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Harry D. Clarke

1888 - 1957 Hymnal Number: 67 Author of "Into My Heart" in Rodeheaver's Gospel Solos and Duets No. 2 Orphaned at an early age, Clarke ran away from the orphanage and worked at sea for almost 10 years. He eventually moved to London, then to America. He attended the Moody Bible Institute, Chicago, Illinois, then went into composing, music publishing, and evangelism. He served as song leader for Harry vom Bruch and Billy Sunday, being so impressed by Sunday that he established the Billy Sunday Memorial Chapel in Sioux City, Iowa (where he served as pastor until 1945). Clarke also worked in the evangelism field in Garards Fort, Pennsylvania, and South Milford, Indiana. © The Cyber Hymnal™. Used by permission. (www.hymntime.com)

Phoebe Cary

1824 - 1871 Hymnal Number: 52 Author of "One Sweetly Solemn Thought" in Rodeheaver's Gospel Solos and Duets No. 2 Phoebe Cary, (1824-1871) was born and raised in Mount Healthy in Hamilton County, Ohio. Her family came from Lyme, New Hampshire to Ohio when her grandfather was given land in return for his service in the Continental Army. She was the younger sister of Alice Cary (1820-1871). She and Alice submitted poetry to religious periodicals. Phoebe remained in Ohio and continued to write many hymns, including, "One sweetly solemn thought." Mary Louise VanDyke =========================================== Cary, Phoebe, sister of Alice Cary, born near Cincinnati, Ohio, Sept. 4, 1824, and died within six months of the death of the same sister at Newport, July 31, 1871. Her works include Poems and Parodies, 1854; and Poems of Faith, Hope and Love, 1868. With Dr. Charles F. Deems she compiled Hymns for all Christians, 1869. Her hymns are:— 1. One sweetly solemn thought. Anticipation of Heaven. This piece was not intended for public use, nor is it a suitable metre for musical treatment, yet it has won universal acceptance and popularity. In some instances this has been attained by change of metre as in the Supplement to the Baptist Psalms & Hymns 1880, No. 1185. Johnson's Encyclopedia is in error in saying it was "written at the age of 17." The Congregational Quarterly for Oct., 1874, says, "it was written, she tells us, in the little back third story bedroom, one Sabbath morning in 1852, on her return from church." This statement shows that it was composed when she was 28, and not 17. The popularity of the hymn in Great Britain arose mainly through its use in the Evangelistic services of Messrs. Moody and Sankey. In the Protestant Episcopal Hymns for Church and Home, Phila., 1860, No. 383, it is given as "A sweetly solemn thought." The following additional pieces by this author are in the Lyra Sacra Americana, 1868:— 2. Go and sow beside all waters. Seed Sowing. 3. Great waves of plenty rolling up. Gratitude. 4. I had drunk, with lips unsated. Living Waters. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Hubert P. Main

1839 - 1925 Hymnal Number: 26 Arranger of "DAVENANT" in Rodeheaver's Gospel Solos and Duets No. 2 Hubert Platt Main DD USA 1839-1925. Born at Ridgefield, CT, he attended singing school as a teenager. In 1854 he went to New York City and worked as an errand boy in a wallpaper house. The next year he became an errand boy in the Bristow & Morse Piano Company. He was an organist, choir leader, and compiled books of music. He also helped his father edit the “Lute Songbook” by Isaac Woodbury. In 1866 he married Olphelia Louise Degraff, and they had two sons: Lucius, and Hubert. In 1867 he filled a position at William B Bradbury’s publishing house. After Bradbury’s death in 1868 the Bigelow & Main Publishers were formed as its successor. He also worked with his father until his father’s death in 1873. Contributors to their efforts were Fanny Crosby, Ira Sankey, Wilbur Crafts, and others. In addition to publishing, Main wrote 1000+ pieces of music, including part song, singing school songs, Sunday school music, hymns, anthems, etc. He also arranged music and collected music books. He 1891 he sold his collection of over 3500 volumes to the Newberry Library in Chicago, IL, where they were known as the Main Library. Some of his major publications include: “Book of Praise for the Sunday school” (1875), “Little pilgrim songs” (1884), “Hymns of Praise” (`1884), “Gems of song for the Sunday school” (1901), “Quartettes for men’s voices: Sacred & social selections” (1913). In 1922 Hope Publishing Company acquired Bigelow & Main. He was an editor, author, compiler, and composer, as well as publisher. He died in Newark, NJ. John Perry

