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Hymnal, Number:uhbn1821

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Hymnals

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The Universalist Hymn-Book

Publication Date: 1836 Publisher: Benjamin B. Mussey Publication Place: Boston Editors: Hosea Ballou; Edward Turner; Benjamin B. Mussey

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The lofty pillars of the sky

Author: Addison Appears in 8 hymnals

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Father of mercies, in thy word

Author: Mrs. Steele Hymnal: UHBN1821 #2 (1836)
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To our Almighty Maker, God

Author: Watts Hymnal: UHBN1821 #3 (1836)

People

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Authors, composers, editors, etc.

Joseph Addison

1672 - 1719 Person Name: Addison Hymnal Number: 312 Author of "O how shall words with equal warmth" in The Universalist Hymn-Book Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time. i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :— 1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:— "David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.) 2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:— “I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum) Then follows the hymn:—"When all Thy mercies, 0 my God." 3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:— “For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum

John Pierpont

1785 - 1866 Person Name: Pierpont Hymnal Number: 381 Author of "Now to the God, to whom all might" in The Universalist Hymn-Book Pierpont, John, son of James Pierpont, of Litchfield, Connecticut, was born at Litchfield, April 6, 1785, and educated at Yale College, where he graduated in 1804. After fulfilling engagements as a Tutor in New Haven, and in Charlestown, South Carolina, he was admitted to the Bar in 1812. Shortly after he retired and went into business, only to leave it also, and to pass on to Harvard College as a student in theology. In 1819 he succeeded Dr. Holley as the pastor of the Unitarian congregation in Hollis Street, Boston. At length his zeal against intemperance and slavery caused him to resign his charge in 1840 [sic. 1845] (see Lothrop's Proceedings of an Eccl. Council in the case of the Hollis Street Meeting and the Rev. J. Pierpont). At this date he published his Poems & Hymns, including his anti-slavery and temperance poems and songs. In 1845 he became the pastor of an Unitarian congregation at Troy, New York. This he vacated for another at Medford, Massachusetts, in 1849. That he resigned in 1859. When over 70 years of age he became Chaplain in the United States Army (1862), and was finally a Government clerk in the Treasury Department at Washington. He died suddenly at Medford, Aug. 27, 1866. Pierpont's publications include Airs of Palestine, 1816, some school books, and his Poems & Hymns, 1840 and 1854. His hymns in common use include:— 1. Another day its course hath run. Evening. Appeared in Hymns for Children, Boston, 1825; in Greenwood's Chapel Liturgy, 1827; and in the author's Poems & Hymns, 1840. 2. Break forth in song, ye trees. Public Thanksgiving. Written for the Second Centennial Celebration of the Settlement of Boston, Sept. 17, 1830, and included in the Poems & Hymns, 1840. 3. Break the bread and pour the wine. Holy Communion. In Harris's Hymns for the Lord's Supper, 1820. 4. Father, while we break the bread. Holy Communion. 5. God Almighty and All-seeing. Greatness of the Father. Contributed to Elias Nason's Congregational Hymn Book, Boston, 1857. 6. God of mercy, do Thou never. Ordination. Written for the Ordination of John B. P. Storer at Walpole, Nov. 15, 1826; and published in the author's Poems, &c, 1840. 7. God of our fathers, in Whose sight. Love of Truth desired. This hymn is composed of st. ix., x. of a hymn written for the Charlestown Centennial, June 17, 1830. In this form it was given in the Boston Hymns of the Spirit, 1864, and others. 8. Gone are those great and good. Burial. Written in 1830. Part of No. 2 above. 9. I cannot make him dead. Gone Before. "A part of an exquisitely touching and beautiful poem of ten stanzas, originally printed in the Monthly Miscellany, Oct. 1840." 10. Let the still air rejoice. Praise. 11. Mighty One, Whose name is Holy. Charitable Institutions. Written for the anniversary of the Howard Benevolent Society, Dec. 1826, and included in the author's Poems, &c, 1840. 12. My [0] God, I thank Thee that the night. Morning. Appeared in his Poems, &c, 1840. In Martineau's Hymns, &c, 1873, it begins "O God, I thank Thee," &c. 13. 0 bow Thine ear, eternal One. Opening of Divine Service. This is dated 1823, but was not included in the author's Poems, &c, 1840, although one of his best productions. 14. 0 Thou to Whom in ancient time. Universal Worship. “Written for the opening of the Independent Congregational Church in Barton Square, Salem, Massachusetts, Dec. 7, 1824," and printed at the close of the sermon preached by Henry Colman on that day. It was given in Pierpont's Poems, &c, 1840, and is found in several collections in Great Britain and America. It is widely known. 15. 0 Thou Who art above all height. Ordination. “Written for the Ordination of Mr. William Ware, as Pastor of the First Congregational Church in New York, Dec. 18, 1821," and included in his Poems, &c, 1840. 16. 0 Thou Who on the whirlwind rides. Dedication of a Place of Worship. Written for the opening of the Seamen's Bethel in Boston, Sept. 11, 1833. Sometimes given as “Thou Who on the," &c. 17. O'er Kedron's stream, and Salem's height. Gethsemane. One of eight hymns contributed to Dr. T. M. Harris's Hymns for the Lord's Supper, 1820. It is in Martineau's Hymns, &c, London, 1873, and others. 18. On this stone, now laid with prayer. Foundation-stone Laying. Written for the laying of the cornerstone of Suffolk Street Chapel, Boston, for the Ministry of the Poor, May 23, 1839. 19. With Thy pure dews and rain. Against Slavery. Written for the African Colonization Society, and included in Cheever's American Common Place Book, 1831. Not in the author's Poems, &c, 1840. Pierpont's talents as a hymn-writer, as in other fields, were respectable rather than commanding, but so energetically employed as to make their mark. Thus, although he never wrote a single hymn that can be called a great lyric, yet he has attained to a prominent position in American hymnody. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Benjamin Beddome

