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Holy, Holy, Holy
Author: Reginald Heber Meter: 12.13.12.10 Appears in 1,680 hymnals First Line: Holy, holy, holy! Lord God Almighty! Lyrics: 1. Holy, holy, holy! Lord God Almighty!
Early in the morning our song shall rise to thee.
Holy, holy, holy! merciful and mighty!
God in three Persons, blessed Trinity!
2. Holy, holy, holy! all the saints adore thee,
Casting down their golden crowns around the glassy sea.
Cherubim and seraphim, falling down before thee,
Who was and is and evermore shall be.
3. Holy, Holy, Holy! though the darkness hide thee,
Though the eye of sinful man thy glory may not see,
Only thou art holy; there is none beside thee,
Perfect in pow'r, in love, and purity.
4. Holy, holy, holy! Lord God Almighty!
All thy works shall praise thy name, in earth, and sky, and sea;
Holy, holy, holy! merciful and mighty!
God in three Persons, blessed Trinity. Topics: Trinity Sunday Scripture: Revelation 4:10 Used With Tune: NICAEA
Holy, Holy, Holy
Bring, O Morn, Thy Music
Author: William Channing Gannett, 1840-1923 Meter: 12.13.12.10 Appears in 36 hymnals First Line: Bring, O morn, thy music! Night, thy starlit silence! Lyrics: 1 Bring, O morn, thy music! Night, thy starlit silence!
Oceans, laugh in rapture to the storm-winds coursing free!
Sun and planets chorus, praise to Thee, Most Holy –
Who was, and is, and evermore shall be.
2 Life and death, thy creatures, praise thee, mighty Giver!
Praise and prayer are rising in thy beast and bird and tree;
Lo! they praise and vanish, vanish at thy bidding –
Who was, and is, and evermore shall be.
3 Life nor death can part us, O thou Love eternal,
Shepherd of the wandering star and souls that wayward flee!
Homeward draws the spirit to thy Spirit yearning –
Who was, and is, and evermore shall be. Topics: Transcending Mystery and Wonder Morning; Celebration and Praise; God, Goddess, and Spirit; Nature and the Countryside Used With Tune: NICAEA
Bring, O Morn, Thy Music
God is King Forever; Let the Nations Tremble
Meter: 12.13.12.10 Appears in 12 hymnals Lyrics: 1 God is King forever; let the nations tremble;
Throned above the cherubim, by all the earth adored;
He is great in Zion, high above all peoples;
Praise Him with fear, for holy is the Lord.
2 Merciful as mighty, He delights in justice,
For He reigns in righteousness and rules in equity;
Worship and exalt Him, bowing down before Him;
Perfect in power and holiness is He.
3 Holy men of old in Him alone confided;
He forgave their sins, although they felt His chastening rod;
In His holy temple worship and adore Him;
Faithful and holy is the Lord our God. Topics: Angels; Chastisements; Glory And Majesty Of God; Holiness Of God; Justice of God; God as King; Kingdom of God; Omnipotence of God; Praise for Blessings; Praise for God's Perfections; Praise for God's Works; Reverence Scripture: Psalm 99 Used With Tune: NICEA
God is King Forever; Let the Nations Tremble
[Glory, glory, glory, praise and adoration!] (Carren)
Meter: 12.13.12.10 Appears in 1 hymnal Composer and/or Arranger: E. Carren Used With Text: Glory, glory, glory, praise and adoration!
[Glory, glory, glory, praise and adoration!] (Carren)
Glory, glory, glory, praise and adoration!
Author: S. McCallum Hymnal: Hymns #2 (1966) Meter: 12.13.12.10 Lyrics: 1. Glory, glory, glory, praise and adoration!
Hear the anthems swelling out thro' all eternity!
Father, Son, and Spirit — God in revelation —
Prostrate each soul before the Deity!
2. Father, source of glory, naming every fam'ly,
And the Son upholding all by His almighty power,
Holy Spirit, filling the vast scene of glory —
O glorious Fulness, let our hearts adore.
3. God supreme, we worship now in holy splendour,
Head of the vast scene of bliss, before Thy face we fall!
Majesty and greatness, glory, praise and power
To Thee belong, eternal Source of all! Topics: Blessing of the Trinity His Revelation Languages: English Tune Title: [Glory, glory, glory, praise and adoration!] (Carren)
Glory, glory, glory, praise and adoration!
Bring, O morn, thy music!