Horatius Bonar

1808 - 1889 Hymnal Number: 160 Author of "I Heard the Voice of Jesus Say" in Rodeheaver's Gospel Solos and Duets No. 2 Horatius Bonar was born at Edinburgh, in 1808. His education was obtained at the High School, and the University of his native city. He was ordained to the ministry, in 1837, and since then has been pastor at Kelso. In 1843, he joined the Free Church of Scotland. His reputation as a religious writer was first gained on the publication of the "Kelso Tracts," of which he was the author. He has also written many other prose works, some of which have had a very large circulation. Nor is he less favorably known as a religious poet and hymn-writer. The three series of "Hymns of Faith and Hope," have passed through several editions. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ================================ Bonar, Horatius, D.D. Dr. Bonar's family has had representatives among the clergy of the Church of Scotland during two centuries and more. His father, James Bonar, second Solicitor of Excise in Edinburgh, was a man of intellectual power, varied learning, and deop piety. Horatius Bonar was born in Edinburgh, Dec. 19th, 1808; and educated at the High School and the University of Edinburgh. After completing his studies, he was "licensed" to preach, and became assistant to the Rev. John Lewis, minister of St. James's, Leith. He was ordained minister of the North Parish, Kelso, on the 30th November, 1837, but left the Established Church at the "Disruption," in May, 1848, remaining in Kelso as a minister of the Free Church of Scotland. The University of Aberdeen conferred on him the doctorate of divinity in 1853. In 1866 he was translated to the Chalmers Memorial Church, the Grange, Edinburgh; and in 1883 he was chosen Moderator of the General Assembly of of the Free Church of Scotland. Dr. Bonar's hymns and poems were, he tells us, composed amid a great variety of circumstances; in many cases he cannot himself recall these circumstances; they also appeared in several publications, but nearly all have boen published or republished in the following:— (i) Songs for the Wilderness, 1843-4. (2) The Bible Hymn Book, 1845. (3) Hymns, Original and Selected, 1846. (4) Hymns of Faith and Hope, First Series, 1857; Second Series, 1861; Third Series, 1866. (5) The Song of the New Creation, 1872. (6) My Old Letters, a long poem, 1877. (7) Hymns of the Nativity, 1879. (8) Communion Hymns, 1881. In addition to numerous prose works, he has also edited The New Jerusalem; a Hymn of the Olden Time, 1852, &c. Dr. Bonar's poems—-including many beautiful lyrics, several psalm versions, and translations from the Greek and Latin, a large number of hymns, and a long meditative poem—-are very numerous, too numerous, perhaps, for their permanent fame as a whole. Dr. Bonar's scholarship is thorough and extensive; and his poems display the grace of style and wealth of allusion which are the fruit of ripe culture. Affected very slightly by current literary moods, still less by the influence of other religious poetry, they reveal extreme susceptibility to the emotional power which the phases of natural and of spiritual life exercise; the phases of natural life being recognised chiefly as conveying and fashioning spiritual life, used chiefly for depicting spiritual life, and handled for this purpose with greater delicacy of touch than in the Olney Hymns, and with less conscious purpose than in the Christian Year. As a result of this susceptibility, and from habitual contemplation of the Second Advent as the era of this world's true bliss, his hymns and poems are distinguished by a tone of pensive reflection, which some might call pessimism. But they are more than the record of emotion; another element is supplied by his intellectual and personal grasp of Divine truth, these truths particularly:—The gift of a Substitute, our Blessed Saviour; Divine grace, righteous, yet free and universal in offer; the duty of immediate reliance upon the privilege of immediate assurance through that grace; communion with God, especially in the Lord's Supper, respecting which he insists on the privilege of cherishing the highest conceptions which Scripture warrants; and finally, the Second Advent of our Lord: by his vigorous celebration of these and other truths as the source and strength of spiritual life, his hymns are protected from the blight of unhealthy, sentimental introspection. To sum up: Dr. Bonar's hymns satisfy the fastidious by their instinctive good taste; they mirror the life of Christ in the soul, partially, perhaps, but with vivid accuracy; they win the heart by their tone of tender sympathy; they sing the truth of God in ringing notes; and although, when taken as a whole, they are not perfect ; although, in reading them, we meet with feeble stanzas, halting rhythm, defective rhyme, meaningless