1717 - 1795 Person Name: Beddome Hymnal Number: 306 Author of "God, in the gospel of his Son" in The Universalist Hymn-Book Benjamin Beddome was born at Henley-in Arden, Warwickshire, January 23, 1717. His father was a Baptist minister. He studied at various places, and began preaching in 1740. He was pastor of a Baptist society at Bourton-on-the-Water, Gloucestershire, until his death in 1795. In 1770, he received the degree of M.A. from the Baptist College in Providence, Rhode Island. He published several discourses and hymns. "His hymns, to the number of 830, were published in 1818, with a recommendation from Robert Hall." Montgomery speaks of him as a "writer worthy of honour both for the quantity and the quality of his hymns." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ========================= Beddome, Benjamin , M.A. This prolific hymnwriter was born at Henley-in-Arden, Warwickshire, Jan. 23, 1717, where his father, the Rev. John Beddome, was atthat time Baptist Minister. He was apprenticed to a surgeon in Bristol, but removing to London, he joined, in 1739, the Baptist church in Prescott St. At the call of this church he devoted himself to the work of the Christian ministry, and in 1740 began to preach at Bourton-on-the-Water, in Gloucestershire. Declining invitations to remove to London or elsewhere, he continued pastor at Bourton until his death, on Sep. 3, 1795, at the age of 78. Mr. Beddome was for many years one of the most respected Baptist ministers in the West of England. He was a man of some literary culture. In 1770 he received the degree of M.A. from Providence College, Rhode Island. He was the author of an Exposition of the Baptist Catechism, 1752, in great repute at the time, and reprinted by Dr. C. Evans in 1772. It was his practice to prepare a hymn every week to be sung after his Sunday morning sermon. Though not originally intended for publication, he allowed thirteen of these to appear in the Bristol Baptist Collection of Ash & Evans (1769), and thirty-six in Dr. Rippon's Baptist Selection (1787), whence a number of them found their way into the General Baptist Hymn Book of 1793 and other collections. In 1817, a posthumous collection of his hymns was published, containing 830 pieces, with an introduction by the Rev. Robert Hall, and entitled "Hymns adapted to Public Worship or Family Devotion, now first published from the Manuscripts of the late Rev. B. Beddome, M.A." Preface dated "Leicester, Nov. 10, 1817." Some of the early copies bear the same date on the title page. Copies bearing both the 1817 and 1818 dates are in the British Museum. The date usually given is 1818. Some hymns are also appended to his Sermons, seven volumes of which were published l805—1819; and over twenty are given in the Baptist Register of various dates. Beddome's hymns were commended by Montgomery as embodying one central idea, "always important, often striking, and sometimes ingeniously brought out." Robert Hall's opinion is just, when in his "Recommendatory Preface" to the Hymns, &c, he says, p. vii.:— "The man of taste will be gratified with the beauty and original turns of thought which many of them ex¬hibit, while the experimental Christian will often perceive the most secret movements of his soul strikingly delineated, and sentiments pourtrayed