Author: William Channing Gannett Hymnal: The Beacon Song and Service book #5 (1935) Meter: 12.13.12.10 First Line: Bring, O morn, thy music! Night, thy starlit silence! Refrain First Line: Who wert, and art, and evermore shalt be Topics: Worship and Praise Languages: English Tune Title: GANNETT
Bring, O morn, thy music!
God of Generations
Author: Carolyn Winfrey Gillette Hymnal: Gifts of Love #16 (2000) Meter: 12.13.12.10 First Line: God of generations, we are all your children Topics: Children and Youth; Christian unity; Ministry Scripture: Genesis 17:17 Languages: English
God of Generations
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Meter: 12.13.12.10 Composer of "NICAEA" in Timeless Truths As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
William Channing Gannett
1840 - 1923 Person Name: William C. Gannett, 1840-1923 Meter: 12.13.12.10 Author of "Bring, O Morn, Thy Music" in Hymns for a Pilgrim People Gannett, William Channing, M.A., s. of Dr. Ezra Stiles Gannett, was b. at Boston, March 13, 1840, and educated at Harvard College, 1860, and the Divinity School, Cambridge. Entered the Unitarian Ministry in 1868, and after filling several pastorates he became Pastor of the Unitarian Church at Rochester, N.Y., 1889. Mr. Gannett's hymns, mainly written for special occasions, were included in great part in The Thought of God in Hymns and Poems, Boston, 1st Series 1885,2nd Series 1894,
the combined production of F. L. Hosmer (q.v.) and himself. Of Mr. Gannett's hymns the following are in common use:—
1. Bring, 0 morn, thy music [God Everlasting.] Written in 1893, and printed in A Chorus of Faith, being an account and resume of the Parliament of Religions, held in Chicago, 1893. Included in The Thought of God, 2nd Series, 1894, and again in several hymnals.
2. Clear in memory's silent reaches. [Memory.] Written in 1877 for a Free Religious Assoc. Festival, and published in The Thought of God, 1st Series, 1885.
3. Prom heart to heart, from creed to creed. [Faith.] Written in 1875 for the 150th anniversary of the First Religious Society in Newburyport, and given in The Thought of God, 1ist Series, 1885. Usually st. ii. is omitted.
4. He hides within the lily. [Divine Providence.] "Consider the lilies, how they grow." Written in 1873, and printed for use at the Free Religious Assoc. Festival, May 30th, 1873. Published in The Thought of God, &c, 1st Series, 1885, in 4 stanzas of 8 lines. The most widely used of the author's hymns.
5. I hear it often in the dark. [The Voice of God.] Written at Milwaukee, in 1870, and published in The Thought of God, &c, 1st Series, 1885. Sometimes it begins with st. iii., "0 God within, so close to me," as in Hymns for Church and Home, Boston, 1895.
6. Praise to God and thanksgiving. [ Harvest.] Written in 1872 for a Harvest Festival at St. Paul's, Minn., of which he was then Pastor, and included in The Thought of God &c, 1st Series, 1885. in the Boston Pilgrim Hymnal, 1904, it begins "Praise to God, and thanks we bring."
7. Sleep, my little Jesus. [ Christmas Carol.] Written for the Sunday School, St. Paul's, Minn., in 1882, and given in The Thought of God, 2nd Series, 1894, as "Mary's Manger Song."
8. The Lord is in His holy place. [Dedication of a Place of Worship.] Written for the Dedication of the Rev. C. W. Wendte's Church, Chicago, April 24, 1873, and pub. in The Thought of God, &c, 1st Series, 1885. It is one of the most popular and widely used of the author's hymns.
9. The morning hangs its signal. [Morning.] This is dated by the author "Chicago, July 30, 1886," and printed in Love to God and Love to Man, being No. 28 ot the Chicago "Unity Mission" series of hymns (N.D.). Also included in The Thought of God, &c, 2nd Series, 1894. Although in some sense a Morning hymn, it is adapted for use in Advent. It is usually known as “The Crowning Day."
10. The Truth is the Voice of God. In the "Unity Mission" Series, No. 28 (see above), this is given as No. 33, with the title "Truth and Righteousness and Love," in 4 stanzas of 4 lines and a refrain of 4 lines.
These annotations are based upon manuscript notes kindly supplied by the author. The use made of Mr. Gannett's hymns shows that their poetic beauty and loving sympathy with all things beautiful and pure, are widely appreciated in America and to a limited extent in Great Britain also.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Channing Gannett
Reginald Heber
1783 - 1826 Meter: 12.13.12.10 Author of "Holy, Holy, Holy" in Timeless Truths Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
====================
Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