Iteration; yet a singularly large number have been stamped with approval, both in literary circles and by the Church. In Great Britain and America nearly 100 of Dr. Bonar's hymns are in common use. They are found in almost all modern hymnals from four in Hymns Ancient & Modern to more than twenty in the American Songs for the Sanctuary, N. Y., 1865-72. The most widely known are, "A few more years shall roll;" "Come, Lord, and tarry not;" "Here, O my Lord, I see Thee face to face;" "I heard the Voice of Jesus say;" "The Church has waited long;" and "Thy way, not mine, O Lord." In addition to these and others which are annotated under their respective first lines, the following are also in common use:— From Songs for the Wilderness, No. 1, 1843. 1. For Thee we long and pray. Sunday Morning. 2. Holy Father, hear my cry. A Child's Prayer. 3. I thought upon my sins and I was sad. Christ our Peace. 4. Peace to the world, our Lord is come. A Millennial Song. 5. Spirit of everlasting grace. The Vision of Dry Bones. ii. From Songs for the Wilderness, No. 2,1844. 6. Ho, ye thirsty, parched and fainting. Invitation. 7. 0 'tis not what we fancied it. The world renounced. 8. Sing them, my children, sing them still. Children exhorted to Praise. 9. Time's sun is fast setting. Advent. 10. Weep, pilgrim, weep, yet 'tis not for the sorrow. Faith. 11. Yes, for me, for me He careth. Christ the Elder Brother . iii. From The Bible Hymn Book, 1845. 12. Jesus, my sorrow lies too deep. Jesus, the Great High Priest. 13. There is a Morning Star, my soul. The Morning Star. 14. This is not my place of resting. Pressing towards heaven. iv. From Hymns, Original and Selected, 1845. 15. Let there be light, Jehovah said. Creation. v. From Hymns of Faith and Hope, 1st series, 1857. 16. Be brave, my brother. The Fight of Faith. 17. Blessed be God, our God. Good Friday. 18. Everlasting praises. Doxology. 19. Go up, go up, my heart. Heavenly aspirations desired. 20. I close my heavy eye. Evening. Sometimes given as "We close our heavy eyes." 21. I see the crowd in Pilate's hall. Good Friday. 22. Jesus, while this rongh desert soil. Strength by the Way. 23. Jesus, Whom angel-hosts adore. The Word made Flesh. From "The Son of God, in mighty love." 24. Make haste, 0 man, to live. Exhortation to lay hold of Life. 25. No seas again shall sever. Heaven. 26. Oppressed with noonday's scorching heat. Shadow of the Cross. 27. Rest for the toiling hand. Burial. From "Lie down, frail body, here." 28. Shall this life of mine be wasted? Exhortation to Duty. 29. These are the crowns that we shall wear. Heaven. 30. Thy works, not mine, O Christ [Lord]. The Sin-bearer. 31. Where the faded flower shall freshen. Heaven. vi. From Hymns of Faith and Hope. 2nd series, 1861. 32. Be still, my soul, Jehovah loveth Thee. Rest in the Love of God. 33. Christ has done the mighty work. Good Friday. 34. Come, mighty Spirit, penetrate. Whitsuntide. 35. Deep down beneath the unresting surge. Burial at Sea. 36. Fear not the foe, thou flock of God [thou little flock]. Battle-Song of the Church. 37. For lack of love I languish. Lent. 38. From this bleak hill of storms. Eternal Rest desired. 39. He liveth long who liveth well. The True Life. 40. Here shall death's triumph end: the rock-barred door. Easter. From "The tomb is empty: wouldst thou have it full." 41. Jesus, Sun and Shield art Thou. Jesus the First and Last. 42. Jesus, the Christ of God. Praise to Christ. 43. Light of the world, for ever, ever shining. Christ the Light of the World. From "Why walk in darkness? Has the dear light vanished?" 44. Make use of me, my God. Duty desired. 45. Not what I am, 0 Lord, but what Thou art. The Love of God. 46. 0 Light of Light, shine in. Cry of the Weary. 47. 0 love of God, how strong and true. Love of God. 48. 0 love that casts out fear. Love of God. 49. 0 strong to save and bless. Lent. 50. 0 this soul, how dark and blind. Lent. 51. Safe across the waters. Thanksgiving at end of a journey. 52. Silent, like men in solemn haste. Pressing onwards. 53. Speak, lips of mine. Exhortation to Praise. 54. The Bridegroom comes. Advent. vii. From Hymns of Faith and Hope. 3rd series, 1866. 55. Bear Thou my burden, Thou Who bar'st my sin. Lent or Passiontide. 56. Done is the work that saves. Easter. 57. Father, our children keep. Prayer on behalf of Children. 58. Fill Thou my life, 0 Lord my God. Life's Praise. 59. Finish Thy work, the time is short. Earnest labour to the end. 60. From the Cross the blood is falling. Good Friday. 61. He called them, and they left. Obedience. 62. Help me, my [0] God to speak. Truth desired. 63. Holy Father, Mighty God. Holy Trinity. 64. How are my troubles multiplied. Ps. iii. 65. How sweetly doth He show His face Flower Service. 66. Light hath arisen, we walk in its brightness. Sustaining power of Faith. 67. Lo, God, our God has come. Christmas. 