the Chalmers Memorial Church, the Grange, Edinburgh; and in 1883 he was chosen Moderator of the General Assembly of of the Free Church of Scotland. Dr. Bonar's hymns and poems were, he tells us, composed amid a great variety of circumstances; in many cases he cannot himself recall these circumstances; they also appeared in several publications, but nearly all have boen published or republished in the following:— (i) Songs for the Wilderness, 1843-4. (2) The Bible Hymn Book, 1845. (3) Hymns, Original and Selected, 1846. (4) Hymns of Faith and Hope, First Series, 1857; Second Series, 1861; Third Series, 1866. (5) The Song of the New Creation, 1872. (6) My Old Letters, a long poem, 1877. (7) Hymns of the Nativity, 1879. (8) Communion Hymns, 1881. In addition to numerous prose works, he has also edited The New Jerusalem; a Hymn of the Olden Time, 1852, &c. Dr. Bonar's poems—-including many beautiful lyrics, several psalm versions, and translations from the Greek and Latin, a large number of hymns, and a long meditative poem—-are very numerous, too numerous, perhaps, for their permanent fame as a whole. Dr. Bonar's scholarship is thorough and extensive; and his poems display the grace of style and wealth of allusion which are the fruit of ripe culture. Affected very slightly by current literary moods, still less by the influence of other religious poetry, they reveal extreme susceptibility to the emotional power which the phases of natural and of spiritual life exercise; the phases of natural life being recognised chiefly as conveying and fashioning spiritual life, used chiefly for depicting spiritual life, and handled for this purpose with greater delicacy of touch than in the Olney Hymns, and with less conscious purpose than in the Christian Year. As a result of this susceptibility, and from habitual contemplation of the Second Advent as the era of this world's true bliss, his hymns and poems are distinguished by a tone of pensive reflection, which some might call pessimism. But they are more than the record of emotion; another element is supplied by his intellectual and personal grasp of Divine truth, these truths particularly:—The gift of a Substitute, our Blessed Saviour; Divine grace, righteous, yet free and universal in offer; the duty of immediate reliance upon the privilege of immediate assurance through that grace; communion with God, especially in the Lord's Supper, respecting which he insists on the privilege of cherishing the highest conceptions which Scripture warrants; and finally, the Second Advent of our Lord: by his vigorous celebration of these and other truths as the source and strength of spiritual life, his hymns are protected from the blight of unhealthy, sentimental introspection. To sum up: Dr. Bonar's hymns satisfy the fastidious by their instinctive good taste; they mirror the life of Christ in the soul, partially, perhaps, but with vivid accuracy; they win the heart by their tone of tender sympathy; they sing the truth of God in ringing notes; and although, when taken as a whole, they are not perfect ; although, in reading them, we meet with feeble stanzas, halting rhythm, defective rhyme, meaningless Iteration; yet a singularly large number have been stamped with approval, both in literary circles and by the Church. In Great Britain and America nearly 100 of Dr. Bonar's hymns are in common use. They are found in almost all modern hymnals from four in Hymns Ancient & Modern to more than twenty in the American Songs for the Sanctuary, N. Y., 1865-72. The most widely known are, "A few more years shall roll;" "Come, Lord, and tarry not;" "Here, O my Lord, I see Thee face to face;" "I heard the Voice of Jesus say;" "The Church has waited long;" and "Thy way, not mine, O Lord." In addition to these and others which are annotated under their respective first lines, the following are also in common use:— From Songs for the Wilderness, No. 1, 1843. 1. For Thee we long and pray. Sunday Morning. 2. Holy Father, hear my cry. A Child's Prayer. 3. I thought upon my sins and I was sad. Christ our Peace. 4. Peace to the world, our Lord is come. A Millennial Song. 5. Spirit of everlasting grace. The Vision of Dry Bones. ii. From Songs for the Wilderness, No. 2,1844. 6. Ho, ye thirsty, parched and fainting. Invitation. 7. 