which will find their echo in every heart." With the exception of a few composed for Baptisms and other special occasions, their present use in Great Britain is limited, but in America somewhat extensive. One of the best is the Ordination Hymn, "Father of Mercies, bow Thine ear." Another favourite is “ My times of sorrow and of joy," composed, by a singular coincidence, to be sung on Sunday, Jan. 14, 1778, the day on which his son died, most unexpectedly, in Edinburgh. "Let party names no more," is very popular both in Great Brit, and America. "Faith, His a precious gift," "Witness, ye men and angels, now," and the hymn for Holy Baptism, "Buried beneath the yielding wave," are also found in many collections. Beddome's popularity is, however, now mainly in America. [Rev. W. R. Stevenson, M.A.] Beddome is thus seen to be in common use to the extent of about 100 hymns. In this respect he exceeds every other Baptist hymnwriter; Miss Steele ranking second. The authorities for Beddome's hymns are: (1) A Collection of Hymns adapted to Public Worship, Bristol, W. Pine, 1769, the Collection of Ash & Evans; (2) Dr. Rippon's Selections 1787, and later editions; (3) Sermons printed from the Manuscripts of the late Rev. Benjamin Beddome, M.A.,... with brief Memoir of the Author, Dunstable & Lond., 1805-1819; (4) Dr. Rippon's Baptist Register, 1795, &c.; (5) The Beddome Manuscripts, in the Baptist College, Bristol; (6) and Hymns adapted to Public Worship, or Family Devotion now first published, from Manuscripts of the late Rev. B. Beddome, A.M. With a Recommendatory Preface by the Rev. R. Hall, A.M. Lond., 1817. In his Preface, Mr. Hall gives this account of the Beddome Manuscript:— "The present Editor was entrusted several years ago with the MSS, both in prose and verse, with permission from the late Messrs. S. & B. Beddome, sons of the Author, to publish such parts of them as he might deem proper. He is also indebted to a descendant of the Rev. W. Christian, formerly pastor of the Baptist Church at Sheepshead, Leicestershire, for some of the Author's valuable hymns, which had been carefully preserved in the family. From both these sources, as well as others of less consequence, the present interesting volume has been derived." -- Excerpts from John Julian, Dictionary of Hymnology (1907) ======================= Beddome, Benjamin, pp. 121-124. Other hymns in common use:— 1. Great God, before Thy mercy-seat. (1817). Lent. 2. Great God, oppressed with grief and fear. (1787.) Reading H. Scripture. 3. How glorious is Thy word, 0 God. Holy Scripture. From "When Israel, &c," p. 124, i. 4. In God I ever will rejoice. Morning. From his Hymns, &c, 1817. 5. Jesus, my Lord, divinely fair. (1817.) Jesus the King of Saints. Begins with stanza ii. of “Listen, ye mortals, while I sing." 6. Rejoice, for Christ the Saviour reigns. Missions. Altered form of "Shout, for the blessed, &c," p. 123, ii. 7. Satan, the world, and sin. (1817.) In Temptation. 8. Thou, Lord of all above. (1817.) Lent. 9. Unto Thine altar, Lord. (1787.) Lent. 10. Ye saints of every rank, with joy. (1800.) Public Worship. The dates given above are, 1787 and 1800, Rippon's Selection; and 1817 Beddome's Hymns. --John Julian, Dictionary of Hymnology, Appendix, Part II
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