68. Lord, give me light to do Thy work. Divine guidance desired. 69. No, not despairingly. Lent. 70. Not to ourselves again. Life in Christ, or, Living unto God. 71. Now in parting, Father, bless us. Post Communion. 72. Sounds the trumpet from afar. Battle-Song of the Church. 73. Thee in the loving bloom of morn. God in all. 74. Through good report and evil, Lord. Faithfulness. 75. To Jehovah, God of might. Praise to the Father. 76. To the name of God on high. Doxology. 77. Upward, where the stars are burning. Heavenward Aspirations. 78. We take the peace which He hath won. The Gift of Peace. 79. When the weary, seeking rest. Intercession for all Conditions of Men. viii. From The Song of the New Creation,1872. 80. For the Bread and for the Wine. Holy Communion. 81. Light of life so softly shining. Light of Life. 82. Yet there is room. The Lamb's bright hall of song. Home Missions. ix. From Hymns of the Nativity, 1879. 83. Great Ruler of the land and sea. Sailors' Liturgy. From Communion Hymns, 1881. 84. Beloved, let us love. Brotherly Love. In several instances these hymns are given in an abbreviated form, and sometimes alterations are also introduced. In this latter respect however Dr. Bonar has suffered less than most modern hymn-writers. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bonar, Horatius, p. 161, i. He died at Edinburgh, July 31, 1889. In 1890 his son published a posthumous volume of his poetical pieces as Until the Day Break and other Hymns and Poems left behind. The following additional hymns are in common use:— 1. Almighty Comforter and Friend. (1866.) Whitsuntide. 2. Father, make use of me. An altered form of No. 44, p. 162, ii. 3. I ask a perfect creed. (1861.) Creed not Opinions. From this is also taken "O True One, give me truth." 4. Long, long deferred, now come at last. Marriage of the Lamb. Part of "Ascend, Beloved, to the joy." (1861.) 5. Nay 'tis not what we fancied it. (1857.) Vanity of the World. 6. No blood, no altar now. (1861.) The Finished Sacrifice. 7. No shadows yonder. (1857.) Heaven Anticipated. 8. Not with the light and vain. (1857.) Godly Companionship. 9. O Love invisible, yet infinite. (1866.) Divine Love. 10. On the great love of God I lean. (1866.) Love of God our Resting-place. 11. On Thee, O Jesus, strongly leaning. (1866.) Fellowship with Christ. 12. Peace upon peace, like wave on wave. (1866.) Divine Peace. 13. Sower divine, sow the good seed in me. (1857.) Heavenly Sowing. 14. Speaketh the sinner's sin within my heart. (1866.) Ps. xxxvi. 15. Still one in life and one in death. (1857.) Communion of Saints. Part of "'Tis thus they press the hand and part." 16. Surely, yon heaven, where angels see God's face. (1857.) Heaven Anticipated. 17. That city with the jewelled crest. (1857.) Heaven. Part of "These are the crowns that we shall wear." Another cento from the same is "Yon city, with the jewelled crest." 18. That clime is not like this dull clime of ours. (1843.) Heaven. 19. The Free One makes you free: He breaks the rod. (1857.) Freedom in Christ. From "Of old they sang the song of liberty." 20. There is a Morning-star, my soul. (1357.) Christ the Morning Star. 21. This is the day of toil. (1866.) Pressing Onwards. 22. Thy thoughts are here, my God. (1866.) Holy Scripture. 23. Till the day dawn. (1857.) Life's Journey. 24. To Him Who spread the skies. (1866.) Creation's Song. 25. Trustingly, trustingly. (1866.) Trust. 26. Unto th' eternal hills. (1866.) Ps. cxxi. The above dates are: 1843, Songs in the Wilderness; 1857, Hymns of Faith and Hope, 1st Series; 1861, same, 2nd Ser. (not 1864); 1866, same, 3rd Ser. (not 1867), The dates 1857, 1864,1867, were given by Dr. Bonar, but the British Museum copies are 1857, 1861, 1866 respectively. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Bonar, H., pp. 161, i.; 1554, i. The Rev. H. N. Bonar, Dr. Bonar's son, published in 1904, Hymns by Horatius Bonar, Selected and Arranged by his Son H. N. Bonar, With a brief History of some of the Hymns, &c. (London: H. Frowde). From this work we must correct the date of his Song of the New Creation to 1872. We have also enriched our pages by additional and expanded notes on several of Dr. Bonar's most widely used hymns. In his biographical notes, Mr. Bonar refers to Dr. Bonar's work as editor of the Quarterly Journal of Prophecy, begun in 1848, to which he contributed a hymn for each number. We find that the number of hymns contributed thereto is 101. With Dr. Bonar's poetical productions great difficulty has been encountered by the historian and annotator because of his absolute indifference to dates and details. It was enough for him that he had written, and that the Church of Christ approved and gladly used what, out of the fulness of his heart, he had given her. --Excerpt from John Julian, Dictionary of Hymnology, New Supplement (1907)