0 'tis not what we fancied it. The world renounced. 8. Sing them, my children, sing them still. Children exhorted to Praise. 9. Time's sun is fast setting. Advent. 10. Weep, pilgrim, weep, yet 'tis not for the sorrow. Faith. 11. Yes, for me, for me He careth. Christ the Elder Brother . iii. From The Bible Hymn Book, 1845. 12. Jesus, my sorrow lies too deep. Jesus, the Great High Priest. 13. There is a Morning Star, my soul. The Morning Star. 14. This is not my place of resting. Pressing towards heaven. iv. From Hymns, Original and Selected, 1845. 15. Let there be light, Jehovah said. Creation. v. From Hymns of Faith and Hope, 1st series, 1857. 16. Be brave, my brother. The Fight of Faith. 17. Blessed be God, our God. Good Friday. 18. Everlasting praises. Doxology. 19. Go up, go up, my heart. Heavenly aspirations desired. 20. I close my heavy eye. Evening. Sometimes given as "We close our heavy eyes." 21. I see the crowd in Pilate's hall. Good Friday. 22. Jesus, while this rongh desert soil. Strength by the Way. 23. Jesus, Whom angel-hosts adore. The Word made Flesh. From "The Son of God, in mighty love." 24. Make haste, 0 man, to live. Exhortation to lay hold of Life. 25. No seas again shall sever. Heaven. 26. Oppressed with noonday's scorching heat. Shadow of the Cross. 27. Rest for the toiling hand. Burial. From "Lie down, frail body, here." 28. Shall this life of mine be wasted? Exhortation to Duty. 29. These are the crowns that we shall wear. Heaven. 30. Thy works, not mine, O Christ [Lord]. The Sin-bearer. 31. Where the faded flower shall freshen. Heaven. vi. From Hymns of Faith and Hope. 2nd series, 1861. 32. Be still, my soul, Jehovah loveth Thee. Rest in the Love of God. 33. Christ has done the mighty work. Good Friday. 34. Come, mighty Spirit, penetrate. Whitsuntide. 35. Deep down beneath the unresting surge. Burial at Sea. 36. Fear not the foe, thou flock of God [thou little flock]. Battle-Song of the Church. 37. For lack of love I languish. Lent. 38. From this bleak hill of storms. Eternal Rest desired. 39. He liveth long who liveth well. The True Life. 40. Here shall death's triumph end: the rock-barred door. Easter. From "The tomb is empty: wouldst thou have it full." 41. Jesus, Sun and Shield art Thou. Jesus the First and Last. 42. Jesus, the Christ of God. Praise to Christ. 43. Light of the world, for ever, ever shining. Christ the Light of the World. From "Why walk in darkness? Has the dear light vanished?" 44. Make use of me, my God. Duty desired. 45. Not what I am, 0 Lord, but what Thou art. The Love of God. 46. 0 Light of Light, shine in. Cry of the Weary. 47. 0 love of God, how strong and true. Love of God. 48. 0 love that casts out fear. Love of God. 49. 0 strong to save and bless. Lent. 50. 0 this soul, how dark and blind. Lent. 51. Safe across the waters. Thanksgiving at end of a journey. 52. Silent, like men in solemn haste. Pressing onwards. 53. Speak, lips of mine. Exhortation to Praise. 54. The Bridegroom comes. Advent. vii. From Hymns of Faith and Hope. 3rd series, 1866. 55. Bear Thou my burden, Thou Who bar'st my sin. Lent or Passiontide. 56. Done is the work that saves. Easter. 57. Father, our children keep. Prayer on behalf of Children. 58. Fill Thou my life, 0 Lord my God. Life's Praise. 59. Finish Thy work, the time is short. Earnest labour to the end. 60. From the Cross the blood is falling. Good Friday. 61. He called them, and they left. Obedience. 62. Help me, my [0] God to speak. Truth desired. 63. Holy Father, Mighty God. Holy Trinity. 64. How are my troubles multiplied. Ps. iii. 65. How sweetly doth He show His face Flower Service. 66. Light hath arisen, we walk in its brightness. Sustaining power of Faith. 67. Lo, God, our God has come. Christmas. 68. Lord, give me light to do Thy work. Divine guidance desired. 69. No, not despairingly. Lent. 70. Not to ourselves again. Life in Christ, or, Living unto God. 71. Now in parting, Father, bless us. Post Communion. 72. Sounds the trumpet from afar. Battle-Song of the Church. 73. Thee in the loving bloom of morn. God in all. 74. Through good report and evil, Lord. Faithfulness. 75. To Jehovah, God of might. Praise to the Father. 76. To the name of God on high. Doxology. 77. Upward, where the stars are burning. Heavenward Aspirations. 