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F. A. Gore Ouseley

1825 - 1889 Person Name: Frederick A. Gore Ouseley, (1825-1889) Meter: 4.4.7.8.8.7 Composer of "BLACKIE" in Common Service Book of the Lutheran Church Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/

Henry Thomas Smart

1813 - 1879 Person Name: H. Smart, 1813-79 Meter: 4.4.7.8.8.7 Composer of "SERAPHIM" in The Methodist Hymn-Book with Tunes Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Geoffrey T. Shaw

1879 - 1943 Meter: 4.4.7.8.8.7 Composer of "ARTHUR (Shaw)"

John Stuart Blackie

1809 - 1895 Meter: 4.4.7.8.8.7 Author of "Angels holy" in Common Service Book of the Lutheran Church Blackie, John Stuart, LL.D., born at Glasgow, July, 1809, and educated at Marischal College, Aberdeen, and at the University of Edinburgh. After a residence on the Continent for educational purposes, he was called to the Bar in 1834. In 1841, he was appointed Professor of Latin in Marischal College, Aberdeen, and in 1850 Professor of Greek in the University of Edinburgh. On the death of Dr. Guthrie he was for some time the Editor of the Sunday Magazine. His published works include:— A Metrical Translation of AEschylus, 1850; Pronunciation of Greek, 1852; Lyrical Poems, 1860; Homer and the Iliad, 4 vols., 1869, &c.; Lays and Legends of Ancient Greece, &c, 1857; and Songs of Religion and Life, 1876. To the hymnological student he is known by his rendering of a portion of the Benedicite (q.v.), "Angels, holy, high and lowly," which is found in several hymnals. -- John Julian, Dictionary of Hymnology (1907) ======================= Blackie, J. S. , p. 144, i. Dr. Guthrie was succeeded as editor of the Sunday Magazine by Dr. W. G. Blaikie, and not by Dr. J. S. Blackie. The latter resigned his professorship in 1882, and died March 2, 1895. --John Julian, Dictionary of Hymnology, New Supplement (1907)

James T. Lightwood

1856 - 1944 Person Name: J. T. Lightwood, 1856-1944 Meter: 4.4.7.8.8.7 Composer of "LYTHAM ST. ANNES" in The Methodist Hymn-Book with Tunes Born: 1856, Leeds, England. Died: 1944, Lytham, Lancashire, England. Son of Wesleyan minister Edward Lightwood, James was born and baptized while his father was on the Leeds Brunswick Circuit. He attended Kingswood School (1866-72), earned a BA from London University, and became Headmaster of Pembroke House, a private school in Lytham. He went on to serve for three years as a member of the Board of Improvement Commissioners in Lytham, on the Lytham Council for six years, and as Chairman of the Streets Committee for four years. His resolution to bring gas into Fairhaven was eventually carried by one vote. Apart from music, his other great love was cycling. He began cycling in 1874 on a "boneshaker." By 1885, he was a member of the Cyclists Touring Club (CTC), and soon gained prominence. He was Chief Consul for Lancashire, and a member of the Council of the CTC from 1887. Honorary life membership came in 1907 in recognition of his services to the club, and in particular with publication of the club’s route books and other writings. Music was his great love, though, and hymnody in particular. He was an accomplished organist, and after two years as deputy organist at the Drive Wesleyan Church, St. Annes, he was appointed Honorary Organist and Choirmaster in 1894. When the pressure of work due to his appointment as editor of the new Methodist publication The Choir and organizing the newly formed Music Department of the Methodist Publishing House, the trustees at Drive Church made him a grant of £20 to assist him in his research in hymnology. While advising Methodism on musical matters, he found the unique 1761 Snetzler organ for the New Room at Bristol. Lightwood’s works include: Hymn Tunes and Their Story (London: Charles H. Kelly, 1905) Charles Dickens and Music, 1912 Samuel Wesley, Musician: The Story of His Life Cyclists’ Touring Club: The Romance of 50 Years Cycling, 1928 The Music of the Methodist Hymn-Book (London: The Epworth Press, 1935) http://www.hymntime.com/tch/bio/l/i/g/lightwood_jt.htm

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