Grant Colfax Tullar

1869 - 1950 Hymnal Number: 58 Composer of "[Face to face with Christ my Savior]" in Rodeheaver's Gospel Solos and Duets No. 2 Grant Colfax Tullar was born August 5, 1869, in Bolton, Connecticut. He was named after the American President Ulysses S. Grant and Vice President Schuyler Colfax. After the American Civil War, his father was disabled and unable to work, having been wounded in the Battle of Antietam. Tullar's mother died when he was just two years old so Grant had no settled home life until he became an adult. Yet from a life of sorrow and hardship he went on to bring joy to millions of Americans with his songs and poetry. As a child, he received virtually no education or religious training. He worked in a woolen mill and as a shoe clerk. The last Methodist camp meeting in Bolton was in 1847. Tullar became a Methodist at age 19 at a camp meeting near Waterbury in 1888. He then attended the Hackettstown Academy in New Jersey. He became an ordained Methodist minister and pastored for a short time in Dover, Delaware. For 10 years he was the song leader for evangelist Major George A. Hilton. Even so, in 1893 he also helped found the well-known Tullar-Meredith Publishing Company in New York, which produced church and Sunday school music. Tullar composed many popular hymns and hymnals. His works include: Sunday School Hymns No. 1 (Chicago, Illinois: Tullar Meredith Co., 1903) and The Bible School Hymnal (New York: Tullar Meredith Co., 1907). One of Grant Tullar's most quoted poems is "The Weaver": My Life is but a weaving Between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the under side. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas And explain the reason why. The dark threads are as needful In the Weaver's skillful hand, As the threads of gold and silver In the pattern He has planned. He knows, He loves, He cares, Nothing this truth can dim. He gives His very best to those Who chose to walk with Him. Grant Tullar --http://www.boltoncthistory.org/granttullar.html, from Bolton Community News, August 2006.