78. We take the peace which He hath won. The Gift of Peace. 79. When the weary, seeking rest. Intercession for all Conditions of Men. viii. From The Song of the New Creation,1872. 80. For the Bread and for the Wine. Holy Communion. 81. Light of life so softly shining. Light of Life. 82. Yet there is room. The Lamb's bright hall of song. Home Missions. ix. From Hymns of the Nativity, 1879. 83. Great Ruler of the land and sea. Sailors' Liturgy. From Communion Hymns, 1881. 84. Beloved, let us love. Brotherly Love. In several instances these hymns are given in an abbreviated form, and sometimes alterations are also introduced. In this latter respect however Dr. Bonar has suffered less than most modern hymn-writers. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bonar, Horatius, p. 161, i. He died at Edinburgh, July 31, 1889. In 1890 his son published a posthumous volume of his poetical pieces as Until the Day Break and other Hymns and Poems left behind. The following additional hymns are in common use:— 1. Almighty Comforter and Friend. (1866.) Whitsuntide. 2. Father, make use of me. An altered form of No. 44, p. 162, ii. 3. I ask a perfect creed. (1861.) Creed not Opinions. From this is also taken "O True One, give me truth." 4. Long, long deferred, now come at last. Marriage of the Lamb. Part of "Ascend, Beloved, to the joy." (1861.) 5. Nay 'tis not what we fancied it. (1857.) Vanity of the World. 6. No blood, no altar now. (1861.) The Finished Sacrifice. 7. No shadows yonder. (1857.) Heaven Anticipated. 8. Not with the light and vain. (1857.) Godly Companionship. 9. O Love invisible, yet infinite. (1866.) Divine Love. 10. On the great love of God I lean. (1866.) Love of God our Resting-place. 11. On Thee, O Jesus, strongly leaning. (1866.) Fellowship with Christ. 12. Peace upon peace, like wave on wave. (1866.) Divine Peace. 13. Sower divine, sow the good seed in me. (1857.) Heavenly Sowing. 14. Speaketh the sinner's sin within my heart. (1866.) Ps. xxxvi. 15. Still one in life and one in death. (1857.) Communion of Saints. Part of "'Tis thus they press the hand and part." 16. Surely, yon heaven, where angels see God's face. (1857.) Heaven Anticipated. 17. That city with the jewelled crest. (1857.) Heaven. Part of "These are the crowns that we shall wear." Another cento from the same is "Yon city, with the jewelled crest." 18. That clime is not like this dull clime of ours. (1843.) Heaven. 19. The Free One makes you free: He breaks the rod. (1857.) Freedom in Christ. From "Of old they sang the song of liberty." 20. There is a Morning-star, my soul. (1357.) Christ the Morning Star. 21. This is the day of toil. (1866.) Pressing Onwards. 22. Thy thoughts are here, my God. (1866.) Holy Scripture. 23. Till the day dawn. (1857.) Life's Journey. 24. To Him Who spread the skies. (1866.) Creation's Song. 25. Trustingly, trustingly. (1866.) Trust. 26. Unto th' eternal hills. (1866.) Ps. cxxi. The above dates are: 1843, Songs in the Wilderness; 1857, Hymns of Faith and Hope, 1st Series; 1861, same, 2nd Ser. (not 1864); 1866, same, 3rd Ser. (not 1867), The dates 1857, 1864,1867, were given by Dr. Bonar, but the British Museum copies are 1857, 1861, 1866 respectively. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Bonar, H., pp. 161, i.; 1554, i. The Rev. H. N. Bonar, Dr. Bonar's son, published in 1904, Hymns by Horatius Bonar, Selected and Arranged by his Son H. N. Bonar, With a brief History of some of the Hymns, &c. (London: H. Frowde). From this work we must correct the date of his Song of the New Creation to 1872. We have also enriched our pages by additional and expanded notes on several of Dr. Bonar's most widely used hymns. In his biographical notes, Mr. Bonar refers to Dr. Bonar's work as editor of the Quarterly Journal of Prophecy, begun in 1848, to which he contributed a hymn for each number. We find that the number of hymns contributed thereto is 101. With Dr. Bonar's poetical productions great difficulty has been encountered by the historian and annotator because of his absolute indifference to dates and details. It was enough for him that he had written, and that the Church of Christ approved and gladly used what, out of the fulness of his heart, he had given her. --Excerpt from John Julian, Dictionary of Hymnology, New Supplement (1907)