Cleland Boyd McAfee

1866 - 1944 Person Name: C. B. McAfee Hymnal Number: 65 Composer of "[There is a place of quiet rest]" in Rodeheaver's Gospel Solos and Duets No. 2 Cleland Boyd McAfee (September 25, 1866 – February 4, 1944) was an American theologian, Presbyterian minister and hymn writer, best known for penning the gospel hymn, "Near to the Heart of God," and its tune called "McAfee". He wrote the song after the concurrent deaths of two of his young nieces, caused by diphtheria. McAfee was born in Ashley Missouri, in 1866, as one of five children. His father, John A. McAfee, was the founder of Park College in Parkville, Missouri. The younger McAfee graduated from Park College in 1884, and later graduated from Union Theological Seminary in New York. McAfee went on to serve as a professor of philosophy, choir director, pastor and dean of Park College until 1901, when he left to minister at the First Presbyterian Church of Chicago. McAfee moved from First Presbyterian in 1904, to pastor the Lafayette Avenue Church of Brooklyn, in Brooklyn, New York. McAfee also taught systematic theology at McCormick Theological Seminary, from 1912 to 1930. In 1912, McAfee authored the treatise, "The Greatest English Classic: A Study Of The King James Version Of The Bible." He was moderator of the General Assembly of Presbyterian Church in the United States, and led the Presbyterian Board of Foreign Missions from 1930 to 1936. He died in 1944. On August 10, 1892, McAfee married Harriet "Hattie" Lawson Brown; they had three children, Ruth Myrtle, Katharine Agnes, and Mildred Helen. Mildred Helen McAfee Horton went on to become the first director of WAVES (Women Accepted for Volunteer Emergency Service) in the United States Navy. --en.wikipedia.org/wiki/Cleland_Boyd_McAfee

George Bennard

1873 - 1958 Person Name: G. B. Hymnal Number: 2 Author of "The Old Rugged Cross" in Rodeheaver's Gospel Solos and Duets No. 2 George Bennard (1873-1958) was born in Youngstown, OH. When he was a child the family moved to Albia, Iowa. He served with the Salvation Army in Iowa for several years before he was ordained in the Methodist Episcopal Church. His hymn "Speak, my Lord" appears in Triumphant Service Songs (Chicago: Rodeheaver Hall-Mack Co., 1934). He wrote words and tune for his best known hymn "The Old Rugged Cross" in 1913. Mary Louise VanDyke

M. A. Kidder

1820 - 1905 Person Name: Mary A. Kidder Hymnal Number: 17 Author of "Ere You Left Your Room" in Rodeheaver's Gospel Solos and Duets No. 2 Used pseudonym: Minnie Waters ========== Mary Ann Pepper Kidder USA 1820-1905. Born at Boston, MA, she was a poet, writing from an early age. She went blind at age 16, but miraculously recovered her sight the following year. She was a member of the Methodist Episcopal Church. In 1844 she married Ellis Usher Kidder, a music publisher, working for the firm founded by his brother, Andrew, and they had three children: Mary Frances, Edward, and Walter. That year they moved to Charlestown, MA, and in 1857 to New York City. When the American Civil War broke out, Ellis enlisted in the 4th Regiment as a private. Mustered in for two years of service, he died of disease in 1862, six days after participating in the Battle of Antietam. Left alone, with three children to care for, her writing hobby became a much needed source of income. She began writing short stories, poems, and articles and submitting them to various magazines and newspapers. For over 25 years she wrote a poem each week to the New York Ledger and others to the Waverly Magazine and New York Fireside Companion. She also frequently contributed to the New York Weekly, Demorest’s Monthly, and Packard’s Monthly. It was estimated that she earned over $80,000 from her verse. She lost two of her children when Walter drowned while swimming, and 18 years later, her daughter, Mary Frances, a talented sketch artist, died of heart disease. Mary Ann was active in the temperance movement and one of the first members of the Sorosis club, a women’s club. She loved children and animals. Her daughter-in-law described her as gentle, patient, always serene, and a good listener. She was fiercely independent and refused to lean on others for support, mentally or materially. Mary Ann lived for 46 years in New York City. She is said to have written 1000+ hymn lyrics. She died at Chelsea, MA, at the home of her brother, Daniel, having lived there two years. It is said that her jet-black hair never turned gray, which was a real grief to her, as she longed for that in advancing age. John Perry =========== Kidder, Mary Ann, née Pepper, who was born in Boston, Massachusetts, March 16, 1820, is the author of "Lord, I care not for riches" (Name in the Book of Life desired), and "We shall sleep, but not for ever" (Hope of the Resurrection), both of which are in I. D. Sankey's Sacred Songs & Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Kidder, Mary Ann, née Pepper, p. 1576, i. Mrs. Kidder died at Chelsea, Mass., Nov. 25, 1905. She was a member of the Methodist Episcopal Church, and resided for 46 years in New York City. --John Julian, Dictionary of Hymnology, New Supplement (1907)