James Mountain

1844 - 1933 Meter: 6.4.6.4.10.10 Composer of "[I lift my heart to Thee]" Rv James Mountain United Kingdom 1844-1933. Born at Leeds, Yorkshire, England, he attended Gainford Academy, Rotherham College, Nottingham Institute, and Cheshunt College. He became pastor at Great Marlow, Buckinghamshire. Leaving the clerical field due to ill health, he conducted evangelistic campaigns in Britain (1874-82) and worldwide (1882-1889). An author, he wrote a number of books. He published a hymn book, “Hymns of consecration and faith”,and “Sacred songs for missions, prayer, and praise meetings” (1876). He died at Tunbridge Wells, Kent, England. John Perry

Charles Edward Mudie

1818 - 1890 Person Name: Charles Edward Mudie (1818— ) Meter: 6.4.6.4.10.10 Author of "Devotion to Christ" in Songs of Praise with Tunes Mudie, Charles Edward, the founder of the well-known library which bears his name, was born at Cheyne Walk, Chelsea, Oct. 18, 1818. In 1872 he collected his poems and published them as Stray Leaves (2nd ed., 1873). Several poems on Scriptural subjects, and a few hymns are included in the volume. The hymn by which he is best known is "I lift my heart to Thee, Saviour divine" (His and Mine). It is from the Stray Leaves, and is in several hymnbooks, including the Scottish Evangelical Union Hymnal, 1878; Horder's Congregational Hymns, 1884, and many others. It is marked by great beauty and tenderness of expression. Several of Mr. Mudie's hymns, which are not in common use are worthy of attention. [Rev. W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) ================== Mudie, Charles E., p. 774, i. He died at 31, Maresfield Gardens, Hampstead, Oct. 28, 1890. His hymn, "I lift my heart to Thee, &c," was written in Oct., 1871. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

George Lomas

1834 - 1884 Person Name: G. Lomas, 1834-84 Meter: 6.4.6.4.10.10 Composer of "SURSUM CORDA" in The Methodist Hymn-Book with Tunes Born: 1834, Birch Hall, Bolton, Lancashire, England. Died: 1884, Sheffield, South Yorkshire, England. A student of William Sterndale Bennett and Charles Steggall, Lomas received his BMus degree from New College, Oxford. He played the organ at Didsbury Parish Church, and at Emmanuel Church, Barlow Moor, Manchester (1858-84). Music: CHAMOUNI ST. PAUL'S COLLEGE SURSUM CORDA http://www.hymntime.com/tch/bio/l/o/m/lomas_g.htm ============= George Lomas was born in England and was a volunteer organist for twenty-five years before becoming a professional musician. He received his Bachelor of Arts degree in music at age forty-five, only five years before his death. The Presbyterian Hymnal Companion, 1993

Thomas M. Mudie

1809 - 1876 Person Name: Thomas Mollison Mudie (1809-1876) Meter: 6.4.6.4.10.10 Composer of "BUDLEIGH" in Songs of Praise with Tunes

Jane Euphemia Saxby

1811 - 1898 Person Name: Jane Euphemia Saxby, 1811-98 Meter: 6.4.6.4.10.10 Author of "Show me the way, O Lord" in The Methodist Hymn-Book with Tunes Saxby, Jane Euphemia, née Browne, daughter of William Browne of Tallantire Hall, Cumberland, and sister of Lady Teignmouth, was born Jan. 27, 1811, and married, in 1862, to the Rev. S. H. Saxby, Vicar of East Clevedon, Somersetshire. Her work, The Dove on the Cross, was published in 1849. It has passed into numerous editions, and from it several hymns have come into common use. This was followed by The Voice of the Bird, in 1875; and Aunt Effie’s Gift to the Nursery, 1876. Sometimes Mrs. Saxby's Dove on the Cross is dated 1819, but in error. The compilation known as Hymns and Thoughts for the Sick and Lonely, by a Lady, London, J Nisbet & Co., 1848, although it contains several of her hymns in an altered form, is ascribed to her in error. Mrs. Saxby's hymns in common use include: 1. Father, into Thy loving hands. Resignation. 2. O Jesus Christ, the holy One. Holy Communion. 3. O Holy Ghost, the Comforter. Whitsuntide. 4. Shew me the way, O Lord. Guidance desired. 5. Thou art with me, O my Father. God everywhere. 6. Thou God of love, beneath Thy sheltering wings. Burial. Of these hymns, Nos. 1, 3, 4, and 6, appeared in her Dove on the Cross, 1849. No. 2 appeared in the English Presbyterian Psalms & Hymns for Divine Worship, 1867, No. 840, in 5 stanzas of 4 lines. It was supplied to Dr. W. F. Stevenson in manuscript in 6 stanzas for his Hymns for the Church and Home, 1873. The additional stanza (the 4th) given in his Notes is:— As Thou hast placed beyond my reach Thy richest means of grace, Teach me without them, Saviour, teach My soul to see Thy face." The point and meaning of this stanza is explained by the fact that this hymn "was written for one who by illness was prevented joining in the Communion." The hymn was included in The Voice of the Bird, 1875. Mrs. Saxby's hymns are very plaintive and tender. This is explained by her thus:— "I wrote most of my published hymns during a very long and distressing illness, which lasted many years. I thought probably that I was then in the 'Border Land’ and wrote accordingly." Died Mar. 25, 1898. --John Julian, Dictionary of Hymnology (1907)