W. C. Martin

1864 - 1914 Hymnal Number: 33 Author of "The Name of Jesus" in Rodeheaver's Gospel Solos and Duets No. 2 Rv William Clark Martin USA 1864-1914. Born at Hightstown, NJ, he graduated from the Peddie Institute in Hightstown in 1884, and in 1891 from the Crozer Theological Seminary, Upland, PA. He became minister of the Grace Baptist Church, Camden, NJ,(1891-1894); Noank Baptist Church, Noank, CT (1894-1900); Tabernacle Baptist Church, New Albany, IN (1902-1904); First Baptist Church, Seymour, IN (1902-1904); First Baptist Church, Bluffton, IN (1904-1909); Grace Baptist Church, Somerville, MA (1909-1912); and First Baptist Church, Fort Myers, FL (1912-1914). In 1891 he married Euretta (Etta) May Wilcox, and they had at least three children (no names found). He penned many hymn lyrics. He died of heart failure at his farm in Rialto, FL. John Perry

Mary Brown

1856 - 1918 Hymnal Number: 36 Author of "I'll Go Where You Want Me to Go" in Rodeheaver's Gospel Solos and Duets No. 2 From the Norwich Bulletin, Norwich, Connecticut, January 23, 1918: The death of Miss Mary M. Brown at Backus Hospital Tuesday morning saddened a host of friends and the different pupils who have had the benefit of her instruction for so many years. Miss Brown was born in Natick, R. I., May 19, 1856. She was the daughter of Lydia A. Higgins and Joseph R. C. Brown. Her common and high school education was received in Rockport, Mass. At the time there was a normal school in Norwich over twenty years ago, she took the course there and was graduated, after which she taught in the Model School in Norwich. Miss Brown has taught in the Jewett City schools for twenty years. A teacher more faithful to the interests of the scholars and school cannot be found. Her interest in the welfare of her pupils did not cease after they went out from under her care. Her everready pen in poetical compositions for occasions of various kinds was in great demand and the verses were always of a beautiful sentiment, expressed in the best of language. The words for the Christian Endeavor Consecration hymn, "I'll Go Where You Want Me to Go" known and sung wherever sacred music is used, where written by Miss Brown. Her artistic ability was developed in many lines. She was a woman unusually gifted with literary talent. Miss Brown was a member of the Baptist Church. She was one of the original ten members forming Whatsoever Circle of The King's Daughters and has served as its leader. She was a member of the Ladies' Aid Society and Mission Circle, and had been a teacher in the Sunday school. A woman faithful in many things has gone to her reward. She is survived by a sister, Mrs. Nettie Johnson of Jewett City, a brother, E. Frank Brown of Woonsocket, R. I., and niece, Miss Marion H. Johnson of Willimantic. --Submitted to Leonard Ellinwood by Lillian Cathcart, local historian of Norwich, Connecticut. DNAH Archives Excerpt from letter from Julia Bair to Leonard Ellinwood, 22 August 1977: I just talked with Mrs. Samuel Cathcart, our local historian, about Mary Brown. She did live in Jewett City in the late 1800's and wrote that hymn around 1890 as you indicated. However, someone changed one word in her original poem and had it copyrighted. She was never known as Charles Gabriel. She was a teacher here in Jewett City and I talked yesterday with one of her pupils! The music of this hymn (Mary Brown's original) was written by an officer in the Jewett City Savings Bank at that time. --DNAH Archives